Django Unchained


Viewed – 29 January 2012  Cinema

When Quentin Tarantino makes a movie, it’s an event.  Fact.  Few director’s have the kind of celebrity status he enjoys, and thankfully more often than not, he can deliver.  Over the years I would say he has evolved, from merely the movie geek wonder kid with a series of snappy scripts and a growing cult fan base, into a film-maker of true credibility.  2009’s Inglorious Basterds proved that, and now with this highly anticipated latest effort, he’s painting the classic spaghetti western in his trademark sharp-as-a-knife dialogue, clever-ass narrative and obscure soundtrack.

Django Unchained

Jamie Foxx (Ray, Colateral) plays Django, a slave who teams up with savvy bounty hunter King Shultz (Inglorious Basterdz’ Christoph Waltz) who promises to help him track down and free his wife, who has been sold off to a local tycoon, Calvin Candie (Leonardo DiCaprio).   Now as should be expected, this isn’t like every other western you might have seen (technically it’s a southern, according to Quentin) with Tarantino’s usual mix of sporadic violence, smattering of carefully implemented comedy and lengthy scenes of tense dialogue all aided by a soundtrack so bizarre and obscure, that the whole thing threatens to turn into farce.  Yet Tarantino is better than that and somehow makes it all work, especially once you get into the groove.  Waltz, as in Basterdz steals the show with a brilliantly charming but no less deadly performance, aided by a perfect Foxx, who owns the title role.  Of course it should go without saying that DiCaprio is also excellent in possibly his first villainous turn (proving very psychotic), and a special mention should go to Samuel L. Jackson who as always lights up the screen every time he appears.

Naturally though this is QT’s gig, working from his own brilliantly entertaining and often shocking script (his take on the slave trade utterly humbled this viewer) … and although stylised and at times comic-book-like (the bloody violence clearly exaggerated) still nails one of the darker times in American history.

Essential.

Verdict:  5 /5

The Other Guys


Viewed – 01 January 2012  Blu-ray

As my first movie viewing of the year, a comedy seemed as good a choice as any, and having recently enjoyed Elf, seeking out something else starring comedy actor Will Ferrell was an enticing prospect.  Here he is paired with normally serious actor Mark Wahlberg as one part of a cop partnership who never see the outside of the office, mainly because hot-shot super cops Samuel L. Jackson and Dwayne ‘the rock’ Johnson get all the limelight.  Yet when tragedy strikes, Wahlberg see’s it as his opportunity to be the hero, having languished in obscurity following his own fall from grace after accidentally shooting a football star.

Will Ferrell is naturally the comedy sidekick here, and is likable and at times quite funny.  Mark Wahlberg looks much more out-of-place however and is not a natural fit for comedy hijinks.  The biggest problem here though is not its cast, but the writing and dialogue, with a main plot so convoluted as to become uninteresting very quickly (with a pointless Steve Coogan), and a gag-quota so hit and miss (mostly miss) that for the most part, the movie looks like its struggling to be funny – with a few too many absurd moments that don’t fit in with setting or story (a ballet dancing Wahlberg?).  Thankfully some of the action is fairly well done and the movie is quite stylish.  Ferrell as expected is enjoyable despite the poor material which says a lot for the actor, but Wahlberg really doesn’t belong here.

Perhaps not the best choice for first viewing of 2012 then.  Ah well.

Verdict:  2 /5

Star Wars: Episode III


Viewed – 11 October 2011  Blu-ray

Revenge Of The Sith

It’s easy to see what many Star Wars fan boys have taken issue with in regards to the new trilogy.  The reliance on CGI and poor dialogue and misplaced ‘comedy’ has seemed to take away much of the mystique and grandeur of the saga they grew up loving.  George Lucas whilst a talented visualist, is not really the best director of actors, shown with such seasoned heavy weights like Christopher Lee, Samuel L. Jackson and even Ewan McGregor coming across as hammy and wooden at times.  Yet much of these complaints can’t be levelled quite as easily at the concluding first half of this epic saga.  Lucas and his talented staff of effects wizards and production designers seem to have finally delivered the Star Wars movie fans have been waiting for.

With the Clone Wars in full swing, Jedi Knight Anakin Skywalker (Hayden Christensen) and Jedi Master Obi Wan Kenobi (Ewan McGregor) are given a mission to rescue Chancellor Palpetine (Ian McDiarmid) from the clutches of Count Dookoo (Christopher Lee) and droid leader General Grievous.  Yet the rescue of Palpatine causes Anakin to question his faith in the Jedi council as Palpatine begins to manipulate him with regards to his secret marriage to Padme (Natalie Portman).  Anakin’s journey to the darkside looms ever nearer.

Darker in tone and with a more confident performance from Christensen, despite still delivering lines like a spoilt brat … there is something about this third entry that feels much more akin to the Star Wars movies of yesteryear.  Anakin’s journey to the darkside is well written and convincing, with very emotional support from Portman and McGregor hammering home the real intensity of the situation, making this feel more like a Shakespearian tragedy than a throwaway sci-fi blockbuster.  The encounters, which are plentiful and brilliantly realised build with intensity and at times the action really took my breath away, helped immeasurably by John Williams’ epic score and some of the finest special effects I have ever seen.

Lucas’ struggle with dialogue still rears its head, with some laughable lines (and a little too many ‘classic’ quotes), but overall this is streets ahead of Episode I & II, and although clearly rushed towards the end, comes together well to make the older movies, set some time after this, fit seamlessly.

The Blu-ray is gorgeous.  This is probably the best looking of the newer trilogy, with little of the soft-focus of episodes 1 & 2, and with a vibrant colour palette and a booming soundtrack, this should please any cinefile out there.  Again we have commentaries and a whole extra disk of documentaries and interviews, so again any fan should have nothing to grumble about.

Verdict:  4 /5

Star Wars: Episode One


Viewed – 19 September 2011  Blu-ray

The Phantom Menace

The anticipation for this movie was ridiculous leading up to its relase back in 1999.  16 years since the last Star Wars movie, Return Of The Jedi, and many fans considered the original trilogy done.  Yet Director and creator George Lucas had always envisioned more than three movies, and so we come to this, Episode One, set over thirty years before the first movie.

Obi-Wan Kenobi (Ewan McGregor) is an apprentice to Jedi Knight Qui-Gon Jinn (Liam Neeson), who stumble upon corruption and a planned invasion following a peaceful meeting with the evil trade federation.  Soon arriving on the planet of Naboo they choose to warn reining Queen Amidala (Natalie Portman) of the threat and soon help her to escape, hiding out on desert planet Tatooine, where Qui-Gon discovers a young boy (Anakin Skywalker) who may be the proficy that will bring balance to the force.

The Phantom Menace as with its two follow ups, can be seen as an origin story to Darth Vader, and the building blocks that eventually cause the rise of the empire.  The casting here is mostly impressive, with Ewan McGregor and Liam Neeson perfect as two bad-ass Jedi’s.  Jake Lloyd however in the pivotal role of Anakin Skywalker struggles to hide his stereotypical basin-haired American child actor roots and is, in my opinion, mostly annoying … a travesty considering how important his role is to the entire saga.  This is not helped by the god-awful talent of the actress playing his mother, whose performance is so wooden I thought someone had dressed up a chair in Tattooine slave clothing.  The less said about Jar Jar Binks the better – he is pointless, especially when you consider C-3PO also makes an appearance here.

But lets not be too harsh.  This is a movie that above all else, looks the f****** nuts, with beautiful set design, gorgeous cinematography and stunning special effects throughout.  The design team here certainly breathed new life into a very old story, even if the script writer’s self-indulgence with sci-fi mumbo-jumbo and long-winded political debate often ruins the pace.  The action is good though, with a stand out being the exceptional pod-race which should easily showcases anyone’s home cinema system.  The final confrontation between Darth Maul and the two Jedi’s is also superb.

The movie has problems, is probably trying too hard in places, but sets up what happens in the next two movies well.  Yes sometimes it feels a touch too closely aimed at kids, the comedy moments fall flat, and supporting actors struggle next to their big-name counterparts, but overall this is fun, and has moments of brilliance … which is surely enough to make you want more?

Apparently this new Blu-ray release is a complete remaster of the original, but going by the overly soft, detail-light picture I see before me, I feel it isn’t a dramatic upgrade from the original DVD apart from looking, erm, cleaner.  That’s not to say it doesn’t look good – in many places it really does, but for a movie this visually dynamic, I expected much more.  Sound-wise there is no such issue, as this one jumps out of the speakers and shakes the room up brilliantly – something the Star Wars saga has always achieved admirably.  Extras are limited to a couple of commentary tracks on the disk containing the movie, one from George Lucas and some of the design team, the other from the cast.  Both well worth a listen, and when you consider the newly released Blu-ray box set is packed with documentaries and behind the scenes footage (on separate disks), there is more here than you’re likely to get through any time soon.

Verdict:  3 /5

Oh Tarantino, where art thou?


I watched Kill Bill: Vol.2 on television last night, and although I enjoyed it to the point I didn’t go channel surfing like I normally do when I watch TV late at night by myself…it’s still seriously flawed.  I haven’t seen it since eagerly cueing up at my local multiplex several years ago after absolutely adoring Kill Bill Vol.1

Yet Quentin Tarantino has to be one of the most hit and miss directors to ever reach mainstream stardom, and although Pulp Fiction remains my all time favourite movie, everything else he has done (Kill Bill Vol.1 aside) is patchy as hell.  Ok, Jackie Brown had a good story, but thats more down to Elmore Leonard than anyone else, and its still desperately in need of an editor, as its over-long and stylised when it needs no heavy style, and the characters are mostly unlikable…including Samuel L. Jackson’s small time arms dealer.  Tutt tutt.  Then look at Kill Bill Vol.2, following up Tarantino’s superb return to form after ‘Brown and is once again over-long, peppered with ridiculous, unintentionally funny dialogue and an ending that pretty much destroys the whole point of the movie.  Grr.

Then look to his latest, Death Proof, a poorly acted, ridiculously dialogued movie with a promising, scary first half and a stupid second half.  Now what Tarantino has learnt over the years is film technique – he can frame a shot and use camera work and editing well when given the right material – and he can do action as good as the best of ’em, but he remains self-indulgent and a bit of a geek, needing as I have said once before on this site, to quit wallowing in his boyhood fantasies, ditch the foot fetishes, the comic book, pop-culture referrences and take a leaf out of Paul Thomas Anderson’s book (Magnolia, Boogie Nights, There Will Be Blood) and start making real movies.

Come on Quentin, you have the ability – you can do it…and finally get that credibility that the likes of Scorsese and Spielberg have had for decades!  Somehow I don’t see Inglorious Bastards doing it.