I can’t say I was all that hyped by this. Despite seeing the trailer at one stage, I had pretty much passed it off as just another typical Liam Neeson thriller. Now at one stage that phrase would have been exciting. After all Taken remains one of the best thrillers of the last decade or so. He followed this up with similar high-concept thrillers like Unknown, the two Taken sequels and Non-Stop. So as you can imagine, it soon began to get a little clichéd. Just as well then that this movie was a pleasant surprise.
Neeson plays an Insurance Salesman who takes the train to and from work every day and has done for the last ten years. Nothing all that interesting ever happens. However one day after hearing some bad news, he’s heading back home when a mysterious woman (Vera Farmiga) approaches him and offers a task – find a particular person and place a tracking device on them. If he does so before his stop comes, he’ll receive a bundle of cash. Easy huh?
Think Hitchcock’s ‘Strangers on a Train’ meets ‘Speed’ with plenty of fist fights. I was swept up in the ‘who is it’ mystery of it all, what the people the woman works for might want with said person and just how Neeson is going to get out of an increasingly desperate situation. Add a claustrophobic setting and welcome support from Sam Neil and Patrick Wilson and I found myself suitably thrilled. Neeson can make even the silliest plot work with his grizzled Irish charm and screen presence, and although it gets rather crazy and typical Hollywood-over-the-top in the final act – I came away both surprised and thoroughly entertained.
One not to pass up just because you might think you’ve seen it all before.
I thought I’d finally get around to this popular and highly regarded animated movie following the current hype for the newly released Lego Batman Movie. Now I must say despite being a big fan of animation, the style and concept of animated Lego characters didn’t exactly appeal and I think I only played with Lego bricks fleetingly as a child. However having played bits of various Lego videogames and hearing a lot of good things about this movie – I thought I’d give it a chance.
A nobody construction worker named Emmet (voiced by Chris Pratt) dreams of fitting in, having friends and enjoying life, but quickly realises most of his fellow workers ignore him because there’s nothing ‘special’ about his personality. One day following an incident at the construction site, Emmet stumbles upon a mysterious girl who catches his eye, then discovers a grand scheme involving a sacred relic and a megalomaniac President that might be his chance to become a ‘somebody’. This is fun, energetic and entertaining from the off and a clear satire of our growing superficial, social-media obsessed society and it’s focus on annoying EDM music as well as an obvious stab at our current political climate (with an eerie prediction of Trump). It’s not quite as sharp or as funny as I was expecting and is surprisingly light on pop-culture jokes or references other than appearances from various comic book and movie characters. Therefore, there’s not a great deal here for adults, unlike other animations. That being said it zips along at an almost exhaustive pace and throws plenty of action and spectacle meaning I was far from bored. A twist towards the end also turned the movie into a more heart-warming experience than up to that point I’d been lead to believe.
With memorable voice work from Morgan Freeman, Liam Neeson and Will Ferrell amongst others … this was still fun, but for me no animated classic.
When Liam Neeson defied expectations and proved a credible action star in the breakout hit Taken, I couldn’t wait to see what would come next. However what we did get were a series of thrillers that all seemed to come from the same blueprint, delivering entertainment of rapidly deteriorating quality … Taken’s own sequels a prime example.
However I came to this fairly well reviewed revenge thriller with a degree of optimism because well, Neeson is still a solid screen presence and with the right script can really deliver the goods. Sadly then this wasn’t the case here. Neeson plays a down on his luck mobster, estranged from his son and still hanging out with his gangster friend Ed Harris. Yet one night Ed Harris’ loose-cannon son gets in a sticky situation with some Albanian drug dealers and is soon involved in murder – that get’s witnessed by Neeson’s limousine driver son. Neeson then has to protect his only son from this unhinged hoodlum that he’s forced to kill, which pisses off old friend Harris – and so sets forth a night of retribution and well, a lot of running.
Slightly convoluted story aside, the concept here is decent, and the performances, especially Harris and Neeson are not bad. RoboCop remake’s Joel Kinnaman is also passable as Neeson’s clean-cut son … but the big let down here is the direction from usually commendable Jaume Collet-Serra (the underrated ‘Unknown’ and cult classic ‘Orphan’). He chooses to shoot the whole movie like a rapidly edited pop-video that really didn’t suit the gritty, realistic tone and spoils pretty much every attempt at a good moment. A car chase is dizzying and just not enjoyable to watch. Shoot outs get tiresome very quickly, and even quiet character moments are awash with camera angles that don’t stay in one place for more than a second. The writing is also pretty lazy and get’s rather silly at times just to help the plot along (leave the hit man alive? Really??).
Some plot elements like how Neeson won’t let his son fire a gun and the father / son bonding or the friendship between Harris and Neeson, helped give the movie some depth – and in better hands, could have made for much more memorable fair (Michael Mann comes to mind, considering we get a steal of Heat’s famous coffee shop scene). But no, this was just sloppy style for the sake of sloppy style, that took any potential and ruined it.
Sean Penn isn’t the first person that comes to mind when you’re talking action movies … he’s more your method actor thesp with a few decent performances under his belt. However with not a great deal to choose from at the cinema recently, this movie from the director of Taken (is that a trusted recommendation these days?) made for an intriguing prospect.
Penn plays a special forces operative in the Congo on a top secret mission where he is involved in the assassination of a politician. He subsequently goes into hiding following the hit and has to turn his back on his sultry girlfriend (Jasmine Trinca) and his best bud (Jarvier Bardem). Eight year’s pass and he’s working as an aid worker in a village when a hit squad recognise him and attempt to kill him. Scared and worried who might have been talking, Penn goes about tracking down his former colleagues in search of answers.
Penn is on fine form and handles some slick, violent action with ease – this is certainly a side we don’t normally see from him and like his predecessor Liam Neeson he acquits himself with honours. This surprises and shocks in equal measure with some brutal violence and an intense, nerve-wracking tone. A clever brain-injury plot device aside, It lacks the emotional wallop of Taken and Penn doesn’t quite have Neeson’s charisma, but buffed up and breaking skulls a plenty, he still does a decent job. Supporting cast especially Bardem as the grinning, shifty friend and a weary-looking but enjoyable Ray Winston add flavour and we even get Idris Elba as a shadowy Interpol agent.
It’s not about to spawn a franchise like Taken (thankfully) and probably won’t become a classic due to a sometimes confusing plot, but for fans of gritty, bone-crunching thrillers that don’t let up – this one is worth your time.
Liam Neeson has become quite the go-to guy for action thriller’s of late, following his superb turn in ‘Taken’. We won’t mention the sequel… So I generally find sitting down to his latest hard-as-nails agent in a difficult situation thriller an easy prospect. He plays a U.S. Air Marshall boarding a plane as the hired security. All seems well until he receives a text from a fellow passenger saying someone on the plane will be killed every twenty minutes, unless $150 million is transferred into an account.
A good concept and a claustrophobic setting make for a very interesting twist on the usual terrorist plot-device. Neeson is great as always, and the fact the terrorist makes Neeson look like he’s the guy hi-jacking the plane adds bags of tension. Along the way various suspects turn up for who the texter may be and you’ll surely have your theories, which makes for fun guess-who shenanigans as Neeson tries every trick in the book to unmasks his tormentor. Julianne Moore plays a passenger Neeson befriends but adds little considering her name, and much of the supporting cast, the pilot, various passengers etc just make up the numbers. So have no doubt this is Neeson’s gig all the way.
Towards the end the final unmasking felt a little ‘er.. what?’ with the motives somewhat confusing, but throughout there was enough tension and red herrings thrown about to keep this viewer gripped. Neeson may still be trying to reclaim the brilliance of Taken, and this still falls short, but overall I came away suitably entertained.