In my ongoing quest to watch and review director John Carpenter’s back-catalogue, we come to this 1987 somewhat ignored entry in his filmography. Starring genre favourite and Carpenter regular Donald Pleasence as a priest who stumbles upon a decades long secret held by a church, that has been housing a sinister, mysterious force in it’s basement. On the death of the priest last given the task of keeping the secret er…secret, Pleasence turns to a college professor (Big Trouble in Little China’s Victor Wong) who recruits a group of students to monitor and understand the strange discovery.
I’ve been a fan of this movie for a while, having caught it on TV numerous times. However on viewing it recently it dawned on me that it’s night quite the sum of it’s parts. Firstly the acting varies from passable to pretty bad, and dialogue is delivered like the cast are reading autocues, with a consistent lack of feeling. The setting is at least creepy and unnerving and acts as a character of it’s own, and the weird vat of green mist / goo is suitably is ominous. Also in the final act the movie cranks up the freakiness and proves effective especially once the evil presence starts taking affect on various characters. The idea is probably a bit too ambitious for it’s own good and doesn’t quite deliver either in scares or concept, feeling half-finished. It also takes itself way too seriously. Not one of Carpenter’s worst, but not up their with his best either.
I didn’t manage to pick up the also available deluxe edition of this Studio Canal release that comes in the same packaging treatment as the recently released Escape from New York and The Fog, but we still get some decent extras. This includes the always essential John Carpenter commentary, as well as interviews, scene analysis, trailers, behind the scenes featurette and a photo gallery. The movie itself is in decent shape, with Carpenter’s eerie score proving especially effective in DTS HD 5.1. Dialogue is also crisp and the movie looks good, if a little smudgy and overly soft in places. Overall above average treatment for a fun if ultimately unsatisfying movie.
Well hello everyone. I’ve had a bit of an extended break from this blog following Christmas and am now pondering what 2019 will bring. I’m really not sure but know i have some movies and games on the horizon… namely Resident Evil 2 remake, i mean how can i not be all over that? It was the game that got me to buy the original PlayStation. It remains my favourite of the franchise, and I’ve played and completed nearly all of the main releases. It also looks damn good too.
I haven’t really had my eye on the radar for what else is coming out entertainment-wise during the year. Some hopes I have for Metroid Prime 4 maybe getting released, and well, I’m looking forward to Tarantino’s Once Upon A Time In Hollywood. Tarantino does the Charles Manson murders? Hell yeah.
I finished watching season 1 of Ozark over Christmas so I’ll be diving into season 2 imminently. That’s a great show. I also finished the new series of Luther and damn, that was compelling and disturbing…just how that show should be.
We also got an LG 55 inch 4k TV recently and after some tinker g (i love to tinker) i think I’ve got it looking just right. Yeah, i have nothing 4k to throw at it but simply Blu-ray and regular tv shows look decent. It’s had some lip-sync issues I’ve had to figure out how to remedy and the black levels aren’t as good as I’d hoped… but when it looks good it looks friggin’ amazing (The Force Awakens … wow). I watched The Greatest Showman on this TV and it was a really good experience. Helped of course by my pretty damn good Onkyo home cinema receiver.
Well that’s all from me for now. I have a review coming soon but won’t say what it is yet.
Well it’s almost Christmas, and as I look over the past twelve months in preparation for my annual Top Ten movies, I notice that I haven’t dedicated as much time to this blog as I have in the past. I think it’s been a bit of a ‘life get’s in the way’ situation although I still really enjoy expressing myself here. So thankyou for sticking with me during the downtimes.
This past year has been good rather though, after all I got to see my favourite band, Garbage in concert again in September and even saw The League of Gentlemen live on stage, both experiences being particular highlights for me personally. It’s been great to get such opportunities and to go for them rather than shying away or letting other things, less memorable things take priority.
As far as this blog’s primary focus is concerned, there’s been a few underwhelming movies of which I’ll be compiling a ten disappointments like I did last year. On the gaming front there’s also been several highlights so look out for a post about that too. I’ll be posting these towards the end of the month with the Top Ten movies posting on 31st. Other than that there may be a couple more movie reviews and possibly a gaming impression or two before the end of the month as well as my usual Christmas day post.
How am I only now just getting around to seeng this 1980 classic by one of my favourite directors John Carpenter? I think I actually saw bits of it as a child but it never really crossed my path since. So what’s this one about? A quiet fishing town hold an anniversary of the founding of the town following the fateful crashing of a ship against the rocks on its shoreline 100 years previous. However, on this anniversary an ominous fog descends on the town, bringing with it a supernatural threat.
This is a particularly eerie premise that’s done justice by Carpenters assured, pacey direction (hot off the heals of Halloween) and Dean Cundey’s very effective cinematography. A colourful cast of characters including screen legend Janet Leigh as a real-estate agent and real-life daughter Jamie Lee Curtis as a free spirited hitch hiker … bring plenty of personality to proceedings. I was soon intrigued by everyones varying situations, especially that of the town’s lighthouse based resident DJ. The ghosts who lurk in the fog were also unnerving and that thump-thump-thump they make as they knock on doors, only added to the tension and feeling of dread.
It’s all pretty tame by most standards and isn’t all that scary or shocking, but with a setting that resembles to good effect Jaws and even Hitchcock’s The Birds, this slight but effective genre-offering still proved very entertaining.
Studio Canal are releasing several of John Carpenter’s back catalogue in special editions and this one is very special. In deluxe gatefold packaging, this comes with a poster, art cards, a detailed booklet, with the movie on 4K UHD as well as Blu-ray. I didn’t get chance to sample the 4K disc, but the image quality on the Blu-ray, for a mostly night-set movie is very pleasing and offers up some good detail. The sound is presented in standard stereo or 5.1 DTS Master Audio which proves effective if naturally not a surround sound showcase. Extras are plentiful including an archive commentary from Carpenter and producer Debra Hill, along with another commentary from key cast and crew. On a second disc we get trailers, behind the scenes features, storyboards and a scene analysis by Carpenter amongst other bits and bobs. They even throw in the CD soundtrack. Exceptional treatment for a somewhat forgotten, but still worthy horror classic.
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