When news reached me that beloved Japanese animation house Studio Ghibli were closing their doors, I was concerned that the type of movies seemingly unique to that studio, would never see the light of day again. Thankfully that concerned was quashed on hearing about this release from new studio ‘Studio Ponoc’ and directed by Ghibli stalwart Hiromasa Yonebayashi. Based on the children’s book ‘The Little Broomstick’ by author Mary Stewart, we have Mary, a spirited young girl who stumbles upon an enchanted broomstick one day after wondering into a misty forest. Soon she is transported to another world, a school for witchcraft not dissimilar to Hogwarts, where the colourful characters may be hiding a secret linked to a sacred flower.
This is where the movie revealed an identity crisis, that lingered throughout. Despite best intentions and a charming veneer of wonder and imagination with top-notch hand-drawn animation … echoes of the movie’s heritage and titles like Spirited Away and Kiki’s Delivery Service meant it all quickly began to feel overly familiar. No bad thing but the characters whilst interesting to look at and with some typically bonkers design … lacked personality. Apart from Mary herself, an endearing yet clichéd character for this type of movie … the villains and various side characters just came off as typical, with the villain’s scheme also not fully explored.
Yet a twist towards the end was welcome and brought the story full circle in a particularly satisfying way and add some fun action and plenty of energy – I still found a lot to enjoy. Ghibli-lite, but as (hopefully) the start of a new era for Japanese animation, this is a promising start.
A few years ago I was heavily into all things Hong Kong Action Cinema and explored not only the movies of the legendary Jackie Chan but everything from John Woo to Tsui Hark and Jet Li. I got pretty burnt out it has to be said but occasionally I’ll revisit that interest when I see one of the classics get the Blu-ray treatment. This 1985 action comedy has Chan as rule-breaking super-cop Ka-Kui, who following a successful raid on a shanty town to capture a notorious drug dealer, finds himself looking after a witness (played by genre queen Brigitte Lin).
This 1985 movie, the first in the long-running series … was a huge hit and won awards in it’s native land whilst helping turn Jackie Chan into the superstar we all know him as. Watching this movie now, whilst well structured and entertaining throughout, seems to lean a little too heavily towards comedy with drawn-out scenes devoted to silly gags and comical situations involving his girlfriend (Maggie Cheung) and often bumbling co-workers. Thankfully when the action does kick in it’s terrific, showcased in three varied scenes that prove without a doubt why Chan’s so respected, not just as a martial artist but also as a choreographer and daredevil with his unique brand of environment-using stunt work. Influences from the likes of Buster Keaton are obvious and even all these years later, watching him is mesmerising. Not exactly the greatest action movie Chan’s ever done or even his best movie but it’s still a classic for what it set in motion.
This UK Blu-ray from Eureka! Is presented as a double feature box set with Police Story 2 and boasts a detailed booklet as well as a wealth of extra features. We get three cuts of the movie (the original release, the Japanese extended cut & a shorter American home video cut), behind the scenes featurettes, archive interviews, a brief over-view of Chan’s stunt wok, deleted scenes and trailers. The movie itself is in decent shape, with a 4K re-mastered image that whilst boasting nice detail and vibrancy, some darker scenes suffer from a smudgy, overly dark appearance. The soundtrack is good though with both 5.1 DTS HD Master Audio soundtracks presented in English dubbed and Cantonese subtitled, although the movie’s age means those surrounds are barely used. Overall, solid treatment for a movie that’s still a great deal of fun.
Nostalgia is a funny thing. When I saw that this had been given the prestigious Criterion treatment, I immediately was transported back to when I saw this one night on TV many years ago and remember really liking it. Sitting down now with much more jaded eyes, it transpires it’s not quite the classic I thought it was, even though there’s still fun to be had. Jeff Daniels (Dumb and Dumber) plays Charles, a straight laced office worker who one day has a chance encounter with free-spirited Lulu (Melanie Griffith) who takes Charles on a road trip straight out of his comfort zone that awakens a side to him he never knew he had. Everything is going great until they bump into Lulu’s jail bird husband (Ray Liotta) who seems hell-bent on winning Lulu back.
Its a good concept and one I quickly felt engaged by, but once the ‘wild’ element of Lulu’s nature falls away and reveals who she really is, the movie stops dead, with a very awkward ‘lets go visit my mom’ scene and a drawn out high school reunion sequence. Thankfully once Liotta turns up the movie is cranked up several levels and transforms into more of a thriller. Liotta is brilliant, channelling that dangerous-charm he later honed to perfection in Goodfellas. Also Daniel’s proves much more than simply an every man for the audience to latch onto. Griffiths is also highly watchable and further proves why she was the go-to actress of the 80’s and has presence and personality to spare. The movie never really hits it’s stride though, suffering from a bit of an identity crisis and is neither funny enough to be a comedy, exciting enough to be a thriller or charming enough to be a love story. Like a lot of the other also-ran movies of the 80’s this one’s a bit of an oddity, but certainly retains a quirky appeal.
This UK Criterion release is rather underwhelming. The image quality, whilst showing off some vibrancy to it’s colour palette is marred by a lot of smudgy shots. There’s generally a soft look and lack of detail to the whole presentation. The 2 channel DTS HD soundtrack doesn’t exactly wow either, but dialogue is sharp even if music cues seem to lack punch. Extras consist of a detailed booklet that includes an essay by film critic David Thompson. On the Blu-ray itself there’s an archive interview with director Jonathan Demme and the screenwriter, and we also get a trailer. Not exactly the exhaustive treatment one might expect from Criterion.
I’m certainly a fan of Korean cinema. Over the years I’ve discovered some real gems and found myself liking certain directors and actors the more I see their movies. This critically acclaimed thriller follows Police captain Lee Jung‑Chool (Kang Ho-song) who infiltrates a group of resistance fighters who are reportedly planning a series of bombings on Japanese establishments during the Japanese occupation of Korea in the 1920s. As a Korean born man, Lee Jung finds himself questioning his allegiance when a charismatic resistance fighter befriends him and lets him in on their plans.
This tale of loyalty, double crosses and war time espionage is shot with no end of style and class. The set design and photography here is simply breath-taking and further cements director Kim Jee-woon (I Saw the Devil) as one of the best the country has to offer. Although at times overly-complicated, this was gripping stuff with some brilliantly executed set-pieces including a tense sequence aboard a train and an exhilarating finally set to the music of Maurice Ravel’s Bolero. Add to this two strong turns from Kang-Ho Song (Sympathy for Mr Vengeance, The Host) and Gong Yoo (Train to Busan) and even though occasional shoot-outs got a tad repetitive … it was the battle of wits at the centre of the story that came across the strongest.
Not one of those Korean movies I’d leap to recommend over so many others, but if you’re a fan of well-made world cinema, this is definitely worth your time.
I remember really liking this gritty drama back when I watched it in the mid nineties. It made a bit of a name of actor Temeura Morrison, who went on to play Jango Fet in the Star Wars prequels amongst other movies. This tells the story of a New Zealand Maori family headed by Jake, a charismatic tough guy prone to violent outbursts and a liking for alcohol. However it’s his wife who keeps the family together whilst he gets drunk with his friends at the local bar, and it’s her we follow as this brittle family try to stick together during increasing hardships.
An authentic look at suburban Maori life and the society they inhabit, with local gangs and homelessness and the constant threat of violence. It’s gripping and has a resemblance to movies like Boyz N The Hood and Menace to Society whilst at the same time having it’s own aesthetic and sense of time and place. The good times are portrayed with more than a little cheese however with characters breaking into singing to portray happiness, but it’s the hard times the movie excels at and doesn’t shy away from the horrors of domestic abuse. This is unflinching stuff, elevated by some decent performances especially from Rena Owen and an electrifying, career defining turn from Morrison. However support actors come off as rather amateurish and you get the impression, perhaps for realism the director may have cast one or two non-actors.
This remains a tough watch even today and makes for a engrossing and thought-provoking experience. Another gem from the 90s that you may not be that familiar with but is well worth you time.
The Blu-ray, to my knowledge the first time the movie has been given the HD treatment, is pleasing but underwhelming. I found the image, whilst clean seemed overly soft, and the rather drab colour palette used doesn’t help. However it’s still the best the movie has probably ever looked. The soundtrack is in both uncompressed 2.0 stereo or DTS HD Master Audio 5.1 and delivers clear dialogue and impactful music when used. Extras consist of a detailed ‘where are they now’ documentary, an interview with director Lee Tamahori and a trailer. Not too shabby.
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