Despite many people’s misgivings about Batman V Superman, few could argue that Gal Gadot’s sensual Wonder Woman was a particular highlight. Her appearance kept viewers eager for more, and so we have this origin story that focuses on how Diana (who funny enough is never referred to as Wonder Woman) came to be involved in a mission during (interestingly) the first world war. Quickly we’re introduced to Diana’s fantasy world of Amazonian warrior women and a loose connections to Greek mythology. There we have ConnieNielsen (Gladiator) as the reining Queen and also Diana’s mother, as well as the queen’s gutsy sister played by Robin Wright (House of Cards), who despite seemingly a departure for the actress, proves a good fit. However their peace is soon interrupted when an American pilot Chris Pine (Star Trek) crash lands at their shore, and Diana comes to his aid.
This plays mostly like a fish-out-of-water adventure with some well observed comedy and sharp dialogue, helped immeasurably by the chemistry between Gadot & Pine who spark wonderfully off one another. The WWII backdrop also means we get plenty of action and thrills within a fun ‘dirty dozen’ escapade. When Diana gets to kick ass too, its a sight to behold, superbly choreographed and well, she’s very appealing to the eyes (where did they find this beauty?). The movie is a tad over-long and degenerates into typical over-powered villain verses overpowered hero showdown, and well some of Wonder Woman’s super-human powers aren’t fully explained (she can easily toss a tank aside with one hand). Add to this an avalanche of CGI where some acrobatics began to look a bit cartoonish once people are flying around left right and centre.
However this has it where it counts; with colourful characters that work well with each other, a decent script with plenty of humour and some excellent set-pieces. DC seem to have turned a corner with this one, so on such evidence, I can’t wait for Justice League!
I don’t think it can be argued that Chris Pratt is currently on a role. He’s pretty much the darling of Hollywood right now and has delivered enjoyable performance after enjoyable performance, most notably in his two Guardians of the Galaxy outings. The same can probably also be said of Jennifer Lawrence who also seems to do no wrong. Both are charming, good looking stars so sitting down to this space-set adventure was an easy prospect, helped I must add by my love of all things sci-fi.
A space station on a 90 year journey to reach an earth-like planet suddenly starts to malfunction, and one ‘passenger’ on board (Pratt) wakes up decades too soon, and quickly realises he might be doomed to a life of solitude and possible madness. However as time progresses, he’s joined by fellow passenger Aurora (Lawrence) and together they try to exist and adjust to their potentially grim fate.
This is a great premise and I was easily absorbed into both character’s plight. Think Robinson Crusoe in space and you get what this one’s going for, whilst also throwing in some heart-breaking dilemmas and powerful emotional drama that really surprised and pulled me in. Pratt is excellent as is Lawrence who are supported well by an android Michael Sheen who brings his inimitable style and class to proceedings. Helps also that Pratt & Lawrence have convincing chemistry, which made later scenes even more effective. However amongst the drama there is also a lot of fun to be had, especially with the amusing ways Pratt initially tries to cope (although thankfully Pratt’s gratuitous butt shots are counter-balanced by a couple of lingering Lawrence swimsuit moments) … and with some superb CGI and an epic, at times ominous setting I really got a lot out of this.
The only real issue is pacing, as the story tends to drag its heels a little here and there. For such a large space station too, it failed to really develop as a setting you haven’t seen a dozen times before, perhaps in need of a bit more eeriness. However, with solid performances and a thrilling final act … I just have to recommend this one.
The first movie was my favourite of 2014, so the prospect of a sequel was very exciting. This time around we find the unorthodox gang of heroes causing strife with a race of beings after Rocket the Raccoon (voiced by Bradley Cooper) gets a little light-fingered with some batteries. However following a space battle that could cause the guardian’s lives to end abruptly, a mysterious stranger saves the day. Turns out Star Lord (Chris Pratt) has a Dad who just so happens to be a pretty powerful guy himself, played with charismatic flair by the ever dependable Kurt Russell.
This fills in a few gaps left over from the last movie, especially the question surrounding Chris Pratt’s father and it was great being back in the company of these very likable characters again. The dialogue is especially sharp throughout, something that was a highlight of the last movie and the jokes & references come thick and fast to make this a ton of fun. Pratt’s character constantly makes quips about eighties pop-culture such as TV shows like Cheers and characters such as Skelator and Pac-Man, and makes him a very relatable and refreshing presence in this sort of movie. I was also glad to see that, despite the trailers, Baby Groot isn’t over-used but damn is he cute and very funny every second he’s on screen.
The soundtrack, another highlight last time around isn’t quite as memorable (apart from a great use of Mister Blue Sky by ELO) and a left-over side plot involving sisters Nebula (Karen Gillen) and Morgana (Zoe Saldana) felt unnecessary. I also did not get much out of the gold-painted race that turn up at the beginning and chase after our heroes. That being said Michael Rooker’s Yondu was again a joy and I’ve always liked the actor and we get some great moments with him here. The same can be said for scene-stealing Dave Bautista as Drax. Action generally is top-notch but the plot didn’t grab me as much or feel as layered this time, with the whole Kurt Russell’s planet sequence stopping the movie dead at one stage.
As it stands though this was a solid sequel and I can’t wait to see what comes next. The Guardians of the Galaxy will return!
Although I enjoyed the original 1991 anime of the same name by Mamoru Oshii, I always felt like something was missing from it, that it wasn’t the complete package. So the prospect of a live action remake was for once, intriguing. Scarlett Johansson plays a cybernetic agent who’s only human part is her brain and fragmented memories of who she used to be. Other than that she’s a highly skilled killing machine, who’s agency ‘Section 9’ is killed in when a cyber terrorist begins killing various members of a robotics organization by using innocent people and hacking into their minds.
This took a little getting into. Translating a cyber-punk future Tokyo-like aesthetic to live action takes no end of CGI and visual flair, and initially it’s overwhelming, all weird holograms in the streets and bizarre costumes and gadgets. Yet once the story kicks in I really began to get absorbed in this world. Johansson is aided well by several recognisable faces, especially Juliette Binoche (The English Patient) as a scientist and veteran Japanese actor ‘Beat’ Takeshi Kitano (Battle Royal). Johansson herself is decent as a character trying to figure out what it’s like to be human and adjust to her robotic body, and she conveys the not-quite-human personality eerily well. The movie is also filled with several action sequences, although these are a little hit and miss – full of cool looking imagery for the trailer or poster, but fail to flow as well as say, The Matrix – there’s a little too much style and choppy editing to fully make them ‘zing’. Also the suit that Johansson’s character wears to go invisible … I’m still undecided if it looked sexy or silly (the original movie’s was much more skin-like and could easily be seen as naked). Such a look was probably avoided however to maintain that 12A/PG-13 rating (another issue that impacts the action).
Thankfully where it all leads is much more fleshed out and satisfying than the original movie and has more closure for the lead character. So for the always difficult task of translating anime to a mainstream audience, director Rupert Sanders has done a commendable if somewhat rough around the edges job, that’s still worth your time if you like your sci-fi with style cranked up to 11.
It would be easy for me to write this off as just another Wolverine movie. After all I didn’t entirely miss his (generally) absent status from X-Men Apocalypse, and well the character has been milked to death. But from initial images showing a more grizzled, aged Wolverine and early positive hype I thought I’d give it a go.
No question though, Hugh Jackman was born to play Logan/Wolverine. He has all the grumpy but likeable personality perfect for such a tortured character. This latest take see’s him departed from his X-Men colleagues sometime in the future when many of them are believed dead and all he has for company between trips away as a grumpy limo driver, is an aged, half senile Dr Xavier (a heart-breaking Patrick Stewart). So along comes a Mexican woman and a mysterious girl (a star making Dafne Keen) who she wishes for Logan to transport across the border to a ‘safe haven’ known as Eden, where more people like her and Logan himself are seeking refuge. On their heels is a scenery chewing villain (Boyd Holbrook) and a megalomaniac scientist (Richard E Grant).
What surprised me was just how brutal this latest Wolverine movie is. We get beheadings, vicious stabbings and dismembered limbs-a-plenty and it seriously doesn’t hold back. Some of the violence and the general tone here is light-years away from what I’m used to seeing in a comic book movie and it really helped this spring to life … especially in brilliantly executed (pun intended) action sequences that are amongst the best in the genre. Director James Mangold has delivered a confident and mature road movie that is held together by three strong central characters and their slowly developing bond that makes this much more meaningful and powerful than I could have expected. This is one of the most intense and gripping comic book inspired movies I’ve seen in a long time and in the closing moments I can honestly say Jackman deserved an Oscar nod. But we know that won’t happen for this sort of material, unless perhaps you happen to die in real life (ahem…Heath Ledger RIP).