I was optimistic about this one. I was initially a little hyped when it hit theatres considering that director Ridley Scott not only created the Alien franchise, but also helmed last year’s (for me) ‘movie of the year’ Martian. So I was thinking, he’s back and bringing Alien back. Oh was I wrong…
The crew of the Covenant are transporting a colony of thousands in hyper sleep, in search of a new planet to call their home. After receiving a distress call from a near by planet, they choose to, albeit reluctantly investigate. Stop me if you’ve heard this one before. Sort of a direct sequel to the much hyped yet bewildering Prometheus, a film I came away disappointed by, this has returning character David, a synthetic android marooned on said planet who the crew of the space ship meet up with. Amongst their crew is also an identical synthetic called Walter (both are played by Michael Fassbender), who soon finds himself bonding with his look-a-like by way of a drawn out flute lesson (yes you read that right…a flute lesson).
This is a movie in search of an identity. It wants to be a survival horror typical Alien movie, and then like Prometheus it wants to be a philosophical origin story on both the creation of the Aliens and some mumbo-jumbo mythology involving mankind and bio-engineering. The problem is it’s very hard to get invested in much of any of it, what with tedious characterisation and a plodding pace. Fassbender tries his best but is let down by a poor script that is both over-complicated and boring. Unconvincing CGI for the Aliens doesn’t help either and when crew members start dying off and you’re not even entirely sure which ones they were – the movie has problems.
Alien never needed a deep mythology. It didn’t need a back story. The mystery, the foreboding eeriness of H R Giger’s designs was enough – once a director attempts to explain it all, it ultimately kills it … which Scott is very much going to do if he insists on making the franchise something it never needed to be.
Science-fiction has become one of my favourite genres, with such gems as The Martian and Interstellar impressing me. There seems to have been a bit of a resurgence in such movies, albeit stepping away from the flights of fantasy we’ve seen and instead focusing on a more semi-realistic tone. The same can be said for this latest space-set thriller starring amongst others, Jake Gyllenhaal and Ryan Reynolds.
A team of astronauts orbiting the earth reprieve a probe that has been on it’s way back from Mars, and discover a life form within it’s gathered soil samples. Nurturing said life form in an incubator, the astronauts try to figure out how it responds and whether it’s harmless or deadly. I’m guessing you probably know the answer to that one, huh?
I got a serious Alien vibe from this but stripped down to actual realistic space travel and science rather than H R Giger inspired horror aesthetics. The creature, nicknamed Calvin is initially cute but eventually shudder creepy-crawly, and as the scientists attempt to contain it, this set into action some seriously well done thrills. It’s not a subject that breathes new life into a tired genre but it’s done well, has some genuinely heart-in-mouth moments and is topped off by decent effects work (but for the occasional obvious CGI monster) and great set design that transported me right there … and I didn’t want to be there. Gyllenhaal, considering his usual brilliance is a little side-lined and the star of this turns out to be Rebecca Ferguson who is very good. Ryan Reynolds seems like he’s just playing Ryan Reynolds, but the rest of the cast do a decent job. It’s also a movie, despite it’s familiarity that still managed to keep me gripped and wondering how it might end, and in this day and age that has to be commended.
Following an invasion of their home by a military force, ape leader Caesar (Andy Serkis) vows revenge and sets off to hunt down Woody Harrelson’s ruthless Colonel with a small group of fellow apes. Along the way they stumble upon a young mute girl who may be evidence of a mutated strain of the disease that has already killed off most of mankind.
A decidedly strange experience. I went into this with very high expectations and have to say what I got was a different movie than I was anticipating. It has the word ‘war’ in the title but it’s not the humans vs. apes smack down the last movie set us up for. Instead it explores an on-going conflict set at ‘war time’ between said apposing military force and the still attempting to live in peace apes. However what we do have is once again a movie with a great deal of heart, some very touching character moments, themes of loyalty, family and friendship as well as a little comic relief in the form of an ageing lone ape who turns up half way through. We get a lengthy prisoner-of-war sequence that is brilliantly played out with echoes of The Great Escape, and some decent action although nothing on par with the last two movies. This one’s less about explosions and spectacle and more about the search for a safe haven and a potential future, even if that future is hopeless for humans. As a conclusion (?) to the trilogy, it feels a tad uneventful and drags in places, and that ending was rather a damp squib.
Yet for fans like myself this is still solid entertainment. It’s superbly acted with again top marks going to Serkis, whilst Harrelson delivers a fine villain. It’s also absolutely stunning to look at (can these apes get any more real?) aided by plenty of personality and bags of emotion. I just suppose by a third movie, I was expecting more not … less.
Despite many people’s misgivings about Batman V Superman, few could argue that Gal Gadot’s sensual Wonder Woman was a particular highlight. Her appearance kept viewers eager for more, and so we have this origin story that focuses on how Diana (who funny enough is never referred to as Wonder Woman) came to be involved in a mission during (interestingly) the first world war. Quickly we’re introduced to Diana’s fantasy world of Amazonian warrior women and a loose connections to Greek mythology. There we have ConnieNielsen (Gladiator) as the reining Queen and also Diana’s mother, as well as the queen’s gutsy sister played by Robin Wright (House of Cards), who despite seemingly a departure for the actress, proves a good fit. However their peace is soon interrupted when an American pilot Chris Pine (Star Trek) crash lands at their shore, and Diana comes to his aid.
This plays mostly like a fish-out-of-water adventure with some well observed comedy and sharp dialogue, helped immeasurably by the chemistry between Gadot & Pine who spark wonderfully off one another. The WWII backdrop also means we get plenty of action and thrills within a fun ‘dirty dozen’ escapade. When Diana gets to kick ass too, its a sight to behold, superbly choreographed and well, she’s very appealing to the eyes (where did they find this beauty?). The movie is a tad over-long and degenerates into typical over-powered villain verses overpowered hero showdown, and well some of Wonder Woman’s super-human powers aren’t fully explained (she can easily toss a tank aside with one hand). Add to this an avalanche of CGI where some acrobatics began to look a bit cartoonish once people are flying around left right and centre.
However this has it where it counts; with colourful characters that work well with each other, a decent script with plenty of humour and some excellent set-pieces. DC seem to have turned a corner with this one, so on such evidence, I can’t wait for Justice League!
I don’t think it can be argued that Chris Pratt is currently on a role. He’s pretty much the darling of Hollywood right now and has delivered enjoyable performance after enjoyable performance, most notably in his two Guardians of the Galaxy outings. The same can probably also be said of Jennifer Lawrence who also seems to do no wrong. Both are charming, good looking stars so sitting down to this space-set adventure was an easy prospect, helped I must add by my love of all things sci-fi.
A space station on a 90 year journey to reach an earth-like planet suddenly starts to malfunction, and one ‘passenger’ on board (Pratt) wakes up decades too soon, and quickly realises he might be doomed to a life of solitude and possible madness. However as time progresses, he’s joined by fellow passenger Aurora (Lawrence) and together they try to exist and adjust to their potentially grim fate.
This is a great premise and I was easily absorbed into both character’s plight. Think Robinson Crusoe in space and you get what this one’s going for, whilst also throwing in some heart-breaking dilemmas and powerful emotional drama that really surprised and pulled me in. Pratt is excellent as is Lawrence who are supported well by an android Michael Sheen who brings his inimitable style and class to proceedings. Helps also that Pratt & Lawrence have convincing chemistry, which made later scenes even more effective. However amongst the drama there is also a lot of fun to be had, especially with the amusing ways Pratt initially tries to cope (although thankfully Pratt’s gratuitous butt shots are counter-balanced by a couple of lingering Lawrence swimsuit moments) … and with some superb CGI and an epic, at times ominous setting I really got a lot out of this.
The only real issue is pacing, as the story tends to drag its heels a little here and there. For such a large space station too, it failed to really develop as a setting you haven’t seen a dozen times before, perhaps in need of a bit more eeriness. However, with solid performances and a thrilling final act … I just have to recommend this one.