I guess the warning signs were there from the off. An unfunny sequence right at the beginning gets our two stoner protagonists arrested, leading them to discover a movie reboot is being made, based on a movie they were the inspiration for originally. Yes, director Kevin Smith is back doing his nerdy comic book self-referential thing in a movie universe he created with cult favourites Clerks, Mallrats and the original Jay and Silent Bob Strikes Back.
Meant as a satire of movie reboots, poking fun at Hollywood, social media and even ‘woke’ culture this should have been a laugh riot … considering once upon a time Smith was one of the sharpest voices around. Yet the script here struggles to be much more that an egotistical tribute to himself. As a fan, that’s a damn shame too as what’s here with a plot revolving around Jay (Jason Mews) finding out he has a daughter, is fine but the movie struggles with clunky dialogue that feels forced and jokes that really aren’t that funny. Attempts at emotion also fall flat not helped by the mostly wooden line delivery of Smith’s own daughter, Harley Quinn Smith as Jay’s illegitimate daughter.
These characters are likeable on a purely surface level, and what they get up to is occasionally fun. The wealth of celeb cameos are enjoyable too with Chris Hemsworth, Ben Affleck and Matt Damon appearing. There’s just clearly nothing left that hasn’t already been done with this world and it’s like even Kevin Smith knows that by this stage.
Sometimes a movie peaks one’s interest for no particular reason. I guess I wanted to see this just because of its intriguing concept and the fact it had good word of mouth. That Olivia Coleman Oscar nod didn’t go ignored either. So what’s it about? In the early 18th century, Queen Anne (Coleman) reigns during a war with the French, and is dutifully aided by Lady Sarah (Rachel Weisz). However when a maiden, Abigail (Emma Stone) arrives at the palace, the equilibrium is upset as she begins to court the Queen’s favour and a fierce rivalry ensues.
This reminded me of that other costume drama classic Dangerous Liaisons, with its similarly mean-spirited characters and manipulative behaviour. Similarly this is also rather sexy and interwoven some strong language amongst its often entertaining, quirky dialogue. Olivia Coleman may have got all the attention for her performance but I found her portrayal overly pathetic and silly, that whilst fascinating was far from award-winning in my opinion. Weisz is suitably bitchy, sexually-ambiguous and enjoyable but next to Emma Stone’s more interesting, conniving character she comes off second best. Yes, Stone is the stand out here, subtle, layered and just fun to watch with more of a character ark than those that surround her.
With expected lavish production and costumes, despite occasional bizarre camera techniques (were those fish-eye lenses entirely necessary?) this was a joy to look at. The movie’s not quite as daring or provocative as it could have been and where it goes is rather disappointing … whereas I had expected a dramatic, possibly shocking conclusion. Worth checking out though.
I’d say I’m becoming a fan of director Wes Anderson. His movies are so much pleasure to simply ‘look at’ with his captivating and whimsical camera work, shot competition and near-cartoonish approach to story telling. It’s a style that feels theatrical and obsessively planned out but retains a relaxed charm and personality that continues to draw me in.
This effort from 2012 follows the story of a young boy who runs away from a scout camp on a remote offshore island to embark on a back-to-nature adventure with the girl he loves. This causes the community including the girl’s parents Bill Murray & Francis McDormand as well as the local Police captain Bruce Willis to launch a search. This is a gentle, comical drama that has two strong turns from young actors Jated Gilman & Kara Hayward, perfectly supported by several recognisable faces including Edward Norton and Tilda Swindon. Although not the most compelling of plots, with a central love story that’s far from ‘deep’, Anderson’s direction is so charming that despite some slow moments I was still entertained.
It doesn’t have the infectious energy of say the more recent Grand Budapest Hotel, but with a fun setting and likeable performances this was another in the director’s back catalogue I’m very happy to have seen.
The Blu-ray release from the U.K. division of The Criterion Collection has a pleasing image quality that is vibrant if a little soft probably due to the movie’s exaggerated sepia colour pallet. There’s also a perfectly acceptable 5.1 DTS HD Master Audio soundtrack that showcases the regular, off-kilter music cues and good use of surrounds and sub woofer (especially in the climactic rainstorm). However it’s in the extras this release excels, with a fun archive commentary from 2015 with the director along with select members of crew and cast. Add to this plenty of behind the scenes footage including a brief set tour with Bill Murray as well as footage filmed by Edward Norton. The movie is also presented in attractive packaging using the movie’s scout-camp imagery for a booklet, postcard and map of the island. It’s not in my opinion one of Wes Anderson’s best movies but perfectly fits in with a style that fans will be familiar with and is well worth a watch.
I wasn’t expecting much from this but as a casual fan of the other movies (although I never got around to seeing the second movie), I suppose a desire for easy watching fun and the usual reliability of Chris Hemswoeth grabbed my attention.
This follows the story of a woman (Thor Ragarok’s Tessa Thompson) who following an alien encounter as a child has always dreamed of joining the top secret organisation that turned up that fateful night but didn’t do the mind-zap thing on her like they did to her parents. As an adult she gets her chance and is quickly recruited and given a job to join the London division headed by Liam Neeson. There she is quickly partnered with Chris Hemsworth’s cocky, reckless agent ‘H’ and stumbles on a new threat to the planet.
The story is weak here, something involving a powerful weapon, and is mostly an excuse for a fun if very predictable caper with some entertaining banter between Hensworth & Thompson. Although the twist this time around to reverse the roles and offer up plenty of female empowerment, sadly leaves Hemsworth (and generally any male) as merely joke-fodder or targets of female chauvinism. Oh, hasn’t equality come a long way?
That being said, action set-pieces are decent, production values high and it’s still fun. It just lacks anything beyond the points made above to warrant its existence following a fairly complete and finished trilogy. The failure to even mention Will Smith or Tommy Lee Jones’ characters also seems a strange oversight. For die-hard fans only.
I only mildly got into Pokémon last Christmas when I had Pokémon Let’s Go for the Nintendo Switch. The world and all the creatures within certainly fascinated me and so a live action movie definitely appealed. This somewhat weirdly has Ryan Reynolds as the voice of Pikachu, and follows a story set in the fictional Rome City (clearly influenced by many of the worlds cities) where a twenty something guy investigates the mysterious disappearance of his father, aided by his father’s former Pokémon. However as a strange gas begins to send Pokémon crazy the guy teams up with a plucky wannabe reporter girl to discover what’s going on.
Yeah this wafer-thin, at times confused plot is mostly an excuse for Reynolds to deliver his brand of one-liner wise-crackery and also showcase the endless varieties of Pokémon. It fails to truly delve into what Pokémon is and its intricacies, so newcomers should instead take this as simply high fantasy science fiction. Justice Smith playing the main guy is only passable and next to Reynolds razor-sharp (if family friendly) line delivery … comes off poorly. Kathryn Newton as the sort-of love interest is pretty and reminiscent of the games and anime but generally not much better. Veteran actor Bill Nighy lends a bit of personality as the head of a corporation that may or may not be sinister, and the fact the movie only hints at the inclusion of Pokémon baddies Team Rocket feels like a missed opportunity.
The CGI for the creatures, the city and various sequences on the other hand, is top notch and brought everything to eye-catching life, and as a casual fan this still ticked many boxes for how I’d imagine this sort of movie to turn out. Good fun, but ultimately a bit forgettable.
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