As a fan of Jackie Chan, you’d think I’d have seen the movie that had a hand in launching him as a bankable star, after years under the shadow of Bruce Lee. Yet I’d never got around to it until now. This 1978 Kung-fu comedy has Chan as ‘Wong Fei Hung’ (the same Chinese folk hero played by Jet Li in Once Upon a Time In China), who as a martial arts student gets disgraced and thrown out of his school after bad behaviour. Soon he comes under the guidance of ‘Beggar Po’, a drunken master who teaches Chan a secret style of Kung Fu, leading him to face a hired killer who threatens his former master.
This energetic, knock about action-comedy is a lot of fun. There is a fight nearly every scene, and they’re all shot expertly and brilliantly choreographed showcasing genuine skill, ability and invention. The story may be simple but this benefits a movie with such a focus on fight after fight, and with famed kicker Hwang Jang-Lee as the central villain, I was having a ball.
The comedy is at times juvenile and only mildly amusing and sometimes can fall flat. Yet with some great martial arts on display, Chan proving a likeable lead and a simple story that just flows … I had a great time with this.
The Blu-Ray from Eureka’s Masters Of Cinema collection boasts a very sharp image that’s nicely detailed. The audio however in mono DTS Master Audio is rather basic with slightly echoey dialogue – but it’s clear enough. Extras include several interviews, one with Jackie Chan himself. There’s also a detailed booklet, commentary, a deleted scene and a trailer. Not too bad.
I’ve not watched many movies of the classic ‘silent’ era, but have in the past year started taking an interest in the likes of Charlie Chaplin and Buster Keaton. So I now come to Harold Lloyd. I remember catching some of his short films on TV as a kid, with the ‘Hurray For Harold Lloyd’ jingle that went with them sticking in my head. This 1923 feature is possibly his most famous, with the iconic dangling-from-a-clock-face image stuff of cinematic legend, which went on to influence Jackie Chan’s similar stunt in Project A.
Lloyd plays a small town guy with dreams of making it big in the city. Leaving his fiancé behind with the promise of sending for her when he’s made it, Lloyd soon gets a small time job at a department store. However as time passes he sells the idea that he’s some big shot to his fiancé back home, leading to her turning up unexpectedly. This causes Lloyd to have to pretend he’s the manager of the store, which gets more and more complicated, leading to him to performing a stunt by climbing the outside of the twelve story building.
Gentle in its humour and with a rather typical set up, this still proved very entertaining. Lloyd’s relatable everyman persona is charming and fun, and the down-town Los Angeles setting is especially fascinating when you consider the age of this movie. Of course the second half, taken up almost entirely by the famous building climb is something to behold, and although it was mostly achieved with camera trickery, Lloyd’s physical skill sells the danger and the comedy brilliantly.
The Blu-ray from The Criterion Collection is packed. Firstly the movie itself is given a new 2k restoration, with a musical score by composer Carl Davis, created in 1989. We also get an in-depth introduction from Lloyd’s granddaughter Suzanne Lloyd, a fascinating audio commentary from critic Leonard Maltin and filmmaker Richard Correll. Add to this a 107 minute documentary about Harold Lloyd called ‘The Third Genius’ and three newly restored shorts … and along with a detailed booklet, interviews and a special effects featurette – this is a must for any fan of the era.
There, I admit it … I have a bit of a crush on Emma Stone. As one of the most versatile, likeable and talented actresses around, it’s difficult not to fall for her charms. This latest vehicle, an origin story of notorious Disney villain Cruella DeVille from 101 Dalmatian has Stone playing Estella, an orphaned girl with dreams of making it big in the fashion industry. However what starts out as a sort of ‘Devil Wears Prada’ tale turns into something else entirely when Estella finds herself pitting her wits against famed designer The Baroness who may or may not be linked to Estella’s mother’s untimely death.
La La Land’s Emma Stone is clearly having a ball here, paired wonderfully with Emma Thompson’s Baroness, both of which chew up the scenery with their vivid characterisation. This has a throwback Disney setting with the cor-blimey-gov’nor of Mary Poppins London but given a dark Tim Burton-like twist. Stone’s journey from Estella’s street kid / thief to fashion rebel Cruella is an interesting one. Yet at times some of the one-upping and rivalry between the Baroness and Cruella gets a bit silly, and Stone’s forced upper-class English accent can grate.
However, with an engaging 70s soundtrack spanning everyone from The Clash to Nina Simone, plenty of energy and character (Cruella’s two sidekicks are great fun), and a wealth of fun dog moments (of course), this was still highly entertaining. It’s a bit long at almost 2hrs and 20 minutes but rarely drags and had enough story, twists and fun sequences to keep this viewer glued. One to watch.
I’ve always enjoyed animation and few can argue that Disney (and Pixar) still lead the industry when it comes to animated movies. This latest offering tells the story of Raya, a young girl who grows up amidst fantastical tales of dragons who saved the world from an evil force that once turned people into stone. However their actions also lead to their mysterious disappearance, and when warring factions cause a sacred crystal to get damaged, the evil force returns to reclaim the land. Raya then takes it upon herself to seek out the fabled ‘last dragon’ in hope of banishing the evil for good.
With a Far Eastern theme, similar to Mulan, this gorgeous looking, mystical fantasy adventure had it all. An engaging story, fun characters and some great action with a strong influence from Chinese cinema hits like Crouching Tiger, Hidden Dragon. Raya (voiced by The Last Jedi’s Lisa Marie Tran), at first seems typical Disney Princess, yet develops into a fleshed-out and likeable lead, aided well by a bunch of quirky characters, including a mischievous baby, a lovable warrior from a rival clan … and especially Sifu as the Last Dragon, who proves this movies shining beacon.
It may not re-write the rule book when it comes to this kind of thing, and it’s themes of trusting / believing in one another are cliched … but done particularly well here, especially towards the end where I must admit it got me quite emotional. Another slam-dunk then for Disney, and possibly one of my favourites in a while from the house of mouse. A must watch.
A girl who dreams of making it in the film making industry, one day gets her wish when she is accepted to film school. However on the same day as she leaves to begin her new life, a megalomaniacal A.I. called ‘Pal’ decides to start a robot invasion after her creator chooses to discard her for a more advanced version. Think of it as if Apple’s Siri turned evil and suddenly wanted to rid the earth of mankind. Gulp.
From the creative geniuses that brought us the acclaimed Spider-Man Into The Spider-Verse, this is an energetic and highly entertaining experience, that blends family drama with a robot apocalypse action movie. Katie, our lead is a plucky, technology-obsessed, typical modern teenager and is reflective of the world we find ourselves in, where anyone with a bit of imagination can create movies and animation, on their phones or laptops. The animation style, like Spider-Man is sort of 2D art brought to life in 3D, is jam packed with ideas and detail and looks gorgeous. Occasionally I think it gets a bit over the top, with things popping up on screen to emphasis and over-emphasis moments … but mostly it works.
Although these kind of movies are not meant to be realistic, sometimes the action gets so crazy any hint of plausibility is thrown out of the window. Thankfully, a genuinely touching father and daughter sub-plot gives this its emotional crutch to rest all of the chaos upon. I get a feeling, being delivered as a Netflix original this could be over-looked, which is a shame because this has plenty of great moments, looks stunning, has real meaning and above all else is a ton of fun. Check it out.
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