Tom Hanks is surely one of the most dependable and talented actors of his generation and for me, always an appealing prospect whenever he’s in a movie. Something about him is just so likeable and relatable and he’s very much not your typical Hollywood star. He’s like someone you feel you know. So we come to his latest effort. Overseen by the acclaimed directing talent of the legendary Clint Eastwood, this tells the true story of a freak accident that lead to a plane having to land in the Hudson River in the middle of New York City in 2009.
With an interesting, non-linear structure (the movie opens after the landing and flashes back to the day in question several times) Tom Hanks plays airline pilot Chesley Sullenberger (aka Sully) who is immediately faced with suspicion and attempts at being discredited for his actions by the airline and investigating parties, despite being heralded a hero by the public and media. A very simple story at it’s heart held together by solid performances including Aaron Echhart and especially Hanks who’s plight I believed in and felt every emotion, doubt and uncertainty conveyed. Eastwood builds tension and delivers a gently told but emotional story with great moments of drama from the actors and when we finally get to see how things occurred it’s pretty damn scary … especially for someone like me who’s never been on a plane.
It ends a little abruptly but that’s nit-picking for what is otherwise a well told, very well acted and powerful dramatisation of a remarkable incident. A must for fans of Tom Hanks and anyone who enjoys gripping true stories.
With the advent of this blog’s ten year anniversary, I thought it’d be fun to compile a Top Ten based on the end-of-year Top Tens for all ten years of this blog (2007-2016). So below you’ll find what I consider to be the best movies I’ve seen that were released in the last ten years or thereabouts. I’ve taken into consideration that certain movies I originally loved have aged better than others and that I’ve also grown to appreciate certain movies more since I originally saw them.
Although I enjoyed the original 1991 anime of the same name by Mamoru Oshii, I always felt like something was missing from it, that it wasn’t the complete package. So the prospect of a live action remake was for once, intriguing. Scarlett Johansson plays a cybernetic agent who’s only human part is her brain and fragmented memories of who she used to be. Other than that she’s a highly skilled killing machine, who’s agency ‘Section 9’ is killed in when a cyber terrorist begins killing various members of a robotics organization by using innocent people and hacking into their minds.
This took a little getting into. Translating a cyber-punk future Tokyo-like aesthetic to live action takes no end of CGI and visual flair, and initially it’s overwhelming, all weird holograms in the streets and bizarre costumes and gadgets. Yet once the story kicks in I really began to get absorbed in this world. Johansson is aided well by several recognisable faces, especially Juliette Binoche (The English Patient) as a scientist and veteran Japanese actor ‘Beat’ Takeshi Kitano (Battle Royal). Johansson herself is decent as a character trying to figure out what it’s like to be human and adjust to her robotic body, and she conveys the not-quite-human personality eerily well. The movie is also filled with several action sequences, although these are a little hit and miss – full of cool looking imagery for the trailer or poster, but fail to flow as well as say, The Matrix – there’s a little too much style and choppy editing to fully make them ‘zing’. Also the suit that Johansson’s character wears to go invisible … I’m still undecided if it looked sexy or silly (the original movie’s was much more skin-like and could easily be seen as naked). Such a look was probably avoided however to maintain that 12A/PG-13 rating (another issue that impacts the action).
Thankfully where it all leads is much more fleshed out and satisfying than the original movie and has more closure for the lead character. So for the always difficult task of translating anime to a mainstream audience, director Rupert Sanders has done a commendable if somewhat rough around the edges job, that’s still worth your time if you like your sci-fi with style cranked up to 11.
The movie that’s probably more famous for ‘allegedly’ causing the break up of Brad Pitt & Angelina Jolie’s marriage than it is for the story or movie itself. This WWII set drama follows a U.S. soldier who after being thrown together with a French agent during a top secret mission, falls in love with said agent and subsequently marries her on return to London. However a year into their marriage with a baby in tow, the soldier’s superiors inform him they’ve intercepted information that suggests his wife might be a Nazi spy.
Directed by Robert Zemeckis (Forest Gump, Back to the Future) this was a fascinating and engrossing story let down a tad by (surprisingly) not all-that convincing chemistry between the principal leads and somewhat limited production values where several scenes look like they are on a set or in front of green-screen (the desert sequence especially). Pitt, one of my favourites seems to have been phoning it in of late, with his less than stellar turn in the otherwise enjoyable ‘Fury’ and that follows on here. I don’t know what is going on, perhaps it’s his at the time choppy personal life bleeding into production, but for the most part he looks bored. Thankfully Marion Cotillard is much more convincing and considering the suspicion surrounding her character, pulls it off brilliantly both as a believable loving, sexy wife and perhaps something else. The mystery does however get wrapped up very easily and what appeared on the surface to be a solid concept seems to run out of depth as it nears it’s conclusion.
For the most part though, as a fairly well observed drama, with several tense situations and a some surprising violence … this still managed to entertain. It just could have been even better if Pitt had really gone for it.
It would be easy for me to write this off as just another Wolverine movie. After all I didn’t entirely miss his (generally) absent status from X-Men Apocalypse, and well the character has been milked to death. But from initial images showing a more grizzled, aged Wolverine and early positive hype I thought I’d give it a go.
No question though, Hugh Jackman was born to play Logan/Wolverine. He has all the grumpy but likeable personality perfect for such a tortured character. This latest take see’s him departed from his X-Men colleagues sometime in the future when many of them are believed dead and all he has for company between trips away as a grumpy limo driver, is an aged, half senile Dr Xavier (a heart-breaking Patrick Stewart). So along comes a Mexican woman and a mysterious girl (a star making Dafne Keen) who she wishes for Logan to transport across the border to a ‘safe haven’ known as Eden, where more people like her and Logan himself are seeking refuge. On their heels is a scenery chewing villain (Boyd Holbrook) and a megalomaniac scientist (Richard E Grant).
What surprised me was just how brutal this latest Wolverine movie is. We get beheadings, vicious stabbings and dismembered limbs-a-plenty and it seriously doesn’t hold back. Some of the violence and the general tone here is light-years away from what I’m used to seeing in a comic book movie and it really helped this spring to life … especially in brilliantly executed (pun intended) action sequences that are amongst the best in the genre. Director James Mangold has delivered a confident and mature road movie that is held together by three strong central characters and their slowly developing bond that makes this much more meaningful and powerful than I could have expected. This is one of the most intense and gripping comic book inspired movies I’ve seen in a long time and in the closing moments I can honestly say Jackman deserved an Oscar nod. But we know that won’t happen for this sort of material, unless perhaps you happen to die in real life (ahem…Heath Ledger RIP).