This true story tells the story of street cop Frank Serpico, a man who idealistically joins the Police department in New York, but as time transpired learns that many of the cops around him take money to ‘look the other way’. As it goes against everything he believes a cop is, Frank chooses to investigate the corruption from the inside which at the same time puts a target on his back.
This gritty drama boasts a versatile and compelling turn from Al Pacino in a role that put his name on the map following his break out turn in The Godfather. Directed by Sidney Lumet (Dog Day Afternoon) with authenticity, using mostly no name actors to aid the realism, this was a little drawn out … yet I found the story gradually pulled me in and I became quite absorbed after a while. It’s certainly a fascinating and eye-opening tale that’s enhanced by Pacino and its 70s atmosphere.
However there are some weak support performances, with occasionally wooden line-delivery … and in these more politically correct times, having only black people portrayed as crooks is jarring – yet such things reflect the times the movie was made I suppose. The threat and danger Serpico was also meant to be experiencing didn’t come across that well either. Yet as another solid Pacino role and an absorbing true story – overall I still had a good time with this.
The Blu-ray on Eureka’s ‘Masters of Cinema’ label, boasts an impressive, restored image with intact grain that brings out no end of detail and depth. The movie is presented in both its original mono and a new 5.1 soundtrack, both of which are clear and effective. Extras consist of some behind the scenes featurettes, a photo gallery with a commentary by the director, a trailer and a nicely detailed booklet. I’d have appreciated a commentary, and the lack of any appearance from Al Pacino is disappointing. A mostly decent treatment for a well regarded movie that although not exactly a classic for me, this release makes it worth a look.
It would be easy to get cynical of another ‘Netflix original’ movie after three made it into my least favourite movies of 2020. However as the streaming service continues to attract major Hollywood talent, sooner or later a gem would surface. This George Clooney vehicle, which he also directs has him as Augustine, a lone scientist in a research facility in Antartica following a global catastrophe that has wiped out much of mankind. However after receiving a message from a space station travelling back to earth, Augustine races against time to warn the crew of the dangers of a planet they once called home.
This very heart-felt drama has a stand out turn from Clooney, an actor I’ve often enjoyed. His character, who is terminally ill, is complex and believable as a man who has put so much into his career, he’s forgotten how to live. The supporting cast of astronauts, lead by Felicity Jones (The Theory of Everything) are also well rounded and convincing. The space bits bare more than a resemblance to Sandra Bullock hit Gravity, whilst the on earth segments feel more like a man-verses-nature survival story … and these two sides make for a compelling whole. Both settings can feel claustrophobic with imminent danger, that although the pace was slow at times I never stopped being fully invested.
For such a concept, a lack of grandeur can be forgiven considering this is more a character piece, although a little light shed on the virus or incident that’s gone down would have been welcome. I was also left wanting a little more detail regarding certain choices Augustine makes in his back story. However, with a genuine gut-punch of an emotional ending, I still came away from this impressed.
2020 was the first year in a while that we had no real big comic book movies, apart from Wonder Woman 1984 at the end and this decidedly low key release. Set in the same universe as the X-Men movies, this focuses on a group of troubled teens in a hospital who are coming to terms with their mutations as a female doctor studies them … including a Native American girl who arrives following an incident that wiped out her reservation.
Think ‘Girl, Interrupted’ meets ‘Heroes’ and you’ll get the vibe this one’s going for. A recognisable cast includes Game of Thrones’ Maisie Williams as a girl with the ability to turn into a wolf, and The Queen’s Gambit star Anya Taylor-Joy as a bitchy Russian who can summon abilities from other dimensions. The banter and varying powers between the characters held my interest and there’s some good action, even if this is less a full-on comic book actioner and more a character piece.
However, hints at a shady organisation responsible for the hospital are unexplored, and the whole thing feels like part one of a bigger story. Plenty of potential here despite the fact that teen mutants is nothing new and has been explored in prior X-Men movies. Sadly a luke-warm critical and commercial reaction probably means this story won’t get continued. Worth a watch though.
2020 has been a very strange year, due to a global pandemic resulting in the pushing back of big names movies, closing cinemas or forcing some movies to get released on streaming platforms for a premium price. So watching movies hasn’t been as simple or as accessible as we’ve been used to. During the year I’ve found myself watching older catalogue titles on Blu-ray or focusing more on TV, gaming or doing challenges like my A-Z challenge during the summer.
However that doesn’t mean I missed out on some quality movies, and the count down that follows, showcases for me the cream of the crop. Please note these are movies i enjoyed the most during the year … but some may have been released earlier than 2020.
Birds of Prey
Ford V Ferrari (aka Le Mans ‘66)
Fighting With My Family
Jo Jo Rabbit
Honourable mentions: Greyhound, Incident in a Ghostland
Well there you have it. Here’s to hoping 2021 goes a little more smoothly. Like 2020, I think we’re in for some treats as far as movies are concerned and of course I’ll try and watch and review as many as I can. Happy New Year folks!
So we’ve reached that time again. Below are ten movies I watched last year that I liked the least. Not all these movies are bad, but they all remain either disappointing or unremarkable. In descending order from average to awful…
Mensen maken de samenleving en nemen daarin een positie in. Deze website geeft toegang tot een diversiteit aan artikelen die gaan over 'samenleven', belicht vanuit verschillende perspectieven. De artikelen hebben gemeen dat er gezocht wordt naar wat 'mensen bindt, in plaats van wat hen scheidt'.