Birds of Prey


Viewed – 18 February 2019

… and the Fantabulous Emancipation of One Harley Quinn

Some of my favourite movies are pleasant surprises. I went into this with not very high expectations and you know what? I really enjoyed it. It’s a simple movie at heart; a diamond falls into the wrong hands, a pick pocket kid steals it causing bad guys to go hunting for her, whilst at the same time anti-hero Harley Quinn fresh off a break up with former boyfriend The Joker finds herself the target of cops and crooks.

The alternative Avengers?

Yeah I wasn’t here for the story either, but when you consider Margot Robbie’s Quinn was the only redeeming aspect of the mostly forgettable Suicide Squad, another crack of the whip with this off-kilter character I was certainly up for. She doesn’t disappoint, narrating and carrying the movie in a whirlwind showcase of the actress’s screen magnetism and comic timing. Add to this decent support from Mary Elizabeth Winstead as an avenging assassin and especially Ewan McGregor having a ball as villain Black Mask, and with several stand out fights and action scenes … I was thoroughly entertained. For a mostly female lead vehicle it didn’t shove some feminist agenda down one’s throat either.

It’s plot and structure are a little messy, but the movie wisely plays with this as a representation of how Harley Quinn thinks. Rosie Perez seems a bit out of place though, and characterisation other than the lead is fairly basic. Yet with enjoyable dialogue, a goofy sense of humour and a memorable villain, this was far from the disaster some critics (and that disappointing box office) would have you believe.

Verdict: Recommended

Bottom Ten Movies of 2019


It wasn’t all home runs for the movies I watched in 2019. Not all here are ‘bad’ movies they just either underwhelmed or disappointed me compared to other movies in 2019. Listed in order of disdain

10.

Aquaman

 

9.

Men in Black: International

 

8.

The Highwaymen

 

7.

Cold Pursuit

 

6.

3 From Hell

 

5.

Extremely Wicked, Shockingly Evil and Vile

4.

Blackkklansman

 

3.

Climax

 

2.

The Equalizer 2

 

1.

Once Upon a Time in Hollywood

The 2010s – a decade in movies


The 2010’s has been an interesting decade. I think the popularity of superhero movies has dominated and we also got the return of Star Wars so yes, Disney were raking it in these past ten years. The decade has also further cemented the popularity of streaming services and how Hollywood has looked to these services with a greater amount of seriousness than previously and that is why big name directors like Martin Scorsese and The Coen Brothers to name but two, have launched big budget movies on these platforms. Add to this major Hollywood talent taking TV and streaming exclusive rolls, and the future looks bright for these services. That’s not to take anything away from the big screen cinema experience which I still feels has a great deal to offer, and although gimmicks like 3D have begun to fall off, nothing can beat what is still such an immersive form of entertainment.

Looking back over the decade and the numerous top tens I’ve done at the end of each year (look out for my 2019 top ten tomorrow), it’s also clear there’s been many top quality movies released, some that have gone on to become firm all time favourites. Black Swan and The Revenant especially are two of my favourites of the decade. Alongside these movies I’d also place the much underrated Stoker, as well as Shutter Island and Nightcrawler, all movies with stand out central performances and directors with a unique vision.

When it comes to the massive onslaught of comic book adaptations I’d call the first Avengers movie as well as Avengers Infinity War, the brooding (and brutal) Logan and the first Guardians of the Galaxy movie all solid gold entertainment. Captain America: The Winter Soldier and Wonder Woman can also join that list. It’s a shame then that DC on a whole couldn’t live up to Marvel’s consistency with Batman V Superman and Justice League both disappointing.

Horror, so stuck in a rut for longer than I can remember began to finally discover a new lease of life with directors like Jordan Peele, Ari Aster and Fede Alverez delivering breath-of-fresh air experiences like Us, Hereditary and Don’t Breathe, and even remakes like Evil Dead and IT didn’t feel as stale as they could have done. Add to this Far Eastern gems like I Saw the Devil and Train to Busan delivered a high level of quality to the genre.

If I was to pick my personal favourite movies of the decade, I’d have to choose Christopher Nolan‘s mind-bending Inception, Alejandro González Iñárritu‘s utterly unique Birdman, the aforementioned Black Swan from Darren Arronofsky and Wes Anderson‘s captivating Grand Budapest Hotel, although the fan-boy in me might also place J J AbramsStar Wars: The Force Awakens on that list just because…

So yes the 2010’s has been a great decade. It further pioneered special effects, unique approaches to story telling and proved the blockbuster still could have depth beyond the avalanches of CGI. It also gave us career defining performances. We also have it better than ever for home entertainment. What the next decade has waiting for us I can only dream but know that the much delayed but highly anticipated Avatar sequels will be a good start.

Roll on 2020 and beyond…

Star Wars: Episode IX


Viewed – 23 December 2019 Cinema

The Rise Of Skywalker

If this wasn’t my most anticipated movie of the year, I don’t know what was. I struggled with the last entry, The Last Jedi a movie that with subsequent viewings has gone up in my appreciation but remains highly uneven. This final movie though and the conclusion of the Skywalker saga brings forth the return of a long suspected dead enemy … The Emperor! With a new threat to the galaxy, Rey and her friends intend to seek out and destroy him once and for all, whilst conflicted Kylo Ren intends to turn to him for guidance as the new supreme leader of the First Order.

I’ll admit this storyline comes a little out of nowhere and is a blatant attempt to steady the ship following some of Rian Johnson’s ill-conceived plot twists in Last Jedi … but the return of Ian McDiarmid‘s Emperor Palpetine was welcome and the ageing actor nails the necessary maniacal menace. The immediacy of the threat propelled the action from the off as we’re treated to some great battle sequences, mixed with solid character moments that showcase the chemistry this new cast still has. The psychic bond between Daisy Ridley‘s Rey and Adam Driver‘s Kylo-Ren turns out to be the big focus and is further explored and the movie used it in several creative ways. It proves the best aspect and is surrounded by many highly entertaining scenes including a plot thread involving C3P0 losing his memory and some (thankfully) well-timed humour as well as a perfect tone that took me right back to how it felt seeing Star Wars as a kid.

If I had to nitpick it would be the obviously forced Emperor plot, and the first act overly frantic. And like all Star Wars movies it has some silly bits, and there’s a couple of jarring character moments (General Hux!?!). Yet in the grand scheme of things it’s so damn enjoyable, such gripes can be forgiven. As a story that has spanned over 40 years, this felt like a fitting conclusion and ticked many of my boxes. There was a lot riding on this final movie and the conclusion of such a long running saga. There’s not a great deal here that makes this trilogy a story that had to be told other than to reintroduce Star Wars to a new generation and make up for the failings of the prequel trilogy. Yet with highly memorable characters, some great moments (and some questionable ones) I feel this has still been a worthwhile endeavour for the filmmakers and as a fan I am overall satisfied with what they achieved.

Verdict: 4 /5

Terminator: Dark Fate


Viewed – 30 October 2019. Cinema

I genuinely don’t think there’s ever been a truly bad Terminator movie. I’m also happy to say that whilst this doesn’t break the mould, it doesn’t ruin that tradition either. A bad-ass female resistance soldier travels back in time from a ‘war against the machines’ future to protect a young Mexican woman who is the target of a new Terminator that may just be the deadliest yet. Lucky for them there is help from Sarah Conner (Linda Hamilton).

James Cameron, producer and series creator has said this is the true follow up to T2 and ignores the other sequels. It certainly feels closer to his vision than any other and the inclusion of Hamilton’s Sarah Conner cannot be underestimated. However as it turns out she’s mostly here to link movies, and a jarring plot twist early on basically makes her involvement pointless. Natalia Reyes as Dani, the Terminator’s target is a little bland also. The saving grace then, ironically is Mackenzie Davis as Grace, the cybernetically-enhanced resistance soldier who proves this movie’s most compelling aspect.

Action is decent, the CGI impressive (if at times over done) and the pace relentless (occasionally to the movie’s detriment) but this concept has always been exciting and it’s no different here. Arnie turns up after a while and proves a real scene-stealer. Yet unlike the masterpiece that was T2 there’s little wow-factor here, and the sense of a franchise finally being milked dry. But for seasoned fans like myself, this still entertained.

Verdict: 3 /5