I love it when I go in blind to a movie and come away surprised and impressed. This novel take on the superhero origin tale has a young couple, desperate to have a child get their wish granted when one night something falls from the sky. Soon they discover a baby boy and decide to bring it up as their own. However as he grows older ‘Brandon’ begins to develop violent tendencies and before long it becomes clear this little fella ain’t going to become superman.
A cast of familiar faces headed by Elizabeth Banks and a strong central performance from Jackson A Dunn as Brandon, makes this sci-fi horror immediately intriguing and under the watchful eye of producer James Gunn (Guardians of the Galaxy) this is smart, refreshing and rather freaky. Atmosphere is piled on in a Twilight Zone meets Friday the 13th kind of way and liberal doses of effective gore (glass splinter to the eye?) and a great build up to some pretty messed up moments … I was quite taken back by this out of nowhere gem.
it plays loosely with some horror movie cliches (investigate the weird noise) and the ending left me contemplating sequels – asking where can they take such a concept? Yet that’s a good thing regardless whether we get any of that. If you’ve grown tired of all those comic book adaptions and fancy something a little different, check this out.
Everyone’s out to kill John Wick (Keanu Reeves) following the events of the last movie and the former safe zone of The Continental has ex-communicated him. So a price is put on our favourite assassin and now it’s just a matter of survival.
Once any franchise reaches its third instalment you’d be forgiven for expecting the stakes to be raised and they certainly are here leading to several violent, immaculately choreographed and particularly brutal confrontations. This is certainly a visceral, pulse pounding experience yet this time around any plausibility and believability occasionally leap out the window in favour of increasingly thrilling, but at times ludicrous set pieces. The violence takes on a near cartoonish quality at times and when you consider scenes of public fights where the public don’t batter an eye lid or run away screaming, it’s clear the movie exists in its own version of reality, not unlike that scene in The Matrix with the woman in red.
So despite these obvious gripes, how come I still managed to get a real kick out of this? It’s edited and presented with such a visual sheen with so much energy and personality that coming away from this not entertained means you either hate action movies or are a bit dead inside. Smatterings of humour are a welcome addition, and memorable support from Lawrence Fishburne, Ian McShane and especially Halle Berry as a dog-loving fellow assassin still managed to make this sequel worthy despite it all feeling a bit deja at this stage. And no, I haven’t a clue what ‘Parabellum’ means.
This year’s most hyped movie begins with a rather gentle ‘where the world is now’ first act that sets a melancholy tone for this sequel and eases the viewer into a complicated turn of events to ‘put right what once went wrong’. As anyone could predict after that ending for Infinity War … this is all about time travel as Ant Man gets a disbanded team of the surviving Avengers back together to attempt a risky mission to claim the infinity stone before Thanos originally did.
So what we get are several very entertaining sequences taking place in earlier time periods (but mostly the first Avengers movie) that prove funny, exciting and rather clever … if it wasn’t for the fact that this movie turns time-travel conventions as we’ve come to understand like ‘the butterfly effect’ on their head. This leads to a few moments of ‘hang on, how can they do that? Won’t that change such and such…’ which proved problematic for me.
That aside, banter between the various characters is at the forefront and brilliantly comical and well written. also throwing in a few emotionally poignant scenes between the characters we have grown attached to over the years. Add to this some slick action (Captain America v Captain America?), epic battles and feel-good moments this still delivered a satisfying, at times awe-inspiring piece of cinematic grandeur. Shame then, that towards the end it had to hit a few of those pc-culture tick boxes that came across as obvious and totally unnecessary. So not quite the masterpiece I hoped for, but regardless I still had a great time.
I went into this with expectations dialled down mostly because I don’t consider the 1989 adaptation of Stephen King’s novel all that great. However, a remake is a chance to improve upon a concept so there’s every reason to hope this one fairs better. A doctor (Jason Clarke) and his family move to a rural town and soon befriend the kind old man across the road (John Lithgow) who eventually introduced them to the Pet Cemetery in the woods, located on the family’s land. However following an unfortunate incident involving the pet cat and a lorry, the old neighbour suggests burying the animal beyond the pet cemetery. So of course, the cat comes back and sets in motion a spiral of increasingly macabre events.
The movie quickly resorts to cliches like ‘we should never have moved here’ way before that sort of thinking seems reasonable. Also, John Lithgow surprisingly fails to have the screen presence of the originals Fred Gwyn with delivery for such iconic lines as ‘the soil of a man’s heart…’ and ‘sometimes dead is better’ coming off rather half-arsed. However Jason Clarke is decent aided by a memorable turn from Jeta Laurence as his daughter. Flashbacks to the wife’s memories of twisted-spine sister ‘Zelda’ is also cranked up in the freakiness and jump-scares department and really, turns out to be the movie’s most disturbing aspect. Also changes to the final act help explain-away some of the more ludicrous developments of the original, but also come off as even sillier somehow.
So this remake wasn’t terrible and at times genuinely scary, but like the original … I can’t help but feel that the concept is overall flawed.
Some people would have you believe that this isn’t another blockbuster entry in the ever popular Marvel Cinematic Universe and a precursor to the much anticipated Avengers: Endgame … but instead some overly political, misguided feminist propaganda effort. Thankfully i’m here to tell you, this isn’t that movie – unless you want it to be.
Brie Larson plays Veers, a gutsy soldier under the mentor-ship of Jude Law who along with a squad of Inter-galactic warriors are out to stop a race of warlords from tracking down a scientist on earth who may have invented a light speed transportation device. However once on earth, Veers finds herself plagued by memories of a past she doesn’t recognise.
Larson is likeable, tough, well cast and I guess, makes for great female role model material (whilst not bashing you over the head with the fact). Add to this her teaming with a (incredibly) CGI-rejuvenated Samuel L Jackson for a fun buddy pairing; this has action, a twisting story line that kept me glued and a fun 90’s backdrop with many enjoyable in-jokes and references. The plot at its core is cliched I’ll admit and despite a few unexpected moments, nothing all that memorable, yet ties in well with other movies. A few moments here and there felt slightly rushed also. However, effects work is top notch as usual and although big action set-pieces are spread a little thin, the use of some great 90’s tunes from bands such as Nirvana, No Doubt and Garbage enhance several scenes, making for a fun experience from start to a particularly feel-good finish.
So leave all that political bullshit at the door and if you’re anything like me, you’ll have a good time. Roll on Endgame.
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