Logan


Viewed – 21 March 2017  Cinema

It would be easy for me to write this off as just another Wolverine movie.  After all I didn’t entirely miss his (generally) absent status from X-Men Apocalypse, and well the character has been milked to death.  But from initial images showing a more grizzled, aged Wolverine and early positive hype I thought I’d give it a go.

Logan

No question though, Hugh Jackman was born to play Logan/Wolverine.  He has all the grumpy but likeable personality perfect for such a tortured character.  This latest take see’s him departed from his X-Men colleagues sometime in the future when many of them are believed dead and all he has for company between trips away as a grumpy limo driver, is an aged, half senile Dr Xavier (a heart-breaking Patrick Stewart).  So along comes a Mexican woman and a mysterious girl (a star making Dafne Keen) who she wishes for Logan to transport across the border to a ‘safe haven’ known as Eden, where more people like her and Logan himself are seeking refuge.  On their heels is a scenery chewing villain (Boyd Holbrook) and a megalomaniac scientist (Richard E Grant).

Dafne KeenWhat surprised me was just how brutal this latest Wolverine movie is.  We get beheadings, vicious stabbings and dismembered limbs-a-plenty and it seriously doesn’t hold back.  Some of the violence and the general tone here is light-years away from what I’m used to seeing in a comic book movie and it really helped this spring to life … especially in brilliantly executed (pun intended) action sequences that are amongst the best in the genre.  Director James Mangold has delivered a confident and mature road movie that is held together by three strong central characters and their slowly developing bond that makes this much more meaningful and powerful than I could have expected.  This is one of the most intense and gripping comic book inspired movies I’ve seen in a long time and in the closing moments I can honestly say Jackman deserved an Oscar nod.  But we know that won’t happen for this sort of material, unless perhaps you happen to die in real life (ahem…Heath Ledger RIP).

Simply put – go see this movie.

Verdict:  5 /5

Kong: Skull Island


Viewed – 14 March 2017  Cinema

I can’t say I was all that hyped for this but some friends were wanting to see it so I thought I’d tag along.  This latest exploration of the legendary franchise about a massive, mythical ape follows a group of geologists and a band of fresh outta ‘Nam marines as they travel to a newly discovered, unexplored island.  John Goodman leads the scientists, whilst Samuel L. Jackson leads the marines and along the way they bring in Tom Hiddleston’s tracker. 

kong-skull-island

This began promising … a dramatic prologue set the stage and when introduced to Goodman, Jackson etc but for a slightly larger-than-life aesthetic, it seemed I was in for a good time.  Sad then, that not long after the team arrive at the island did it dawn on this viewer that there was something worryingly cartoonish to the performances and action, and despite some epic monster smack downs once Kong gets screen time and is punching helicopters out of the air etc … what initial potential any of these characters had is rapidly replaced with cheesy, clichéd caricatures displaying over the top attempts at drama, melo-drama and awkward-comedy, most of which miss their target.  When it’s trying to be serious it comes off as amusing (sometimes hilarious) and when it’s trying to be exciting it comes off as slow-motion Michael Bay dialled up to ten.  This caused me to gradually zone out as any character moments or parts where you’re meant to route for anyone except Kong, fell flat.  Even seasoned veterans like Goodman and Jackson came off hammy, especially Jackson who has a silly amount of lingering stares, complete with that bulging left eye, and Hiddleston is woefully miss-cast, struggling as the rugged hero-type despite (fake)tanned good looks and perfect hair.  Add to this Brie Larson who initially appeared as a ballsy photographer, but half way through descended into just another objectified pair of boobs.  Sigh. 

Thankfully we do get some reprieve from the mediocrity and cheese in a wonderfully dead-pan John C Reilly, and the effects and the locations are decent (bar some obvious green screen segments), which means it isn’t a total shot in the foot.  However like initial expectations, there’s very little to warrant this one existing in an industry that’s previously given us so much better.

Verdict:  2.5 /5

T2: Trainspotting


Viewed – 28 January 2017  Cinema

A sequel I was both looking forward to and slightly dreading.  The set-twenty-years-later follow up to one of the defining, cult British movies of the nineties that seemed to not really require a sequel, but here we are presented with one anyway.  I’ll admit to being intrigued by where the characters might be now, what their lives have involved over the years etc. and where things might go next for them, especially considering how the last movie ended – with Mark Renton (Ewan McGregor), having been involved in a drug deal, making off with £16,000 cash from under the nose of his so-called friends.

Trainspotting 2

It’s this betrayal that the movie for the most part hangs onto, and well, Renton’s homecoming to Edinburg is not exactly met with open arms.  Sick Boy (Johnny Lee Miller) & Spud (Ewan Bremner) find themselves not really having amounted to much, and blame much of that on Renton, be it his fault or not.  Also there’s the matter of the homicidal madman Francis Begbie (Robert Carlisle) to contend with, who quickly escapes from Prison and doesn’t take long to learn of Renton’s return.  Let it be said, this is a very different beast to the 1996 original.  That hedonistic and sleazy portrait of drug culture was filled with clever surrealism, bags of energy and iconic music in a way that made it the cool movie of the time.  This isn’t really attempting any of that despite a strong reliance on nostalgia for much of it’s flavour.  This is as much a snapshot of modern-day society as it is a celebration of another time.  Every character seems to be stuck in a rut, hopelessly looking back and reminiscing and er…holding grudges.  Carlisle steals the show for the most part, revelling in the Begbie persona that stood out so much in the first movie but hasn’t changed or developed one iota.  Sad he even get’s a chance to be more than a one note psycho towards the end, but the movie chooses not to go there.  With nobody having really changed, from Sick Boy’s blackmailing schemes and Spud (surprisingly the only character who goes on a ‘journey’) still being on drugs … I gradually began to wonder what the point of it all was.

There’s several exciting and funny moments with plenty of personality, a new, culturally relevant ‘choose life’ speech, and memorable music cues from The Prodigy, Wolf Alice and more … but with an overwhelming theme of middle aged men hating their lives and being trapped in the past, this ended up rather depressing.  Fans of the original should definitely check this out, and it was still fun to spend time with such colourful characters again.  Danny Boyle’s direction was also consistently eye-catching (if a tad trying too hard) … but despite such efforts, ultimately this fails to justify it’s existence.

Verdict:  3 /5

New toys, new music, new year!


Apple-iPad-Air-2Well it’s a new year and I managed after dipping into some savings to get myself a new toy.  Therefore I recently purchased the iPad Air 2 which following buying directly from Apple I got engraved with my name and my website address.  So far I’m finding it invaluable to further explore my growing interest in music, and having subscribed to Apple Music in recent weeks it’s given me a way of discovering new music and having more variety in what I choose to listen to … something I hadn’t really being doing for a long time.  It’s also enabling me to get more into some TV shows I previously missed out on and am currently enjoying Super Girl and also hoping to start watching Blacklist.

Garbage Autobiography Ltd EditionIn related news I was happy to see that last night Garbage’s lead singer Shirley Manson received the ‘powerhouse’ award at the She Rocks Awards ceremony in Los Angels that is held annually to promote women in the music industry, both on stage and behind the scenes.  In addition to this news I also saw a separate interview with Garbage drummer / producer Butch Vig where amongst other topics he revealed that the band is to release a cover of Cat Stevens’ “Where do the children play” as part of forth-coming charity album Music to Inspire – Artists UNited Against Human Trafficking.  It’s to be released on January 31.  In other Garbage news the band also recently revealed a limited edition of their forth-coming autobiography ‘This Is The Noise That Keeps Me Awake’ which for the first 1000 copies sold will be signed by the band and come with an exclusive vinyl consisting of 6 unreleased live recordings as well as a presentation box.  I some how managed to nab one of the first 1000 so am ridiculously looking forward to July when it will finally be in my hands!

Having been unwell last week and the week before I haven’t really been in the right mood to play games or watch movies, and have mostly spent my spare time chilling.  However now better I’ve been getting back into the sublime The Last Guardian which from the maker’s of cult PlayStation games Ico and Shadow of the Colossus, is a breath of fresh air in an industry full of shooters and well, violent games like Grand Theft Auto and Mafia 3.  I love the exploration, puzzle solving and the look of the fantasy world the game inhabits, and well the icing on the cake is the unique concept of a little boy and his enormous dog / bird-like creature – the two having to work together and rely on each other to get through the world in one piece.  Seven years in the making, many rumours of it’s cancellation and the end result is everything I could have hoped for.  I’m also towards the end of Gears of War 4 to go back to a gun-obsessed kill-fest but hey, this series has really struck a cord with me and the fourth entry is just as action packed and gorgeous as the other games and I’m enjoying it a great deal.  However I’ve never been able to gel with the multi-player, which granted has become a big part of the franchise but I’m sorry…I just don’t find it ‘fun’. 

The Last Guardian

There’s also several movies I’d like to see but haven’t got around to as of yet.  The Golden Globe winning La La Land and also Passengers, Hackshaw Ridge and especially the imminent Trainspotting 2 are all on my radar.  Hopefully you’ll get to see reviews of all of these at some stage, so keep your eyes pealed.

That’s all from me for now.  Until nest time.

Craig.

Rogue One: A Star Wars Story


Viewed – 29 December 2016  Cinema

George Lucas’ shock sale of his beloved Star Wars to Disney seemed like a concern at one stage.  Yet considering the work he’d done delivering three prequels that seemed to focus more on CGI than gripping narratives with fully fleshed out characters … perhaps it was time for another company to try their hand?  The result?  Well we got The Force Awakens and the rest as they say, is history.  Or is it?  The proposed continuation of the saga was also going to have a series of spin-off movies focusing on plots away from but connected to the main saga.  So despite that last movie’s un-argued success in bringing back a once treasured franchise … it could still all go tits up.

Rogue One

Jyn is the daughter of a scientist who at the beginning of this movie gets taken away to work on the Empire’s latest weapon.  Yes Daddy is helping build the death star.  Cue fifteen years after and Jyn is all grown up and seeking out the rebellion and the man who rescued her after her father was taken.  However along the way she befriends a reluctant assassin (Diego Luna) and his sarcastic droid and also a defected imperial pilot (Riz Ahmed).  Turns out there’s a mission to steel the plans to the death star in hope of finding a weak point, and so sets forth a sort of inter-galactic dirty dozen and boy, was I along for the ride.

droidA different beast to The Force Awakens but every bit as polished and entertaining, this boasts several stunning battle sequences that possibly eclipse that movie and strong performances, especially from newcomer Felicity Jones and her band of brothers, including a blind monk played by martial arts supremo Donnie Yen.  The movie plays itself rather serious for the most part but still finds time for gentle in-jokes and plenty of ‘was that…?’ and ‘hey that’s…!’ visual nods to Star Wars of yester-year.  Effects work is some of the best I’ve seen this year, even down to a shockingly real (sorry…spoilers) recreation of Peter Cushing’s Grand Moff Tarkin from the very first movie (apart from those eyes…).  Add to this perfect set design, costumes and some gorgeous cinematography and well, this had my jaw hitting my lap on a regular basis.  That much loved mysticism of Star Wars, especially the force, Jedi’s etc. seemed pushed aside however in favor of a more gritty ‘mission’ structure.  It also has to be said, some of the support characters were under-developed.

This could have been just a simple cash-in.  Yet director Gareth Edwards has made an inspired ‘alternative take’ on a familiar franchise and delivers a loving celebration at the same time.  So if you hadn’t figured it out already – I loved this.

Verdict:  5 /5