Just a short word or two to say I plan to post more reviews, game impressions and the like soon. I feel like I’ve been neglecting this blog and not putting the effort in of late. That’s going to change with several high profile movies on the horizon getting the review treatment from yours truly.
Anyway that’s all for now. Look out for more content soon!
I went into this fairly hyped. It’s been well received for such a long awaited sequel that probably nobody was really waiting for, yet I also had slight apprehension due to the fact of not being the biggest fan of the original. That movie whilst aesthetically impressive (more so for the time) and having some interesting moments and a solid turn from Harrison Ford, was ultimately rather empty and simple, lacking much of the depth or grit I’d been lead to believe. So how does this sequel hold up?
Ryan Gosling plays a Blade Runner who from the off you’re aware is also a replicant (an artificially engineered imitation-human), hunting and putting out of commission rogue replicants who have gone off the radar. Yet on one such mission he stumbles upon a grave of a female replicant who seems to have died in child birth – something nobody imagined a replicant was even capable of doing; conceiving a child. So the hunt for the missing child and answers to Golsing’s own past is set in motion.
Like the 1982 Ridley Scott original, this has a foreboding, dystopian future that is partly awe-inspiring and depressing. It’s a dark, moody vision of Los Angeles full of clouds, smoke, neon billboards and miserable people. Unlike Scott’s vision however this seems intentionally filmed with no real wow-factor, and with admittedly gargantuan set design and vast cityscapes appearing rather bland looking. This look is raised up a notch by some iconic looking, sci-fi imagery not out of place on a book cover or in the pages of a graphic novel, even if much of said imagery seems put there for the sake of it. Gosling is good and his journey of self-discovery is interesting (aided by a hologram girlfriend). Also where the movie eventually goes is clever, with how it ties into the original really well done. Add to this a late-to-the-party Harrison Ford pretty much stealing the show in a surprisingly layered performance, and on paper the ingredients are here to make a great movie. Sad then that the pace is so damn plodding, with almost every scene stretched out for maximum run time with long pauses between portions of dialogue, lingering looks between characters etc. Keeping myself entertained with this was a massive struggle. If some scenes had just been tightened up we’d have a 2hr movie rather than one approaching 3hrs, and somewhat underwhelming visuals aside, such a languishing pace is ultimately what lets the movie down.
If you’re a big fan of the original, you may still get something out of this. However if you want a movie that will keep you gripped throughout, this isn’t for you.
I’ll certainly go on record as saying the first Conjuring movie is one of the best horrors of recent years, and it’s follow up wasn’t too shabby either. Set in the same universe, the Annabelle movie so far has passed me by, Luke warm reviews and generally ‘meh’ word of mouth not helping matters. However I had heard this follow up was meant to be superior, so I thought I’d give it a chance.
Set some time before the events of the original movie, this has a group of orphans coming to live at a house in the middle of nowhere (of course). The ageing couple that run the house however hide their own tragic history following the death of their daughter twelve years previous. However it’s not long that things start to go bump in the night, mystery surrounds the reclusive wife and there’s a closed off room that certain girls should not go poking their noses into.
A solid premise, a creepy location and inquisitive young girls in night gowns wondering around creepy corridors in the dark. Yes it’s rather familiar stuff and pulls out many a horror movie trope. However it’s also a movie that wears its clichés like a badge of honour, delivering effective scares and plenty of freaky imagery and nail biting atmosphere that I found genuinely unnerving. The mostly young cast do a fine job especially lead girl Talitha Bateman and with several nods to both The Conjuring movies this was the whole package. It gets pretty messed up and nasty towards the end and I left the cinema fairly shaken but thoroughly entertained. A small tie in with the last movie ends things on somewhat of a ‘ok..er, what?’ and for a movie labelled ‘creation’ it’s still a bit of a mystery just what Annabelle’s origins are – but otherwise I still got a kick out of this.
In 1940 WWII, allied troops stranded on the beaches of Dunkirk are slowly and methodically evacuated using every serviceable naval and civilian vessel that could be found. … whilst at the same time fearing an imminent attack.
Now I can’t say I am all that familiar with the historical aspects of this based-on-true-events depiction, so came into this blind with only the prospect of it being directed by Christopher Nolan getting me all that excited. I’d say at this stage he is one of the best directors around and for me has crafted some incredible cinematic experiences. So trying his hand at a war movie … well, someone take my money! So we get the expected awe-inspiring photography and Nolan’s usual reliance on actual practical effects where clearly no expense seems to have been spared … and when we have areal dog fights or capsized ships it’s a sight to behold I can tell you. Sad then that the surrounding events didn’t engage me as expected, not help by strangely bland characterisation that even names like Kenneth Branagh and Tom Hardy fail to elevate.
Told through the eyes of several characters; a young lad who jumps aboard a boat setting sale to bring aid to the stranded soldiers at Dunkirk beach, a wet-behind-the-ears soldier at the beach who finds himself in a group of scared soldiers trying to find safety, and Tom Hardy’s spitfire pilot … this delivered a few powerful moments of dread and excitement but is ultimately let down by a trying to be clever, non-linear structure that’s at first not apparent – resulting in confusion. Add to this a relentless over-dose of orchestral music that is tie-one’s-stomach-in-a-not intense even during relatively mundane moments and I began to think Nolan was trying to hide the fact he didn’t really have much to say. It’s an event in WWII history that was significant, but the depiction we get here made it feel like just another day in the war (apparently thousands lost their lives, not that you see much of that).
WWII caused a horrific time in world history and several movies have brought that home and showcased courage under impossible odds much better (Saving Private Ryan). So… maybe go see this for a bit of a history lesson and some admittedly stunning visuals. Stay at home if you’re expecting much else.
Following an invasion of their home by a military force, ape leader Caesar (Andy Serkis) vows revenge and sets off to hunt down Woody Harrelson’s ruthless Colonel with a small group of fellow apes. Along the way they stumble upon a young mute girl who may be evidence of a mutated strain of the disease that has already killed off most of mankind.
A decidedly strange experience. I went into this with very high expectations and have to say what I got was a different movie than I was anticipating. It has the word ‘war’ in the title but it’s not the humans vs. apes smack down the last movie set us up for. Instead it explores an on-going conflict set at ‘war time’ between said apposing military force and the still attempting to live in peace apes. However what we do have is once again a movie with a great deal of heart, some very touching character moments, themes of loyalty, family and friendship as well as a little comic relief in the form of an ageing lone ape who turns up half way through. We get a lengthy prisoner-of-war sequence that is brilliantly played out with echoes of The Great Escape, and some decent action although nothing on par with the last two movies. This one’s less about explosions and spectacle and more about the search for a safe haven and a potential future, even if that future is hopeless for humans. As a conclusion (?) to the trilogy, it feels a tad uneventful and drags in places, and that ending was rather a damp squib.
Yet for fans like myself this is still solid entertainment. It’s superbly acted with again top marks going to Serkis, whilst Harrelson delivers a fine villain. It’s also absolutely stunning to look at (can these apes get any more real?) aided by plenty of personality and bags of emotion. I just suppose by a third movie, I was expecting more not … less.