Few. I’m just trying to catch my breath. Well, if this wasn’t one of the most tense and gripping movie viewing experiences I’ve had in a long time, I don’t know what is. The always dependable Emily Blunt leads this sci-fi horror drama about a small family trying to survive in a wilderness where ravenous creatures (aliens?) hunt and kill anyone and anything that makes a sound. So this young couple and their children live a life of silence, sign language and dread. You see, to add to their plight the teenage daughter is deaf,which makes her highly vulnerable and Blunt is pregnant.
This is a film dripping with tension, impending doom and director John Kransinski squeezes every ounce of emotion and fear from the characters, making me care so very much for them. This movie does an incredible amount with hardly any spoken dialogue, relying instead on the rawest of human expression and the threat of death to pummel home its situation that only gets more desperate as the movie progresses. That labour scene alone is one of the scenes of the year for me. The sound here is also pretty much a character in of itself and a decent sound system is recommended to get the full experience.
Occasionally the characters do make some stupid decisions considering the situation and the creatures are nothing that imaginative. However for a concept where I went in expecting just another gory survival horror … what I got was a whole lot more. A must see.
Director John Carpenter remains one of my favourite directors of all time. That’s not to say all his movies are masterpieces, but he firmly places his signature on all of them and I usually come away enjoying many aspects. The same can said for this cult favourite from 1981.
Kurt Russell plays Snake Plisken, a legendary soldier who on his arrival at a maximum security prison facility thats taken over Manhattan island in a futuristic version of New York … is about to be incarcerated for armed robbery. However after the President’s plane gets hijacked and he’s forced to board an escape pod launched into said prison island, the government call on Snake to go on a rescue mission. I remember loving this concept as a kid and hell, nobody looks more bad-ass than Kurt Russell with an eye patch and a semi-automatic. However I also recall not really being that into the movie itself.
Not much has changed. This is a particularly moody piece disguised as an action-thriller. It has all the required ingredients of pure popcorn entertainment, but somethings missing. The movie takes its time throughout and lacks any real thrills (not helped by what appears to be a tiny budget). However Carpenter helps by sprinkling several colourful characters here and there (with a stand-out Harry Dean Stanton) and along with Dean Cundey’s atmospheric and gloomy cinematography mixed with Carpenters own synth score, this still held my attention. Donald Pleasance, a Carpenter regular also pops up as the President, although lacks his usual presence. Overall this is Kurt Russell’s show and he’s great as a character way cooler than the movie he’s in, and every second the character is on screen, I couldn’t help but be mesmerised. One of those cult favourites still worth a watch, but not as memorable as its reputation might have you believe.
This new Blu-ray from Studio Canal comes in deluxe fold-out packaging boasting a poster, art cards and a detailed booklet. The movie is in decent shape (offered up in both 4K and HD editions) boosted by two soundtrack options that includes a new 5.1 DTS HD Master Audio soundtrack that although far from a surround showcase, sounds heftier and sharper than the otherwise acceptable stereo score. The picture whilst understandably gloomy is detailed and does the job marred only by an overly soft presentation. I didn’t get to check out the 4K transfer as I don’t have access currently to a 4K screen. Extras consist of a 52 minute documentary, deleted scenes etc. and four commentaries – which round off a very impressive package. Oh and they threw the CD soundtrack in also.
I’d heard good things about this 2013 thriller but had not got around to watching until last night. Starring two actors I always enjoy, Hugh Jackman and especially Jake Gyllenhaal … this looked like essential viewing from the very moment I’d heard about it. Telling the story of two suburban families who’s young daughters go missing one day, this follows the ensuing investigation that doesn’t bring many leads, causing Jackman’s father to take the law into his own hands. He decides to abduct the number one suspect and beat out some answers, whilst at the same time the detective in charge of the case, Gyllenhaal attempts to unravel and mystery.
Directed by the acclaimed Denis Villeneuve (Sicario, Blade Runner 2049) this is a taught and hard-hitting with above average performances not only from the leads but also Maria Bello. Unlike similar missing persons movies this raises questions of what’s right and wrong, although never did I not understand the desperation and pain experienced by the worried parents. With echoes of movies like (the underrated) Death Sentence and Zodiac, the gradually complex investigation is delivered with no end of tension, twists and turns. It kept this viewer guessing throughout and even if the final reveal is a little too neat, I was still left satisfied.
It’s a lengthy movie but never slow or stretched out and kept me gripped. A few questions are left unanswered at the end, with a mystery considering a character’s obsession with mazes left up in the air. But this was still solid entertainment with atmospheric direction and a stunning turn from Jackman making him one of the best working today. And to think I came to this for Gyllenhaal who whilst very good is left overshadowed.
Didn’t Steven Soderbergh (Ocean’s Eleven, Traffic) announce his retirements at one stage, or did I dream that? Either way the man continues to deliver movies including this latest psychological thriller starring The Crown’s Clare Foy who plays Sawyer, a woman who has started a new job in a new city after running from a stalker. However after an intended one night stand goes awry, she turns to a psychiatrist to tackle some of her demons. Problem is she unwittingly signs herself into a psychiatric institute and is unable to leave for seven days. Is she losing her mind and has her stalker returned?
Soderberg’s movie has an immediately unsettling aesthetic. Filmed believe it or not entirely on an iPhone, and with claustrophobic, unconventional filming techniques that makes everything seem dream-like … it was easy for me to go along with the paranoia and hopelessness of Sawyer’s plight. Once the hospital becomes the main location, the way the movie questions what is real and what might be in Sawyer’s head is very well done. Foy is brilliant, damaged and vulnerable making her one of those actors that really becomes the character. Support from genre icon Amy Irving (Carrie) was welcome if under-used and along with a creepy stalker this ticked all my boxes.
I’d have liked the ‘is she imagining it?’ element explored a little more than it was as it kind of turns into a typical thriller in the final act … but along with plenty of atmosphere and a few genuine shocks, I really enjoyed this.
A few years ago I was heavily into all things Hong Kong Action Cinema and explored not only the movies of the legendary Jackie Chan but everything from John Woo to Tsui Hark and Jet Li. I got pretty burnt out it has to be said but occasionally I’ll revisit that interest when I see one of the classics get the Blu-ray treatment. This 1985 action comedy has Chan as rule-breaking super-cop Ka-Kui, who following a successful raid on a shanty town to capture a notorious drug dealer, finds himself looking after a witness (played by genre queen Brigitte Lin).
This 1985 movie, the first in the long-running series … was a huge hit and won awards in it’s native land whilst helping turn Jackie Chan into the superstar we all know him as. Watching this movie now, whilst well structured and entertaining throughout, seems to lean a little too heavily towards comedy with drawn-out scenes devoted to silly gags and comical situations involving his girlfriend (Maggie Cheung) and often bumbling co-workers. Thankfully when the action does kick in it’s terrific, showcased in three varied scenes that prove without a doubt why Chan’s so respected, not just as a martial artist but also as a choreographer and daredevil with his unique brand of environment-using stunt work. Influences from the likes of Buster Keaton are obvious and even all these years later, watching him is mesmerising. Not exactly the greatest action movie Chan’s ever done or even his best movie but it’s still a classic for what it set in motion.
This UK Blu-ray from Eureka! Is presented as a double feature box set with Police Story 2 and boasts a detailed booklet as well as a wealth of extra features. We get three cuts of the movie (the original release, the Japanese extended cut & a shorter American home video cut), behind the scenes featurettes, archive interviews, a brief over-view of Chan’s stunt wok, deleted scenes and trailers. The movie itself is in decent shape, with a 4K re-mastered image that whilst boasting nice detail and vibrancy, some darker scenes suffer from a smudgy, overly dark appearance. The soundtrack is good though with both 5.1 DTS HD Master Audio soundtracks presented in English dubbed and Cantonese subtitled, although the movie’s age means those surrounds are barely used. Overall, solid treatment for a movie that’s still a great deal of fun.
Mensen maken de samenleving en nemen daarin een positie in. Deze website geeft toegang tot een diversiteit aan artikelen die gaan over 'samenleven', belicht vanuit verschillende perspectieven. De artikelen hebben gemeen dat er gezocht wordt naar wat 'mensen bindt, in plaats van wat hen scheidt'.