The original 1986 Top Gun I recall never really appealed. I was only 11 at the time of its release and it’s setting of hot shot fighter jet pilots just wasn’t my thing. Flash-forward 35 years later and this almost gets the crown for longest period between movie and sequel. Tom Cruise returns as Pete ‘Maverick’ Mitchell, who is given the job of training up a group of highly skilled pilots to undertake a particularly dangerous mission. However amongst the pilots is the son of ‘Goose’ Maverick’s best friend who died in the original movie.
Cruise is his usual charming self and in the mentor role offers up a commanding presence. Although like before the setting didn’t initially appeal I was still willing to give it a go. Thankfully the story is good enough and support cast do a decent job of becoming an appealing group faced with a life or death situation. The impending threat I felt was under-developed and there’s no actual bad guy just faceless enemy jets and the fact they have uranium hidden in an underground bunker.
That being said the star of the show is the cinematography and the many dizzying in-cockpit flying scenes. The final act is especially exhilarating and edge of your seat stuff. It also looked like Cruise was doing a lot of the fighter plane flying. The movie however pays a little too much homage to the more cheesy aspects of 80’s blockbuster cinema, and the love story between Cruise and Jennifer Connelly felt half baked. That said, I still enjoyed this, much more than expected.
Generally, you can’t go wrong with a movie starring veteran action star Sammo Hung. He grew up with Jackie Chan, and although he has remained in Chan’s shadow, mostly due to not making his name in America – his movies and his Kung fu skills are clearly on the same level. This 1990 buddy cop movie has never had much fanfare outside its native Hong Kong, and after watching it … I’m surprised.
This is top-drawer Sammo Hung with some fun comedy and several quality Kung Fu fights. The plot is rather none-sensical though, serving more as an excuse from Hung and Karl Mak’s often funny squabbling banter. Karl Mak is comes across a tad misogynistic but still entertains, and proves a capable fighter in his own right. However as a vehicle for Hung, this showcases his comedy skills equally with his fighting, this time doing a spot-on Bruce Lee impression throughout – which I’d have liked a bit of explanation for, but it’s never explored.
Direction by kung Fu veteran Lau Kar-wing is decent with the fights well framed and delivered with often clever camera work (especially during the climactic warehouse scene). I’d say if you enjoy Hong Kong action cinema, this is one of the more immediate fun ones, with the action spread throughout the movie (not just at the end) with entertaining characters and decent comedy. Just a shame about that er… plot.
This new release from Eureka Classics boasts decent image quality. Not incredibly sharp but clear and detailed enough. The soundtrack offers up original Cantonese mono, or 5.1 DTS HD Master Audio English dub. Although this isn’t a showcase for your surround system. Dialogue is clear though and the English dub is surprisingly good. There are two audio commentaries, the first from Asian film expert Frank Djeng and martial artist / actor Robert “Bobby” Samuels. The second has action cinema experts Mike Leeder & Arne Venema. Then there’s a collector’s booklet featuring an essay by James Oliver. Add to this interviews with crew and stunt co-ordinators. There is also a second disk covering the career of stuntman Mark Houghton. No interview or anything with Sammo himself though seems a strange oversight.
This long running franchise has always been one of my favourite series of movies, and the character remains probably my go-to comic book hero. So when I heard they were rebooting the franchise once again, I was curious / nervous where they could possibly take this character. Turns out director Matt Reeves (Cloverfield, War for the Planet of the Apes) was an assured choice for this new era. Twilight’s Robert Pattinson takes on the role of Bruce Wayne / Batman who we hear has already been at the caped vigilante ‘game’ for over a year. A series of murders of political figures have started occurring in Gotham City. The killer, calling himself The Ridler leaves cryptic clues for the police and especially Batman to follow in a race against time as the bodies pile up. Embroiled in proceedings is small-time burglar Selena Kyle / Catwoman (Zoe Kravitz), as well as local mobster The Penguin.
Reeves’ direction is suitably moody and highly atmospheric. I especially liked how he brought back Gotham as an eerie character in itself, something Tim Burton presented so well back in the day but Christopher Nolan mostly did away with in place of realism. This rendition of Batman successfully marries both the Gothic fantasy of Burton whilst retaining some of the grit of Nolan … and it works. Wayne / Batman is this time portrayed very much as a human being, capable of injury and mistakes and letting his emotions get the better of him. In this respect Pattinson is excellent – delivering a complex, damaged portrayal whilst still looking an absolute badass in the costume. I’d have like a bit more of him as Bruce Wayne though. Another surprise was Zoe Kravitz, an actress I only know as being the daughter of rocker Lennie Kravitz, but her portrayal is possibly the most complex and interesting version of Catwoman for years. Support from Jeffrey Wright as (inevitably) Commissioner Gordon and John Turturro as mob boss Falcone both bring plenty of personality also. A barely recognisable Colin Farrell is also decent as Penguin even if his character is kind of a side note. That just leaves The Ridler then, and with this role Paul Dano (There Will Be Blood) is chilling and malevolent – even if he’s no Heath Ledger (although his grand-scheme bares similarities).
I had a great time with this. It was a bit long, and may have benefited from some scenes being trimmed down, but I can’t say I ever got bored. Pattinson turned out to be a great choice and I am eager to see what more he can do with the character. The story was gripping, with an intricate plot that bared resemblance to the Zodiac murders whilst also echoing the Saw movies. This was also different enough to stand on its own yet retains enough of the mood and aesthetic to still very much be a Batman movie. What more could you ask for?
I saw this notorious drama on a heavily censored VHS rental years ago and decided it was one of the more disturbing serial killer movies I’d seen. Of course over the years it’s shock value has diluted. These days the boundaries of what is allowed to be seen on screen has been pushed to a much harder degree than what would have been banned back in the eighties. That being said, this movie still has the power to disturb.
Michael Rooker (Guardians of the Galaxy, The Walking Dead) plays sociopath and killer Henry – loosely based on real-life serial killer Henry Lee Lucas who kills at random and without motive, drifting from town to town. After befriending Otis (Tom Towles) and moving into his run-down apartment they are soon joined by Otis’ younger sister Becky and their simple dynamic is complicated once Henry begins involving Otis in his murderous ‘hobby’.
Directed my John McNaughton (Wild Things) with a cold, semi-documentary style this is a movie that doesn’t offer explanation or back story but simply explores a week in the life of a killer. Rooker is unnervingly convincing, aided well by his co-stars and McNaughton’s ominous, matter-of-fact tone. It doesn’t offer answers and is all that more powerful for it, offering some still-to-this-day shocking scenes (the home invasion). The acting isn’t Silence of the Lambs Oscar stuff by a long stretch and some scenes are quite amateurish, not helped by a low budget and filmed-on-the-fly locations. Yet it manages to pack a punch even all these years later.
I picked up the recent Arrow Video 4K Blu-Ray release. The picture quality, a new restoration supervised by the director is very grainy but close-up detail is good. The soundtrack is offered in its original 2.0 stereo and a new 5.1 DTS HD Master Audio option. Dialogue is mostly clear apart from one segment based under a bridge, which was very echoey. Extras consist of interviews, which are from a number of years back, censorship featurettes covering both American and British censor history, making of, deleted scenes and photo galleries. The limited edition set also comes with a poster, booklet and a separate booklet showing the original storyboards. Three director commentaries, one of which is brand new rounds off the presentation. Impressive stuff.
I can’t say I’ve ever been that taken by Gerard Butler. In fact I can barely recall the last movie I saw him in. However this thriller has had some good word of mouth so I thought I’d give it a watch. When a seasoned criminal gets himself arrested so to evade people trying to kill him … he finds himself behind bars at a local Police precinct. However a drink who gets thrown in a cell opposite soon confesses confesses he’s there to kill the criminal.
If this was the nineties, this movie would be brushed off as another Tarantino-esque thriller with snappy dialogue, fast editing and cool characters. However this isn’t the nineties and this, intriguing premise aside came across as a bit derivative. Butler’s the only recognisable face too. That being said Alexis Louder as a spunky female cop and Frank Grillo as the career crim proved decent enough.
It was a bit of a schizophrenic experience this. At times it felt like a tightly woven character piece dripping in tension. Other times it was like a music video, with cool but slightly out of place camera work, shot framing and music beats. A more grittier, realistic approach may have been better. However when the action kicked in it was rather intense and well done, borderline John Woo towards the end. So yeah kind of old fashioned, but this was still fun and had a decent enough concept to keep my attention.
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