Bottom Ten Movies of 2019


It wasn’t all home runs for the movies I watched in 2019. Not all here are ‘bad’ movies they just either underwhelmed or disappointed me compared to other movies in 2019. Listed in order of disdain

10.

Aquaman

 

9.

Men in Black: International

 

8.

The Highwaymen

 

7.

Cold Pursuit

 

6.

3 From Hell

 

5.

Extremely Wicked, Shockingly Evil and Vile

4.

Blackkklansman

 

3.

Climax

 

2.

The Equalizer 2

 

1.

Once Upon a Time in Hollywood

The 2010s – a decade in movies


The 2010’s has been an interesting decade. I think the popularity of superhero movies has dominated and we also got the return of Star Wars so yes, Disney were raking it in these past ten years. The decade has also further cemented the popularity of streaming services and how Hollywood has looked to these services with a greater amount of seriousness than previously and that is why big name directors like Martin Scorsese and The Coen Brothers to name but two, have launched big budget movies on these platforms. Add to this major Hollywood talent taking TV and streaming exclusive rolls, and the future looks bright for these services. That’s not to take anything away from the big screen cinema experience which I still feels has a great deal to offer, and although gimmicks like 3D have begun to fall off, nothing can beat what is still such an immersive form of entertainment.

Looking back over the decade and the numerous top tens I’ve done at the end of each year (look out for my 2019 top ten tomorrow), it’s also clear there’s been many top quality movies released, some that have gone on to become firm all time favourites. Black Swan and The Revenant especially are two of my favourites of the decade. Alongside these movies I’d also place the much underrated Stoker, as well as Shutter Island and Nightcrawler, all movies with stand out central performances and directors with a unique vision.

When it comes to the massive onslaught of comic book adaptations I’d call the first Avengers movie as well as Avengers Infinity War, the brooding (and brutal) Logan and the first Guardians of the Galaxy movie all solid gold entertainment. Captain America: The Winter Soldier and Wonder Woman can also join that list. It’s a shame then that DC on a whole couldn’t live up to Marvel’s consistency with Batman V Superman and Justice League both disappointing.

Horror, so stuck in a rut for longer than I can remember began to finally discover a new lease of life with directors like Jordan Peele, Ari Aster and Fede Alverez delivering breath-of-fresh air experiences like Us, Hereditary and Don’t Breathe, and even remakes like Evil Dead and IT didn’t feel as stale as they could have done. Add to this Far Eastern gems like I Saw the Devil and Train to Busan delivered a high level of quality to the genre.

If I was to pick my personal favourite movies of the decade, I’d have to choose Christopher Nolan‘s mind-bending Inception, Alejandro González Iñárritu‘s utterly unique Birdman, the aforementioned Black Swan from Darren Arronofsky and Wes Anderson‘s captivating Grand Budapest Hotel, although the fan-boy in me might also place J J AbramsStar Wars: The Force Awakens on that list just because…

So yes the 2010’s has been a great decade. It further pioneered special effects, unique approaches to story telling and proved the blockbuster still could have depth beyond the avalanches of CGI. It also gave us career defining performances. We also have it better than ever for home entertainment. What the next decade has waiting for us I can only dream but know that the much delayed but highly anticipated Avatar sequels will be a good start.

Roll on 2020 and beyond…

Star Wars: Episode IX


Viewed – 23 December 2019 Cinema

The Rise Of Skywalker

If this wasn’t my most anticipated movie of the year, I don’t know what was. I struggled with the last entry, The Last Jedi a movie that with subsequent viewings has gone up in my appreciation but remains highly uneven. This final movie though and the conclusion of the Skywalker saga brings forth the return of a long suspected dead enemy … The Emperor! With a new threat to the galaxy, Rey and her friends intend to seek out and destroy him once and for all, whilst conflicted Kylo Ren intends to turn to him for guidance as the new supreme leader of the First Order.

I’ll admit this storyline comes a little out of nowhere and is a blatant attempt to steady the ship following some of Rian Johnson’s ill-conceived plot twists in Last Jedi … but the return of Ian McDiarmid‘s Emperor Palpetine was welcome and the ageing actor nails the necessary maniacal menace. The immediacy of the threat propelled the action from the off as we’re treated to some great battle sequences, mixed with solid character moments that showcase the chemistry this new cast still has. The psychic bond between Daisy Ridley‘s Rey and Adam Driver‘s Kylo-Ren turns out to be the big focus and is further explored and the movie used it in several creative ways. It proves the best aspect and is surrounded by many highly entertaining scenes including a plot thread involving C3P0 losing his memory and some (thankfully) well-timed humour as well as a perfect tone that took me right back to how it felt seeing Star Wars as a kid.

If I had to nitpick it would be the obviously forced Emperor plot, and the first act overly frantic. And like all Star Wars movies it has some silly bits, and there’s a couple of jarring character moments (General Hux!?!). Yet in the grand scheme of things it’s so damn enjoyable, such gripes can be forgiven. As a story that has spanned over 40 years, this felt like a fitting conclusion and ticked many of my boxes. There was a lot riding on this final movie and the conclusion of such a long running saga. There’s not a great deal here that makes this trilogy a story that had to be told other than to reintroduce Star Wars to a new generation and make up for the failings of the prequel trilogy. Yet with highly memorable characters, some great moments (and some questionable ones) I feel this has still been a worthwhile endeavour for the filmmakers and as a fan I am overall satisfied with what they achieved.

Verdict: 4 /5

The Irishman


Viewed – 28 November 2019. Netflix

There’s a moment early on in Martin Scorsese‘s 3hr + epic when Robert DeNiro meets with Joe Pesci‘s mobster. Could I hear The Godfather theme playing gently in the background? If so, nice nod to a genre you helped immortalise Scorsese.

I was hyped for this. A crime drama with some of the biggest names in crime dramas reuniting for the first time in years? Where do I sign? Based on true events, DeNiro plays Frank Sheeran, a mob hitman who gradually rises up the ladder, going from blue collar worker to petty thief to mob enforcer to right hand man of infamous politician Jimmy Hoffa (Al Pacino). At the same time his story is told by an elderly Frank in a nursing home. One of the much talked about things with this movie was the ageing and especially de-ageing technology used to showcase various characters during different timelines. It’s clever stuff if not entirely successful and did take a bit of getting used to – especially when a (I’m guessing) 40-something Frank still carries himself like an awkward older guy at times, lacking the stature of the same actor in say Heat or Goodfellas. It’s a technology that I’m afraid struggles to hide the fact this movie should probably have been made years ago.

DeNiro is still great though and goes through a plethora of emotions to portray Frank, someone who’s not your everyday mob villain but a family man and a human being. In the closing scenes especially, portraying an elderly man with lots of memories and regrets, I’ll admit I came close to shedding a tear. It’s the ending that elevates this into the realms of potential ‘classic’ even if some sections in the middle revolving around Hoffa’s political dealings dragged and well, got a bit boring. Al Pacino is far from disappointing though, but I can’t say I was all that taken by the man he was portraying. On the other hand, Joe Pesci’s mobster is great and made me wish this guy still made movies and proved much more layered than the usual psycho routine he’s famous for.

It’s also a bit too long. The Jimmy Hoffa stuff, admittedly important to the story could have been trimmed down, and some scenes are drawn out. However this isn’t a zippy, snappy gangster movie but a thoughtful story of one man’s life, and for that it mostly succeeds. Martin Scorsese gives the movie a classy feel, with eye catching camera work, his trusted great choices in music and a great attention to detail. Overall, a must for fans of crime movies and for anyone wanting to see these screen legends deliver the goods one more time.

Verdict: 4 /5

Spider-Man: Far From Home


Viewed – 12 November 2019. Online rental

In the wake of the events of Avengers: Endgame, Peter Parker / Spider-Man (Tom Holland) is on a school trip in Europe when a series of elemental beasts begin to attack various cities. When a hero from another dimension appears to battle them, Parker feels obliged to offer his help, aided by new tech left to him by the (spoiler) late Tony Stark.

I wasn’t the biggest fan of the last few Spider-Man movies but do think Holland is perfectly cast. This time around he teams up with Jake Gylkenhaal‘s Mysterio, who proves a very interesting character even if an actor of his calibre is hardly ‘stretched’. Samuel L Jackson‘s Nick Fury is also a welcome return after his absence from other movies. The story is generally teen angst complicated by an inconvenient new threat, and the shadow of Tony Stark / Iron-Man looms once again which for me spoilt the last movie. However here at least Spidy gets to do his own thing and we are treated to some great set-pieces with some very imaginative moments revolving around Mysterio’s illusion powers.

At the end of the day this hardly breaks the mould for a Spider-Man or Marvel movie and lacks the depth of a Captain America or Avengers – but when it’s all this entertaining … does that really matter? Not ‘amazing’ then, but still the best Spidy outing in quite a while.

Verdict: 3.5 /5