Still Alice


Viewed – 25 July 0215  pay-per-view

Few can argue the versatility and sheer talent of actress Julianne Moore who I think has come on leaps and bounds over the years to become the new Meryl Streep or Helen Mirren.  This award winning drama could also be the pinnacle of her career so far.

still alice

Moore plays Alice, a college professor who is diagnosed with early Alzheimer’s disease, a rare onset of the illness considering she’s only 50.  With her husband and two daughters around for support we watch as the symptoms gradually get worse and worse and she struggles to cope in her life as the person she’s always been gradually slips away.  It’s a hard hitting subject make no mistake, and is portrayed well if you know anything about the disease.  My mother used to work with elderly patients suffering from the disease so as I watched the film with her she marvelled at how accurate it all was.  Moore is simply amazing and heart-breaking, expressing every little detail of frustration and bewilderment as she starts to forget things or lose track of what she’s doing or where she is.   Alec Baldwin is decent as her husband but the casting of two of the blandest actresses currently working (Kate Bosworth and Kristen Stewart) as Alice’s daughters let’s the side down somewhat as they struggle to convey such strong emotions on expression-free, personality-free faces.  Honestly, does Stewart only have one look no matter what she is saying?

Above all else though this is Julianne Moore’s gig and she’s every bit worthy of those Oscar and Golden Globe nods.  The movie portrays a very cruel disease intelligently, finding room for humour amongst the despair and I came away surprised at how much the story moved me.

Verdict:  4 /5

10 directors who have shaped my movie viewing tastes


Inspired by a recent post over at abbiobiston.com, I thought I’d sit down and list ten movie directors I either seek out without hesitation, or have made some of the most affecting and inspiring movies I’ve ever seen, shaping what kind of movie viewer I am today and creating experiences that have transcended basic entertainment to actually mean something to me as a person.

Quentin Tarantino

tarantino

As a reviewer, occasional-writer and movie fan, Quentin Tarantino ignited a spark inside me that has yet to go out.  When first seeing Pulp Fiction, I knew this was the sort of material I wanted to write about, and this continued with his script for Natural Born Killers and also his debut, Reservoir Dogs.  He was a rebel, he challenged people’s ideas of what violence was all about on screen, not there for just shock value but to make you feel something.  He managed to back this up with amazing dialogue writing skills and a keen eye for pop-culture and cinema history that has continued to this day.

David Cronenberg

cronenberg

Horror for me was never just about hiding behind my cushion and trembling – horror for me was about the strange and surreal, the gruesome but in a way that made you ponder what it meant.  Croneberg has always been a master of this, of using body-horror to make you feel something you’ve never felt before, backed up by intelligent direction that more often than not has a lot of social commentary of the times we live in i.e. sexually transmitted infections with Shivers.  He has continued to shape his often controversial style into the modem gangster and crime genres to brilliant effect in movies like Eastern Promises.

Stephen Spielberg

spielberg

Probably the most famous director of all time who seems to barely put a foot wrong and can turn his hand to a wealth of different genres and subjects, from the industry defining Jaws and Jurassic Park to powerful masterpieces like Saving Private Ryan and Schindler’s List.  Assured, confident and always entertaining and thought-provoking, this maverick director continues to be a name to bet on even after almost 40 years in the business.  As long as we don’t mention the most recent Indiana Jones movie, Spielberg remains one of those names every movie fan will know and surely appreciate to some degree.

John Carpenter

carpenter

Fallen from grace he may be, but during the seventies and eighties, this guy made some of the coolest and most sort after movies I’d ever seen.  Who can argue the merits of Halloween, The Thing and Big Trouble In Little China?  Although I can’t say I totally appreciate Escape From New York as much as others, I have a soft spot for lesser known efforts like Prince Of Darkness and In The Mouth Of Madness.  This guy knew how to create perfectly entertaining genre movies and although he hasn’t made much of note for years, that’s a hell of a back catalogue of classics.

David Fincher

fincher

Although I think he’s become a bit relaxed in recent years, churning out fairly ‘safe’ movies, for the most part Fincher has still created some of the most stylish and intricately directed movies I’ve seen, namely the multi layered classics Fight Club, Seven and even Zodiac.  His directing style is crisp and beautiful even when it’s dealing with very dark subject matter, and his camera work and imagery have stayed with me long after the credits have rolled.  He’s a technical directing fan’s dream director, as for me I can appreciate every aspect of the setting, the camera work to the music and lighting.  Helps he can also pull out great performances from the likes of Brad Pitt and Jake Gyllenhaal to name but a few.

Stanley Kubrick

stanley kubrick

With a fairly small catalogue of movies, this director like no other has made some of the masterpieces of my lifetime.  The Shining is still the best horror movie I’ve ever seen and probably the most perfectly directed, on a technical level movie I’ve seen also.  His strong visual skill at making every shot and every camera movement look so well executed has made movies even of lesser impact like Eyes Wide Shut a work of art.  He proved again and again that careful eye for detail, iconic performances can turn even a well worn subject like the Vietnam war into amazing cinema.  I haven’t seen everything he’s done, but of the movies I have, he keeps on amazing me, and is possibly the best director on this list.

Dario Argento

67^ MOSTRA INTERNAZIONALE D'ARTE CINEMATOGRAFICA

Perhaps at his best during the seventies and eighties, but this often controversial director has gained a strong cult following over the years and remains one of the most stylish and genre-defining film-makers around.  At his best he can make gruesome murder look beautiful, and his frequent collaborations with the band Goblin and musician Claudio Simonetti has helped create a brand of effective Italian cinema that still stands the test of time.  Try watching Suspiria or Tenebrae without marvelling at the camera work, atmosphere or use of lighting and music.  Argento will always be the maestro when it comes to horror, even if his light has considerably faded over the years.

Martin Scorsese

scorsese

The Don.  How does this guy keep doing it?  To this day Scorsese still manages to amaze and impress.  He has crafted true classics such as Taxi Driver and Goodfellas and still manages to churn out quality movies like Shutter Island and The Wolf Of Wall Street.  It’s always exciting when I hear he’s making another movie and even diversions like Hugo retain that Scorsese eye for style and cinematic creativity I’ve grown to love about him.  He has a tendency to work with the same actors but also manages to bring out wildly different performances from them, that give each movie their own voice.  One of the best film makers of all time in my opinion.

Joel & Ethan Coen

50957026JC070_portrait

In recent years their brand of southern comedy and thrillers has felt a tad hit and miss, but when these sibling directors are on form, they can make some of the best movies you’ll ever see.  Comedies like The Big Lebowski and Raising Arizona offer up laughs as well as style and assured direction along with iconic performances, and thrillers like Fargo and No Country For Old Men prove they can deliver tight, well executed stories that pack a punch.  They continue to be favourites at Oscar season and amongst a huge cult audience, and with a strong visual style and often award winning performances, their movies are hard to dismiss.

Park chan-Wook

chan-wook

Another director who can explore very dark themes but make them beautiful with imaginative camera work, scene setting and particularly artistic shots.  His American debut Stoker is a perfect example of strong story, strong performances and beautiful, almost poetic direction.  His vengeance trilogy that incudes the cult classic Old Boy is powerful, gut-wrenching but extremely moving and artistic, blending classical music with striking story-telling and stunning cinematography.  Park chan-Wook’s the real deal if you can appreciate quality direction with a signature touch.

Chappie


Viewed – 21 July 2015  Blu-ray

I must admit I’m becoming quite an admirer of South African director Neill Blomkamp’s brand of sci-fi action thrillers.  His debut, the acclaimed District 9 certainly impressed, and his follow up the underrated Elysium was one of my favourite movies of recent years.  So sitting down to this latest, albeit somewhat more personal effort I’ll admit I was excited.

Chappie

A robotics scientist at a company that builds and runs an android police force, creates the first true artificial intelligence and installs it in a test robot fresh off the battle field.  However on-route home to do more tests, the robot is stolen by a group of desperate thugs who subsequently adopt it and name it Chappie.

Set in a near-future Johannesburg, Blomkamp’s movie stars Slum Dog Millionaire’s Dev Patel as the scientist, Hugh Jackman as a rival scientist and Sigourney Weaver as the head of the company.  Playing against type, Jackman is good fair and seems to be loving time out from Wolverine.  Weaver on the other hand get’s a rather limited, thankless role considering her Sci-Fi credentials, so it’s left up to Patel who is very good and a bunch of lesser-known but intriguing co-stars to carry the movie around a brilliant creation.  Blomkamp regular Sharlto Copley (The A-Team, Maleficent) does a stellar job voicing the robot, instilling a naivety and energy to the character that really brings it to life.  We follow Chappie’s exploits from frightened child to becoming a hanging-with-the-homies gangster, whilst all the time being manipulated by gang leader Ninja and befriended by surrogate mother ‘Yo-Landi’.

YolandiThink a cross between eighties classic Short Circuit (Number Five is alive!) and genre favourite RoboCop (not the lacklustre remake) with some blatant borrowing of that movie’s key ideas even down to an Ed 209 look-a-like.  The story’s most fascinating aspect however; Chappie’s learning felt rushed, for a robot who has to pretty much grow up before our eyes (…how’d he know lying?), and the clichéd thugs / locales were straight out of the post-apocalyptic handbook.  Yet Blomkamp threw in enough stylish action and energy to keep this viewer smiling and entertained throughout – and that ending was sheer class.

On this evidence, I can’t wait to see what he does with Alien.

Verdict:  4 /5

Opinion Piece – The Problem with Modern Movie Trailers


Craig:

A very interesting article over at Jordan and Eddie The Movie Guys, that’s close to my movie heart … one of the reasons I avoid most trailers these days too…

Originally posted on Jordan and Eddie (The Movie Guys):

Martian Upcoming The Martian – will there be anything left to learn after the trailer?

Piece compiled by Eddie on 17/07/2015

What’s the mission statement of a movie trailer? Is it to show us just enough to make us want more? Is it to show all the films best set pieces to entice us to spend our hard earned cash at the ever increasingly expensive cinemas? Perhaps it’s to show us a shortened run down of what the whole film entails, as witnessed over recent years in far too many trailers.

Not only have we movie lovers sadly lost the deep and comforting tones of trailer voice over artists in the modern history of trailers but now we’ve been mistreated far too many times by trailers giving away movie’s plot lines, sometimes in their shortened entirety. Recently Ridley Scott’s new Sci-Fi epic The Martian had its trailer premiere and whilst the…

View original 591 more words

10 Directors who influenced my view of the world


Craig:

A very cool post from over at abbiobiston.com – I might think of doing something similar…there are definitely names that spring to mind already…

Originally posted on abbiosbiston:

A while ago someone did a post on 10 directors who changed their view of the world… or something like that. I can’t find the post or remember who it was… because I am crap but I really liked the post and I wanted to do one for myself. I have to admit that I only started really noticing directors relatively recently and having not had any kind of education in film studies I operate pretty much on instinct alone. That means my choices are potentially a bit different from what people might expect and also don’t necessarily include a lot of directors that are considered to be classically great. And you’ll also soon realise that I am a big fan of aesthetics. But here goes anyway and if you were the person who did the original post and read this please do tell me so that I can give…

View original 1,412 more words