Probably next to that Apes movie, the next most acclaimed summer blockbuster of the year. A welcome return of the mutants headed by Dr Xavier (Patrick Stewart) on a time-bending mission to prevent shape-shifting femme fatale Mystique (Jennifer Lawrence) from killing a scientist who brings about a war against mutants. Wolverine (Hugh Jackman) is called in to send his conscience back to the seventies, with the help of Kitty Pryde (an under-used Ellen Page). There he must recruit the younger Charles Xavier as well as an imprisoned Magneto (Michael Fassbender) to aid him in his mission.
This was a bit of a strange ride….whilst I dig time travel storylines, this was sometimes hard to get into, although the seventies setting with the backdrop of the Vietnam war was welcome and done really well. James McAvoy is again very good as Xavier’s more troubled, younger-self and Hugh Jackman’s grizzled, dead-pan Wolverine is always a joy to watch. The stronger emphasis on Mystique was good too, and well she’s smoking hot strutting her blue-skinned stuff in some stand out acrobatic fight sequences. However with the long history of Magneto generally being an evil megalomaniac, busting him out of a prison quickly proves a bad idea and sitting here I’m still wondering what the point of his involvement was, considering they had Wolverine, Beast and a memorable Quicksilver (Evan Peters from American Horror Story).
Effects were of course top-drawer with a superb ‘let’s rip a football stadium out of the ground’ scene … but much of the plot relied heavily on having a good knowledge of the previous X-Men movies with many small details like nods to Rogue and Jean Gray probably going right over the heads of newcomers. So it felt like I’d come into the show half-way through with the whole Sentinals situation just going on, wiping out Mutants like a continuing part of a TV series. That being said the principle actors all did a decent job (especially Lawrence) with somewhat muddled material .. so no, for me at least … this wasn’t as good as I had heard.
In some ways I was a bit nervous going into this. The much anticipated swansong for arguably one of the finest animation directors in the world. Hayao Miyazaki chose this very personal and understated story as his final feature for the famed Japanese animation house ‘Studio Ghibli’ following an illustrious career that spawned such classics as Spirited Away, My Neighbour Totoro and Howls Moving Castle. However this is not the fantastical world we may have become used to but more a thought provoking biopic of a famed aircraft designer.
I’d say Miyazaki has always had an interest with aircraft and flight, and this is certainly his love letter. Jiro Horikoshi (voiced in the very good English dub by Joseph Gordon-Levitt) since he was a child has had a fasciation with air travel and the designing of planes. He often slips into fantastical dream sequences where he meets and talks to famed Italian Aviation pioneer Giovanni Battista Caproni. As time passes Jiro studies aeronautical engineering, and soon begins working for a plane building firm. However with the advent of World War II, his designs become increasingly involved in the Japanese Army’s invasions plans, and Jiro finds himself questioning his conscience.
With a similarity to the Martin Scorsese / Leonardo DiCaprio vehicle The Aviator, and boasting several quirky characters, (Jiro’s boss is classic Ghibli), I did find this interesting even if all the plane building and Jiro’s enthusiasm went over my head. More absorbing was his gentle love story with Nahoko (Emily Blunt) who develops Tuberculosis. Yet this storyline also brought into question some of Jiro’s actions, with him having full knowledge that his planes would be involved in mass genocide but he seems to have more focus on building them than looking after his sick fiancé. Thankfully the art and animation on show distracts from such a morally dubious main character and should be heralded as one of the studio’s most beautiful works – a real treat for the eyes that shows there is plenty of life left in traditional hand drawn animated movies.
Perhaps not as uplifting or as boundlessly-inventive as Miyazaki at his best, but with a good story and some great moments (the 1923 Tokyo earthquake is portrayed like the ground breathing and groaning…), this is still worth checking out.
Well I turned 39 yesterday and it was a really enjoyable day, despite the fact I was at work. I am fortunate to have many really good colleagues and friends at work and they all made a fuss of me, giving me cards, prezzies etc. I also had money and gifts off my family which included the ‘Atlas Limited Edition’ of Call of Duty Advanced Warfare for Xbox One as well as the official, limited edition Call of Duty Xbox One control pad. The game itself seems pretty decent but I’ll report more on that in another post.
At times like this, especially as I approach forty, I certainly find myself reflecting on life, and especially the past year, which emotionally has been very up and down. Some people come into your life and have a dramatic effect on it, then before you know it, they are gone for good. It’s certainly hard when that happens but sometimes can’t be avoided. Yet when I look to the things I have managed to achieve, the loving family I have around me, and the genuine friends who are still in my life, I do realise I have a lot to be thankful for.
I love writing this blog, I love watching movies, playing games, and I love my job … it challenges me and makes my life something once upon a time I never thought it would be.
I also want to thank anyone who regularly reads my posts, occasional visitors and the community here as a whole. You’re a joy to write for and make this a very rewarding hobby.
Well mostly all week I have been playing the Xbox One exclusive ‘Sunset Overdrive’ a very colourful, vibrant mix of cult favourite Jet Set Radio (aka Jet Grind Radio), Dead Rising and to some extent Ratchet & Clank. Designed by industry veterans Insomniac Games and following a ton of hype during development … I’m happy to report this game is an explosion of fun. The story isn’t anything special, something about a soft drinks firm whose latest energy drink has inadvertently turned many of the inhabitants of Sunset City into mutants, and you as one of a handful of survivors must find a way of escaping, whilst also going up against the mutant horde, other factions and Fizzco, the company behind it all.
For me the story plays secondary to the fun of just playing this game and exploring the hugely attractive city. This is certainly one of the best looking games yet for XB1, with high resolution textures, tons of colour (compared to many game’s muted colour pallets) and a fun traversal system where you can bounce off a wealth of objects (cars, boats, bushes, vents etc.) and grind on almost any surface, not to mention also being able to wall-run ala Prince of Persia. It’s very slick and makes getting around pure joy. I am loving doing some of the traversal challenges and then offering them up to people on my friends list.
There’s a bunch of colourful characters to interact with and get missions from, which are sometimes a lot of fetch quests but broken up with rescue missions and get from point A to point B before shit happens type stuff. It’s really entertaining though and the production values, including some near-Pixar quality cut scenes make this the real deal. I also like the fact you can not only create your character from the start, but customize him or her throughout, making this a very personalised experience for the player. The script also is very funny with many pop-culture and video-game culture references a-plenty.
It doesn’t seem overly difficult right now, even if dying brings with it a plethora of different and very funny re-spawn animations (fave? The Terminator), and some have knocked it’s OTT self referential approach … but I’m loving it. So if you enjoy colourful platformers and have played the likes of Jet Set or Dead Rising and enjoyed them, then this is the game for you!
Is that me doing a little demonstration … why, yes!