New TV…


Well today I went ahead and ordered a new Television for our living room.  You can see the details below, but it’s my first Sony, it’s 42” and is a Smart TV with a full HD 1080p display.  Looks-wise it kicks all sorts of ass, and the reviews online are generally positive with a few awards for best TV, five stars etc … so should be great.  I am a little apprehensive as to how it will fit in with my Onkyo surround system, the centre speaker positioning to the front of the TV…but I suppose I’ll find that out when it’s all set up.  For now though I am quite excited and future movie viewing should be amazing!

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Manufacturer:  Sony

Model:  Sony Bravia KDL42W705

Smart TV?  Yes

Wifi built in?  Yes

Full HD?  Yes

A full review of this TV can be found HERE.

Wolf Creek 2


Viewed – 23 September 2014  Online rental

I recall being rather underwhelmed by the popular but fairly lightweight original, and thought it’s lengthy build up to the horror and the reveal of the killer was too drawn out.  In it’s final moments it began to come to life and had at least one stand out, nasty scene (head on a stick!).  So imagine my surprise on reading several favourable reviews of this sequel.

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Outback serial killer Mick Taylor, a bushman if ever there was a bushman in the wilderness of Australia, spends much of his time picking off tourists and back-packers who come to visit the eerie location of a huge crater, supposedly made by a meteorite.  With a fine line in Ozzy lingo and Australian history, he especially enjoys killing foreigners or anyone not well versed in the land of Oz. 

Shot well and with a keen eye for gore and violence, this feels like it’s on the right track, and is a lot more action-packed, with this time Mick being centre stage.  Now unlike the original, the mystery and atmosphere is missing in place of some stand out kills (the cops…).  Also unlike last time around there’s no real time to get invested in the innocent victims before Mick is despatching them.  Now Mick himself, played larger-than-life by John Jarratt is an interesting creation, but because the movie is all focused on him, his clichéd bushman swagger and often comical lines turns many of his scenes into farce (a truck chase to the tune of The Lion Sleeps Tonight … really?), and loses much of his potential menace – like what they did to Freddy Krueger in the Elm Street sequels.  Oh and would it have hurt to get a bit more backstory on him?  Or any for that matter. 

For the ample gore and plenty of energy, this was still fun, but for a horror it relied too much on one liners and in-jokes than actually scaring it’s audience – a big fail in my book.  Hopefully they won’t bother with Wolf Creek 3.

Verdict:  2.5 /5

To disturb or intrigue?


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Over the years, running this blog and beforehand, I have stumbled across, sometimes sort out and watched some pretty messed up examples of modern cinema.  The world as we know it can be pretty freaky and strange, and the movie industry is a place where some directors like to explore the darker realms of story-telling.  Below are just a few of the most powerfully disturbing movies I have seen, some of which have had a lingering affect on me as a movie fan.  So take a trip with me into the heart of darkness and into some movies that are certainly not for everyone … simply put, approach these with a great amount of caution.

Audition

Takeshi Miik’s simple story (on the surface) of a world weary film maker in search of his ideal bride; jaded from the usual dating scene he chooses to hold a series of auditions for a role that does not exist.  Suffice to say the seemingly gentile woman he finds hides a much more sadistic side to her personality.

Most disturbing moment:  the man in the cloth sack.

The Untold Story

Based apparently on a true story of a restaurant owner who murders his family then serves them up as ingredients in his pork buns – is one of the most notorious Category III movies in Hong Kong.  Anthony Wong, no stranger to powerful roles plays the main character and is in some of the most graphically violent scenes I’ve ever seen.  Most shocking is the slightly comical tone, which makes events all the more difficult to tolerate.

Most disturbing moment:  a family gets massacred.

Irreversible

Clever in structure it may be, as it is told in reverse, starting with the end credits before proceeding to a nightclub murder and leading up to (or flashing back to…) a brutally drawn out rape scene.  Vincent Cassel and Monica Bellucci headline the cast in this stylish but utterly harrowing story of revenge.

Most disturbing moment:  death by fire extinguisher.

Scum

Alan Clark’s unflinching take on British boys borstal life made a name out of a teenage Ray Winston, but it’s no holds barred tone and graphic violence makes it notorious.  In some ways it can be seen as a cool hard-core brit flick, but has a horrible warning message for young offenders everywhere.

Most disturbing moment:  rape in a greenhouse.

Eden Lake

A British horror in an unconventional sense has a young couple visiting their favourite secret getaway by a secluded lake – until a group of delinquent youths choose to crash the party.  Harrowing because from a British point of view, these type of youths exist on housing estates, in run down districts etc … and it’s a scary thought that if coming into their territory you may just be fighting for survival.  Violent and shockingly believable.

Most disturbing moment:  setting the boy on fire.

Martyrs

I have spoken about this notorious French horror before, but it remains one of the most difficult to sit through movies of all time.  Two girls seeking revenge stumble upon a cult hell bent on discovering evidence of the after life, by pushing their victims to near death through prolonged torture and martyrdom.

Most disturbing moment:  discovering the tortured woman.

Sleeping Beauty

A woman (Emily Browning) struggling to pay her way through college takes a job as a hostess at an exclusive gentleman’s club.  However when she is there she is told she will be drugged and go to sleep in a bed, and when she wakes the morning after, she will be paid … but isn’t aloud to ask what happens in between.  Weird, freaky and utterly unpleasant.

Most disturbing moment:  the old man shouting obscenities to an unconscious, naked girl.

Sympathy for Mr Vengeance

The first part of Park Chan-wook’s acclaimed vengeance trilogy, this tells the story of a deaf and dumb guy trying to raise money for his sister’s kidney operation.  However his terrorist girlfriend talks him into kidnapping a wealthy business man’s daughter in order to get a ransom.  Things go from bad to worse and well, vengeance is seeked not just from the business man but also the deaf guy in a movie of powerful acting and even more powerful violence.

Most disturbing moment:  torture by electricity.

Funny Games

A family’s idyllic holiday is interrupted by two seemingly nice guys who stop by to borrow a cup of sugar – then  subject the family to a series of humiliating and cruel ‘games’ at gunpoint.  Director Michael Haneke’s powerful movie was remade under the same name in America and starred Naomi Watts.

Most disturbing moment:  breaking the fourth wall.

Henry: Portrait of a Serial Killer

Made a name for it’s star Michael Rooker and is a powerful interpretation of the real life crimes of killer Henry Lee Lucas.  Along with his friend Otis, Henry goes on a series of murders, until after a while their fun is interrupted by the arrival of Otis’ trailer-trash sister.  Suffice to say this serial killing duo don’t take too kind to company.  Brutal, very realistic and all the more disturbing for it.

Most disturbing moment:  home invasion on VHS.

So there you have it.  Movies that span the gamut of shocking, violent and powerful.  Some are classic examples of extreme cinema at it’s best (Martyrs, Sympathy…) and some are just plain horrible (Sleeping Beauty).  I would say if you are at all squeamish or some movies can play on your mind, then avoid the list above … but if like me you like to test yourself, see what is out there, then, still with a degree of caution … the movies above leave their mark regardless of your bravery.  You have been warned.

AUDITION FOR THE TICKET 24 JULY 2009 TOP FIVE HORROR FILMS

Blue is the Warmest Colour


Viewed – 18 September 2014  Netflix

As an admirer of world cinema and especially French cinema, the acclaim and word of mouth surrounding this Palm D’or winning drama certainly caught my attention.  Adele is a young woman just beginning to explore her sexuality.  After a chance encounter with a mysterious girl with blue hair; meaningless advances and experiences with boys seems alien, and so she finds herself, still unsure and experimenting, seeking out the one girl who might just make it all fall into place … and so begins a passionate romance and an emotional coming of age tale.

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This brilliantly observed and emotional take on young love, sexual awakening and one woman’s self-discovery was very absorbing.  The performances here are first rate and convey that awkward yearning, that stolen kiss and the urgency of passion and desire very well indeed.  Actress Adele Exarchopoulos is superb and very believable, aided by the free-spirited but complex Lea Seydoux as Emma, the girl of Adele’s dreams.  As a French movie as expected when it comes to sex, the movie depicts it unflinching, highly explicit but very real – I’d even hazard a guess that nothing is being faked, but I could be wrong.  I did find such scenes too drawn out to the point of making me feel a bit uncomfortable … especially considering the apparent young ages depicted.  However as a love story this was both well told and convincingly portrayed to the point of really hitting me emotionally at times – damn Adele is the most believable crier I’ve ever witnessed.

It’s too long at nearly three hours, with the simplicity of the tale not helping, and I began to yearn for a major twist or a shocking event which never came.  For a realistic take on love however this was still impressive, even if it left me wanting overall.

Verdict:  3.5 /5

The Amazing Spider-Man 2


Viewed – 13 September 2014  DVD

The last movie, rebooting a franchise that had reached a dead-end after the lacklustre Spider-Man 3, was a decent if somewhat uninspiring outing for the web crawler, helped it has to be said by solid casting and some good action.  This time around Peter Parker (Andrew Garfield) is still juggling his on/off relationship with Gwen Stacy (Emma Stone), trying to hold down a job as a photographer (er, only hinted at) and his responsibilities as a super-hero.  However the mystery behind his parent’s disappearance still looms and a new enemy in the shape of an ignored, put-upon scientist (Jamie Foxx) turned electricity consumed super-villain ‘electro’ arrives on the scene.

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Plenty going on in this sequel.  Again Garfield is good as Parker/Spider-Man although his snively / arrogant double-act grates sometimes.  Stone on the other hand is again perfect, even if she doesn’t get much more to do than threaten to run away to England.  Sally Field as Aunt May seems to have stepped up her presence however in the absence of Martin Sheen’s Uncle Ben, and we also get Harry Osborne (a diverting Dane DeHaan), former best friend turned megalomaniac beneficiary of Oscorp.  As always for this kind of thing the sequel seems over-complicated but makes for some great action and superb effects work (apart from some dubious swinging through New York bits that looked better in 2001).  Foxx is good as Electro even if his character is quite the cliché, but overall there was a somewhat childish tone with too many moments of poking fun at our hero (the fireman’s helmet bit?).

It’s hard not to wish this had turned out differently … towards the end it really hit it’s stride, offering up some surprises as well as the (albeit predictable) character-ark of Harry Osborne.  Yet this was still good entertainment, despite suffering from the usual sequel / trilogy trappings.  Roll on The Amazing Spider-Man 3 then.

Verdict:  3 /5