I kept hearing very good things about this relatively under-the-radar horror-thriller so thought I’d check it out. A black guy goes to spend the weekend with his white girlfriend’s family but not long after arriving he starts to feel there is something rather strange about these people. Is it simply paranoia or is there really something sinister afoot?
Think of this like a more seriously creepy version of Meet The Parents. I quickly began to get absorbed by the concept and the racial tension take was refreshing. British actor Daniel Kaluuya (Psychoville) proves an effective lead and support from Catherine Keener and Allison Williams were also decent. It’s what makes this work so well; a strong cast and a foreboding, well handled sense of dread and eeriness. The eventual revelation of what is really going on is also pretty damn disturbing. Comic relief from motor-mouthed newcomer LilRel Howery felt a little out of place but still kind of workedand although not a horror in the traditional sense, this holds up a compelling reflection of modern racism and social classes that is surprisingly scary and probably still relevant.
It descends into typical horror survival territory towards the end despite maintaining a freaky atmosphere (with echoes of The Wicker Man). However, along with good use of foreshadowing, solid performances and leaving this viewer with plenty to think about post-credits … this remains one to see.
In 1940 WWII, allied troops stranded on the beaches of Dunkirk are slowly and methodically evacuated using every serviceable naval and civilian vessel that could be found. … whilst at the same time fearing an imminent attack.
Now I can’t say I am all that familiar with the historical aspects of this based-on-true-events depiction, so came into this blind with only the prospect of it being directed by Christopher Nolan getting me all that excited. I’d say at this stage he is one of the best directors around and for me has crafted some incredible cinematic experiences. So trying his hand at a war movie … well, someone take my money! So we get the expected awe-inspiring photography and Nolan’s usual reliance on actual practical effects where clearly no expense seems to have been spared … and when we have areal dog fights or capsized ships it’s a sight to behold I can tell you. Sad then that the surrounding events didn’t engage me as expected, not help by strangely bland characterisation that even names like Kenneth Branagh and Tom Hardy fail to elevate.
Told through the eyes of several characters; a young lad who jumps aboard a boat setting sale to bring aid to the stranded soldiers at Dunkirk beach, a wet-behind-the-ears soldier at the beach who finds himself in a group of scared soldiers trying to find safety, and Tom Hardy’s spitfire pilot … this delivered a few powerful moments of dread and excitement but is ultimately let down by a trying to be clever, non-linear structure that’s at first not apparent – resulting in confusion. Add to this a relentless over-dose of orchestral music that is tie-one’s-stomach-in-a-not intense even during relatively mundane moments and I began to think Nolan was trying to hide the fact he didn’t really have much to say. It’s an event in WWII history that was significant, but the depiction we get here made it feel like just another day in the war (apparently thousands lost their lives, not that you see much of that).
WWII caused a horrific time in world history and several movies have brought that home and showcased courage under impossible odds much better (Saving Private Ryan). So… maybe go see this for a bit of a history lesson and some admittedly stunning visuals. Stay at home if you’re expecting much else.
I was never going to actually watch this. The largely negative media backlash to the books and the movies themselves were enough to put me off. However I’m also someone who feels every movie should be given a day in court. So with admittedly low expectations I sat down to watch this hyped, supposedly ‘erotic’ drama.
Anastasia Steele (Dakota Johnson) unwittingly finds herself smitten by the swarve business tycoon Christian Grey (Jamie Dornan) after quite literally stumbling into an interview on behalf of her flatmate. It’s a corny introduction but fun all the same and I got distinct Bridget Jones meets Patrick Bateman vibes, what with this suited mystery man hiding a dark side and Anastasia’s never-been-kissed girl next door persona. Now there’s a movie I’d love to see. Anyway back to this one and I’ll admit I found myself enjoying the subtle chemistry and battle of wits between these two characters. Grey wanting Anastasia to become his submissive, revealing to her fairly quickly his other life, that of a dominant who likes to spank, whip and control the one he is involved with. He lays it all out and I certainly enjoyed watching Anastasia slowly transform into someone she never knew she could be. That being said, some dodgy dialogue (“Necrophilia isn’t my thing” – in reference to Grey touching Anastasia whilst she was sleeping? Does the writer not know what necrophilia is?) and an ending that came off as ‘so what were you expecting?’ this ultimately promised more than it delivers and keeps events fairly light and safe rather than go as dark and intense as it should have. We do get plenty of nudity, a couple of diverting, stylishly-filmed sex scenes that are probably only really sexy if s&m is your-thang (and if is, you’re probably into stuff more daring than what we see here). However if like me you find Dakota Johnson appealing, have a thing for Jamie Dornan or ever enjoyed those late night ‘naughty’ movies … this may still press your buttons.
It’s over-long and a takes itself too seriously (in need of that black humour that worked so well in the similarly themed ‘Secretary’) but is certainly not as awful as I’d heard. However it’s no erotic masterpiece either. Yet on this evidence, I’d still like to see the follow-up.
Following an invasion of their home by a military force, ape leader Caesar (Andy Serkis) vows revenge and sets off to hunt down Woody Harrelson’s ruthless Colonel with a small group of fellow apes. Along the way they stumble upon a young mute girl who may be evidence of a mutated strain of the disease that has already killed off most of mankind.
A decidedly strange experience. I went into this with very high expectations and have to say what I got was a different movie than I was anticipating. It has the word ‘war’ in the title but it’s not the humans vs. apes smack down the last movie set us up for. Instead it explores an on-going conflict set at ‘war time’ between said apposing military force and the still attempting to live in peace apes. However what we do have is once again a movie with a great deal of heart, some very touching character moments, themes of loyalty, family and friendship as well as a little comic relief in the form of an ageing lone ape who turns up half way through. We get a lengthy prisoner-of-war sequence that is brilliantly played out with echoes of The Great Escape, and some decent action although nothing on par with the last two movies. This one’s less about explosions and spectacle and more about the search for a safe haven and a potential future, even if that future is hopeless for humans. As a conclusion (?) to the trilogy, it feels a tad uneventful and drags in places, and that ending was rather a damp squib.
Yet for fans like myself this is still solid entertainment. It’s superbly acted with again top marks going to Serkis, whilst Harrelson delivers a fine villain. It’s also absolutely stunning to look at (can these apes get any more real?) aided by plenty of personality and bags of emotion. I just suppose by a third movie, I was expecting more not … less.