This relatively unknown, low budget indie thriller caught my eye due to it’s concept. A teenage kid who believes he could become a serial killer due to an obsession with murderers and his own sociopathic behaviour, stumbles on an actual serial killer case in his home town. That’s a (pun intended) killer concept right there.
Borrowing a tad from the overall plot of Dexter (takes a serial killer to track a serial killer) and with a ghoulish tongue-in-cheek sense of humour, I was easily along for the ride. The idea of exploring serial killers and lending that knowledge to tracking one down is interesting, but my gripe with this is that it’s a movie that doesn’t entirely have the balls to follow through on it’s concept. That being said performances are decent, especially genre legend Christopher Lloyd and young unknown Max Records (who clearly has to open a vinyl store). I also thought the killer’s motives were strangely sympathetic and at times it did get pretty grim and macabre (the lead character also works in a mortuary, so is surrounded by death). Now I’m going a little into spoiler territory in the next paragraph so if you want to go into this one totally fresh STOP READING NOW.
(mild spoilers). My issue is that the killer is not human, but some sort of creature and like movies before it (Jeepers Creepers, IT) that began promisingly with an eerie villain but later descend into ‘its a monster or an alien’ when they’re finally unmasked is both lazy and rather contrived. Why not make the serial killer a human being? Or is that a little too close to reality?
Some out of place choices of rock music ruin the mood occasionally, and overall it came off like an extended X-Files episode (not a bad thing). However I still managed to enjoy this despite it’s shortcomings and a reliance on horror movie convention.
I was recently watching a YouTube video on a particular method of over-coming or lowering the effects of depression by female journalist, gamer and games-journalist Julia Hardy; someone I’ve enjoyed the videos of and also feel talks a lot of sense. You can find the actual video I watched below:
It got me thinking about some of the things I do in life that don’t exactly enhance or better how I felt about myself and my life as whole but are simply addictions or habits I’ve fallen into just because it’s the society norm to do so. One such thing is ‘social media’ and platforms like Twitter and Facebook. Both have their uses and places in our modern society, but are also places that can paint a very artificial and heightened version of reality that isn’t entirely ‘real’ and can create images of other people’s lives that can be detrimental to how I might view my own, be it on a conscious or sub-conscious level. So I took the advise of this video and chose to stay away from all forms of social media for 24 hours. The results? It felt a little cold-turkey, as I still wanted to check my phone but struggled (yet succeeded) in not doing so. Finding more interest in other activities like watching a movie or playing a video game and being able to focus better on said activities whereas normally I’d be checking my Facebook or Twitter every couple of minutes. I had previously realised but more so with this little experiment that I had become rather obsessed with checking these apps even when there was nothing new to look at. Browsing through them with little or no interest in what I was looking at, but having to look at it any way. So I’m going to attempt to take longer breaks between looking at social media…posting far less on them or interacting with them. Enjoying what they have to offer in a more controlled, less addicted way. Well that’s at least the theory.
I’ve said before on this blog that I do to an extent suffer from depression. It’s been hard to really understand myself but a general feeling of ‘disconnect’ and feeling ‘lost’ amongst the people around me is a contributing factor, unable to always ‘engage’ or feeling like I’m putting an ‘act’ on sometimes. I thoroughly enjoy my job, my friends, work colleagues and family, but also sometimes feel completely out of place. It’s a very inward feeling and has little to do with anyone in particular. That might be a common theme amongst those with anxiety and depression, even though I’ve never been officially diagnosed (for me that would make it too much of a ‘thing’). Sometime last year I realised that the only way to feel happy is to take more control of my life, not be afraid to do things (although I’m still like that) and motivate myself to buy that thing, go to that place and enjoy that activity, even if it’s by myself. I realise I do a great deal of the things I enjoy solitary, and that can get me down but it’s also a frame of mind and trying to accept that and enjoy one’s solidarity can be liberating, whilst also probably realising that joining in and being a part of someone else’s activity is just as important. One of the reasons I tend to involve myself in work’s nights outs or activities with friends, as infrequently as these things crop up – I feel it’s something I need to do otherwise it’s always just me.
I’ll continue to watch videos like the one above for some self-help and hope to experience a different, less introverted way of thinking. It’s probably always going to be an on-going issue for me, but one I’m determined to explore more and understand.
See what I did there? Yes, this post is primarily about two big loves of mine…Twin Peaks and the rock band Garbage. First more of an update on what’s going on with my favourite band. Firstly they are working on new music! This is reported to be a song they hope to release in time for a forthcoming tour. Shirley Manson, lead singer and general all-round bad-ass, has also contributed her vocal talents to the soundtrack of TV show ‘American Gods’ with a song she worked on with composer Brian Reitzell (Hannibal, 30 Days of Night) called ‘Queen of the Bored’ and well, it’s super cool. Video-link below:
Secondly Shirley is visiting London to attend the summer-camp music school for girls known as ‘Girls Rock London‘ as a Patron giving talks I presume on what it’s like to be a woman in the music business, conveying her 30+ years experience to the attendees. Should be very interesting. Here’s a picture of her as posted by the event organisers. Yeah, she’s looking great as usual. Now as mentioned earlier the band are preparing to go out on tour – with none other than legendary band ‘Blondie’ for the rockingly-titled ‘Rage & Rapture Tour’ which kicks off in July. Around the same time the band will also be releasing their autobiography entitled ‘This Is The Noise That Keeps Me Awake’ … so an eventful time for Garbage and a great time to be a fan of this pioneering and acclaimed band. Although they seriously don’t get the recognition they deserve these days; even 20+ years after they began, Garbage don’t answer to nobody and do their own thing, their own way … which is pretty damn cool.
On the TV front of course the big event has been the (very) long awaited return of Twin peaks – you know, that quirky little soap opera about a murdered girl that ran in the early nineties, got cancelled after it’s second season and also spawned a (mostly) reviled movie that later gained cult appeal. Now it’s back and if you thought the original was ‘a bit weird’ … well, David Lynch, series creator and all-round genius (or madman, I’m undecided) has been let off his leash and delivered possibly the strangest, darkest, freakiest and most daring TV show in years. I’ve watched 3 episodes so far of the 4 that have been revealed, and even though I’m loving it as a Lynch aficionado – it’s also really messed with my head and I can certainly understand if even die-hard Peaks fans could get turned off. Just watch it though – you just have to give it a go and make your own mind up. It’s that kind of experience. Even if you end up not liking it.
To celebrate the release of Twin Peaks, I also picked up the newly-restored version of Lynch’s Oscar-winning surreal drama Mulholland Drive and will be watching and reviewing it soon, so watch out for that.
Well that’s all from me for now. Check in again soon and I’ll have more stuff to show you…probably.
Probably the most celebrated movie of the last twelve months that swept up at each award ceremony, gaining Oscars, Baftas and Golden Globes a plenty. I must admit I was intrigued and have always enjoyed a good musical. This stars Emma Stone as a young woman with a dream of becoming an actress who waits tables at a cafe on the Warner Brothers studio back lot. At the same time we have Ryan Gosling’s talented Jazz pianist trying to make a name for himself with dreams of opening his own, old-school Jazz bar. These two strangers it seems, are destined to meet and so we have what appears to be a classic Hollywood love story, peppered with the occasional grand song and dance routine.
A nostalgic homage to Hollywood of old, ala Rogers & Hammerstein or Doris Day musicals but with a contemporary setting. Should work wonders, huh? Well … the problem here is, these two actors lacked chemistry and their central love story, going from disliking, to tolerating, to falling in love etc. just didn’t engage … I just didn’t really get caught up in any of it. Every time you’d expect some convincing emotion or actual depth to their relationship, they’d break into a dance routine or a song instead. I’m sure it’s all meant to be symbolic but it just made their relationship ‘meh’ at best. This is not helped by some very vague story details and forgettable supporting characters (Stone has a boyfriend at one stage…not that you’d remember him). Thankfully the movie is packed with eye-catching dance routines, at times stunning visuals, great choreography and colourful costumes. However along with forgettable actual songs (nothing really stands out) and principle leads you feel are better off not being together … something has gone horribly wrong.
The movie saves itself somewhat in the closing moments and the final interactions between Gosling and Stone are quite touching. Both stars are also very good, proving themselves capable singers (with Stone especially having a fantastic solo moment) … however with such a focus on re-creating a bygone era and less focus on delivering an engaging story, I felt this ultimately failed. Worth watching for Gosling and Stone and some great dance numbers, just don’t fall for the hype.
I don’t think it can be argued that Chris Pratt is currently on a role. He’s pretty much the darling of Hollywood right now and has delivered enjoyable performance after enjoyable performance, most notably in his two Guardians of the Galaxy outings. The same can probably also be said of Jennifer Lawrence who also seems to do no wrong. Both are charming, good looking stars so sitting down to this space-set adventure was an easy prospect, helped I must add by my love of all things sci-fi.
A space station on a 90 year journey to reach an earth-like planet suddenly starts to malfunction, and one ‘passenger’ on board (Pratt) wakes up decades too soon, and quickly realises he might be doomed to a life of solitude and possible madness. However as time progresses, he’s joined by fellow passenger Aurora (Lawrence) and together they try to exist and adjust to their potentially grim fate.
This is a great premise and I was easily absorbed into both character’s plight. Think Robinson Crusoe in space and you get what this one’s going for, whilst also throwing in some heart-breaking dilemmas and powerful emotional drama that really surprised and pulled me in. Pratt is excellent as is Lawrence who are supported well by an android Michael Sheen who brings his inimitable style and class to proceedings. Helps also that Pratt & Lawrence have convincing chemistry, which made later scenes even more effective. However amongst the drama there is also a lot of fun to be had, especially with the amusing ways Pratt initially tries to cope (although thankfully Pratt’s gratuitous butt shots are counter-balanced by a couple of lingering Lawrence swimsuit moments) … and with some superb CGI and an epic, at times ominous setting I really got a lot out of this.
The only real issue is pacing, as the story tends to drag its heels a little here and there. For such a large space station too, it failed to really develop as a setting you haven’t seen a dozen times before, perhaps in need of a bit more eeriness. However, with solid performances and a thrilling final act … I just have to recommend this one.