After the critically panned yet commercial smash that was Batman V Superman (a movie I stand by as not being as bad as they say), we get this excuse to bring together several notable (and less notable) figures from DC comic’s illustrious history; namely Batman (Ben Affleck), Wonder Woman (Gal Gadot), The Flash, Aqua Man and Cyborg, when a centuries old, banished demon returns to claim three powerful cubes that if united will give him the power to conquer worlds. Yeah, the villain, Steppenwolf is basically Apocalypse from X-Men er…Apocalypse, but minus Oscar Isaac’s charisma, although by no means is he an unappealing adversary. Then we get the problem that Superman is dead, but there may be hope of resurrecting him if Batman’s plan works out.
Some people like to focus on a person’s imperfections. The same can be said when it comes to movie criticism, and I’ll admit I have been guilty of that in the past. However I am also a strong believer that some imperfections can be forgiven if they don’t ruin the overall experience. One such example is the rather luke-warm reception given to this latest entry in DC’s attempt to rival Marvel’s cinematic universe, which for the most part the company has fallen in the shadow of constantly. Yet having sat through it’s refreshingly lean-2hrs I came away wondering what people had issues with. The story whilst not anything ground-breaking is perfectly suitable and engaging to bring together these characters, and a witty script handles many egos together on screen particularly well, giving each individual a moment to shine. I especially enjoyed the slightly out-of-his-depth Flash and I found the otherwise unfamiliar Cyborg intriguing with his semi-Frankenstein’s monster backstory. Affleck again proves himself a worthy Batman / Bruce Wayne and thankfully Henry Cavill’s Superman gets some great moments also, with his resurrection handled rather well. Add to this a wonderfully likable (and damn sexy) turn from Gadot’s Wonder Woman and I found myself mostly buzzing from this.
The troubled development with director Zack Snyder having to pass the reigns to Joss Whedon is barely noticeable unless scrutinizing the tone of every scene. Amy Adams’ Lois Lane is a little side-lined but that’s to be expected with so many characters to focus on, and there’s some questionable CGI / green screen moments. Oh and that bit with Superman sporting CGI moustache-removal (in one brief scene) is a tad jarring. Also I’d have liked a bit more focus on the villain and just how he seems to psychically know the whereabouts of each ‘hidden’ cube. Thankfully such shortcomings are made up for by plenty of great action, superheroes kicking butt and bags of personality.
So ignore the nay-sayers, ‘cause this one’s definitely worth a watch.
I certainly love me some science fiction, especially if it’s offering something different or unusual than I’ve seen before, not just alien invasions or space exploration. Here we’re presented with what appears to me a rather X-Files-like scenario of a young boy who has been taken from a religious group and reported abducted. Police and shady government officials, along with members of the religious group are hot on his trail and that of his kidnappers, one of which turns out to be his father.
A cast headed by an actor increasingly becoming a favourite, Michael Shannon (Man of Steel, Boardwalk Empire) also see’s Joel Edgerton, Adam Driver and Kirsten Dunst along for the ride.. The mystery surrounding the child and just why everyone seems out to nab him is intriguing and what transpires certainly kept me hooked. However with somewhat subdued performances, especially from a rather sleepy Shannon who normally delivers such intense characters, I was left a little frustrated. Nobody seems all that affected by the increasingly bizarre or life and death situation they find themselves in … bar perhaps Edgerton who isn’t evenly emotionally connected to the situation other than being an old friend of Shannon’s. Add to this an under-explored backstory (just how did the boy become a part of the religious group, what happened to the mother…and who was she?) this is a movie that leaves a little too much unanswered to be satisfying.
Jeff Nichols’ direction however is solid, at times eerie and atmospheric, decorated with some impressive visuals. Along occasional heart-in-mouth moments (the motel), I still had a good time with this, despite it not being the complete package.
As much as I’m a fan of Natalie Portman, I confess to not really seeking out her stuff since the acclaimed Black Swan … strange when I consider that one of the best movies of the last ten years. So I jumped at the chance to check out this latest Netflix Original movie. Portman plays a biological scientist who following the mysterious disappearance of her military officer husband (Oscar Isaac) gets recruited by a government organisation headed by Dr Ventress (Jennifer Jason Leigh). You see, a strange alien encounter has occurred affecting a now closed off area where a strange vapour has cut communications and anyone who has ventured inside, has not come back.
This gritty and scarily-convincing sci-fi drama is helmed by Alex Garland, the man who made Ex Machina, another great thought-provoking piece of sci-fi. This guy clearly understands his subject and has delivered another very effective experience. The entire movie has a tone to it that’s rather dream-like and sometimes messes with one’s head; trying to figure out what’s real and what’s not. Add to this flashbacks exploring Portman’s and Isaac’s relationship, with several revelations along the way and this proves a meatier story than it first appears. The alien ‘presence’ and how it effects the female scientists who go looking for answers is also handled imaginatively and gives an interesting spin on the whole alien-encounter subject, with truly unnerving possibilities.
It takes a while to get going, and is marred by some questionable CGI, and the logic behind the expedition left me a tad puzzled. However, with strong performances across the board, especially an excellent Portman – this is well worth checking out … especially if you’re after something that will leaving you really thinking afterwards.
I had heard a lot of good things about this and confess to really enjoying the Thor character and the lore surrounding him, even if I like many was underwhelmed by the last solo Thor outing, Dark World. In this third instalment, sandwiched somewhere between Avengers: Age of Ultron and the forthcoming Avengers: Infinity War, Thor (Chris Hemsworth) is captured by a demonic being who is said to bring about Ragnarok, the end of days for Thor’s home world of Asgard. However he sets about preventing this only to return home and find step-brother Loki up to his old tricks again, this time impersonating their father Odin (Anthony Hopkins). However a turn of events brings another family member out of exile in the shape of Hella (Cate Blanchett) who vows to claim her rightful place on the thrown of Asgard even if it means killing everyone who stands in her way.
It would be easy for me to yawn at this plot, it being yet another Marvel disgraced family member coming out of the woodwork and vowing revenge against those that shunned him (or her). It was done in the previous Thor movies and also (spoiler!) Black Panther, that it’s now getting very tired. Thankfully then that isn’t the entire focus of this movie. Oh no, firstly the dialogue is particularly sharp, with very funny banter from various characters, especially a wonderful, awkward buddy set up between Thor and Hulk (Mark Ruffalo). Add to this great support from Jeff Goldblum as the other-worldly ‘grand master’, several quirky side characters (the hilarious rock dude) and of course a still brilliant Tom Hilddleston as Loki – and this was just great entertainment throughout. The movie treads a careful balancing act between all out comedic farce and straight up action adventure, but somehow manages it, and even if Cate Blanchett’s villain is a walking cliché, the actress usual screen presence and charisma stands out and has such a cool design, familiarity can be forgiven in this instance.
It’s often better when these kinds of movies don’t take themselves too seriously, whilst still managing to deliver great action, memorable characters and gob-smacking spectacle. This is one such example. Highly recommended.
When Prima Ballerina Dominika (Jennifer Lawrence) injures herself during a performance, she turns to her shady uncle on realising the ballet academy are no longer going to fund her accommodation or the care of her ill mother. So she reluctantly gets enrolled in ‘sparrow’ school where young students are trained to use their minds and bodies as weapons.
Once released from the school she gets her first mission and along the way catches the attention of undercover CIA agent (Joel Edgerton) who see’s potential in her and attempts to get her to cross over to the Americans. Lawrence, initially an unusual casting for a Russian character seems to easily deliver a convincing accent and demeanour, whilst using her ‘impossible’ situation to her advantage. She’s sexy and dangerous and Lawrence nails it in a provocative and daring turn. Edgerton increasingly an actor I enjoy watching is again very good and perfect support, and add to this a decent turn from Jeremy Irons (another long time favourite) and this makes for an above average thriller. I liked how the focus was more on psychological manipulation than action, and we may not get car chases or fist fights, but what we do get is much more affecting. Lawrence may shed more than a bit of clothing but it’s never gratuitous, instead presenting the character’s (and actress’s) obvious good looks and sexuality as a suit of armour throughout.
Director Francis Lawrence (The Hunger Games) fashions the movie with a careful balance of gritty realism and eye-catching style, It also doesn’t shy away from the more violent aspects of the subject with gruelling torture and interrogation scenes that pack a punch. Although it gets rather muddled in the middle of the movie with a side story involving Lawrence’s room-mate, this remained gripping and daring viewing leading to a particularly satisfying conclusion. An easy recommendation.
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