I think most of us knew that the sequel to the unexpected hit that was Deadpool, would be bigger and better, A movie that was basically a one trick pony first time around, that of Ryan Reynolds’ wise-cracking, self-aware ‘merc with the mouth’ didn’t have a great deal more going for it as far as plot or an interesting villain. So coming into this I was hoping for more. Step up to the task Josh Brolin, fresh off his movie-stealing turn in the latest Avengers, he plays Terminator-like bad-guy ‘Cable’, sent from the future to kill some acting-out mutant kid who wants to blow up an orphanage and those that govern over him. Deadpool see’s some injustice in the kids plight and offers to help, along with his band of reluctant friends he awkwardly names ‘X-Force’.
Reynolds is on brilliant form and his wealth of one liners, observations and fourth-wall breaking piss-takes are often hilarious. Thankfully this time around he’s not the only pull this movie has, because Brolin is again brilliant and there’s also a few other colourful characters to keep things interesting (personal fave: Domino). Yet the child actor at the centre of the plot is somewhat lacking, has poor line-delivery and stands out compared to his more seasoned and entertaining co-stars. Yet we do get a wealth of at times very violent, bloody action that is utterly unrestrained but skilfully executed, showing director David Leitch is an assured replacement for the original’s Tim Miller.
Some rather cheap-looking CGI doesn’t look all that much better than the first movie (especially Colossus) and not all the gags hit home runs. However, this matters little when what’s presented is just so infectious. I haven’t had as much at the cinema in a long time as I had watching this funny, exciting and crazy ride … which may play to the juvenile kid in all of us, but sometimes that’s exactly what’s needed. Just go see it already.
The true story of a former Olympic class skier who went onto run the worlds most exclusive, high stakes poker game, attracting celebrity names along with the interest of the FBI in the process. Jessica Chastain plays Molly as an ambitious, if initially naive woman who see’s a chance for fortune and infamy after an accident ended her hopes of becoming a skiing champion.
Initially this movie had a feel of the Scorsese hit The Wolf Of Wall Street with it’s regular person rising to riches through not-entirely-legal activities, but director Aaron Sorkin lacks the flair to truly pull it off. Instead we get a simple tale of someone getting way out of their depth fast and failing to check one’s ego at the door. Molly throughout is a rather unsympathetic character and even when she turns to Lawyer Idris Elba who tries every trick in the book to reduce the heat on her back, that lust for power and credit for herself constantly wins out. Chastain is gorgeous and pretty damn sexy despite a flawed character and the movie knows it, showcasing her obvious ‘charms’ every chance it gets – which is all the time. Thankfully a back story involving an effective, if clichéd pushy-father-under-loved daughter relationship at least gives Molly some depth. Yet Idris Elba’s questionable American accent fails to showcase Sorkin’s complex but brilliantly written dialogue the way I’m guessing the director intended.
Overall this is a fascinating true story but lacks a degree of sensationalism that may have upped the entertainment, due to a reliance on discretion when having the opportunity to name drop any famous faces (player x for anyone interested, was rumoured to be Toby Maguire). So from what I hear this remains somewhat a missed opportunity compared to the more warts and all book the movie is based on.
Do I suffer from comic-book movie fatigue? To a degree yes. I still enjoy some super-hero smack down action but have felt underwhelmed by recent fare both through over-familiarity with the concept and the desire for something different and a little deeper. So we come to this epic instalment where it seems Marvel is throwing everything at the viewer for the ultimate battle against what appears to be the ultimate foe – Thanos. Hinted at and foreshadowed in previous movies, the intergalactic megalomaniac, played by Josh Brolin is finally out to claim the fabled Infinity Stones, of which if he claims all six will give him ultimate power over life and death in the universe.
So the stakes are immensely high and it’s up to a disbanded Avengers (Iron Man, Captain America, The Hulk, Scarlet Witch, Black Widow etc) and any friends they can pull into their ranks (including Spider Man) to stop this powerhouse of a villain. In a movie like this it would be easy to go lazy and just fill the run time with fight after fight, which we get in spectacular fashion … but what takes this to another level is the depth to the characterisation I wasn’t expecting and even though it’s crowded with ego’s butting heads, somehow many of the characters get time to have their moment and stand out individually. Despite such a serious situation it also throws in moments of decent humour, especially with the inclusion of the Guardians of the Galaxy, with the scenes between Chris Hemsworth’s Thor and Chris Pratt’s Star Lord proving particularly funny.
So we come to the central figure here, the long awaited and somewhat hyped appearance of Thanos, and Josh Brolin brings a surprising amount of pathos and grit to the character that makes him the closest Marvel has got to the level of Heath Ledger’s Joker. He really is that good, and in a movie with many surprises and bold plot developments, he elevates the movie into the realm of classic status. The fact the movie takes risks with a very familiar formula, especially in it’s closing moments just has to be applauded also. This is the best Avengers movie yet and could possibly be the best Marvel movie. So simply put, you have to see this one.
Today marks twenty years since the 2nd album by my favourite band of all time Garbage, was released. Let that sink in for a moment, maybe whilst you give it a listen.
For me it still sounds streets ahead of most other music today. Immediate, gutsy, futuristic and slick-as-hell. The perfect synergy of rock, electronica and musicality, with such memorable gems as ‘I Think I’m Paranoid’, ‘Push It’, ‘Temptation Waits’ and ‘The Trick Is To Keep Breathing’ even though all tracks are great. As a follow up to their brilliant debut, this delivered and then some and turned this fan into a super-fan.
Happy anniversary to my favourite album of all time!
I’m certainly a fan of Korean cinema. Over the years I’ve discovered some real gems and found myself liking certain directors and actors the more I see their movies. This critically acclaimed thriller follows Police captain Lee Jung‑Chool (Kang Ho-song) who infiltrates a group of resistance fighters who are reportedly planning a series of bombings on Japanese establishments during the Japanese occupation of Korea in the 1920s. As a Korean born man, Lee Jung finds himself questioning his allegiance when a charismatic resistance fighter befriends him and lets him in on their plans.
This tale of loyalty, double crosses and war time espionage is shot with no end of style and class. The set design and photography here is simply breath-taking and further cements director Kim Jee-woon (I Saw the Devil) as one of the best the country has to offer. Although at times overly-complicated, this was gripping stuff with some brilliantly executed set-pieces including a tense sequence aboard a train and an exhilarating finally set to the music of Maurice Ravel’s Bolero. Add to this two strong turns from Kang-Ho Song (Sympathy for Mr Vengeance, The Host) and Gong Yoo (Train to Busan) and even though occasional shoot-outs got a tad repetitive … it was the battle of wits at the centre of the story that came across the strongest.
Not one of those Korean movies I’d leap to recommend over so many others, but if you’re a fan of well-made world cinema, this is definitely worth your time.
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