Following a zombie outbreak on Las Vegas, a group of mercenaries are hired to venture into the quarantine zone to retrieve a stash of money hidden in an underground vault. Zack Snyder (Justice League) returns to the zombie genre he pretty much reinvented with his well received Dawn of the Dead remake, this time under the guise of a heist movie.
With the director’s brand of stylish visuals and frenetic action, whilst not breaking the mould … this proved a fun experience. Guardians of the Galaxy’s Dave Bautista heads a mostly unknown cast in this action horror, and proves a likeable lead. A subplot revolving around Bautista’s daughter, who tags along on the heist to rescue the mother of two children … felt a bit forced just to create a father/daughter bonding angle which only complicates an already dangerous mission. Also a sequence involving an army convoy at the beginning, is left unexplained. At 2 and a half hours, this also felt padded out, with needless sequences such as a long bit inside a building sneaking past sleeping zombies.
However the movie does deliver great action, the zombie tiger seen in the trailer is awesome, and as for gore, whilst infrequent, there’s some stand-out moments. The band of mercenaries are also entertaining and have good banter. Overall, not quite the evolution of the zombie flick it’s marketed as, and it does get very silly – but I still came away entertained.
Well, three singles have been released in the lead up to my favourite band Garbage’s seventh album. Wow, I’m feeling spoilt as all three have been bangers, and their latest, ‘Wolves’ is a rocking, creatively produced, catchy tune that has become my personal jam of the songs released thus far. The animated video is stylistically similar to ‘The Men Who Rule The World’ and equally as provocative. Check it out below….
No Gods No Masters is out June 11. You can expect a review of the complete album once it’s released.
A girl who dreams of making it in the film making industry, one day gets her wish when she is accepted to film school. However on the same day as she leaves to begin her new life, a megalomaniacal A.I. called ‘Pal’ decides to start a robot invasion after her creator chooses to discard her for a more advanced version. Think of it as if Apple’s Siri turned evil and suddenly wanted to rid the earth of mankind. Gulp.
From the creative geniuses that brought us the acclaimed Spider-Man Into The Spider-Verse, this is an energetic and highly entertaining experience, that blends family drama with a robot apocalypse action movie. Katie, our lead is a plucky, technology-obsessed, typical modern teenager and is reflective of the world we find ourselves in, where anyone with a bit of imagination can create movies and animation, on their phones or laptops. The animation style, like Spider-Man is sort of 2D art brought to life in 3D, is jam packed with ideas and detail and looks gorgeous. Occasionally I think it gets a bit over the top, with things popping up on screen to emphasis and over-emphasis moments … but mostly it works.
Although these kind of movies are not meant to be realistic, sometimes the action gets so crazy any hint of plausibility is thrown out of the window. Thankfully, a genuinely touching father and daughter sub-plot gives this its emotional crutch to rest all of the chaos upon. I get a feeling, being delivered as a Netflix original this could be over-looked, which is a shame because this has plenty of great moments, looks stunning, has real meaning and above all else is a ton of fun. Check it out.
I had wanted to see Bong Joon-ho’s 2003 serial killer drama for a while but it had been hard to find on Blu-Ray. However with the recent release of a box set of the director’s movies, I finally got my wish. Based on true events and set in 1986, this follows a group of detectives as they investigate a series of murdered women.
The Police heading the case however seem particularly inept, their methods questionable to say the least; including torturing suspects to get confessions or planting evidence just to close the case. Yet when a more experienced detective from out of town joins the investigation, they begin to follow previously ignored leads. Korean cinema regular Kang Ho-Song is again decent and delivers a convincing portrayal of an arrogant detective clearly overwhelmed by the situation. However for me Kim Sang-kyung as the out of town detective stole the show in a more layered role, especially with how events change him.
Parasite Director Joon-ho delivers a solid drama. It’s not as stylish as he’s known for and more a character piece than anything all that grisly, I watched this twice and certainly got more out of it the second time around. Yet it’s focus on detectives being rather unprofessional and especially how they treat one suspect who has a learning disability seemed to bog down the narrative. So not a must see, but still another decent example of Korean cinema.
Unfortunately the Blu-ray from Curzon Artificial Eye is bare bones. The image quality is only serviceable, looking a bit soft generally and lacking fine detail. Sound fairs better with a punchy DTS 5.1 soundtrack that has clear dialogue and the moments when music kicks in are impactful. There’s only the original Korean language available and no English dub. Extras are non-existent but for a trailer. Disappointing treatment for an intriguing, if light-weight serial killer movie.
The movie that has had the most praise at this year’s Oscars, nabbing best picture, best director and best actress for Frances McDormand. This drama based on a book follows the character of Fern (McDormand) who after the closure of a mining pit and the downfall of the town where she lived, chooses to journey into the American wilderness and become a nomad. She meets with like-minded people and becomes part of a community of travellers, whilst staying as far away from society as she can.
Shot in a very fly-on-the-wall, semi-documentary style this is a fascinating snapshot of a lifestyle I’d imagine many don’t know about. I certainly felt swept up in the idea of getting away from it all, and with how crazy the world can get it certainly has an appeal. Director Chloe Zhao has delivered a highly authentic movie, filled with real-life nomads that added a lot of realism, and celebrates the wonder of the American landscape beautifully with some eye-catching cinematography. McDormand is great and you do get a strong sense of a woman who has given up on society and is trying to find her place in everything. I was only disappointed that her character doesn’t exactly grow or have much of an ark, seeming to end the movie just the same as she began.
That’s kind of what let’s this down. It’s very much just ‘is’ and lacks drama or anything that enables the story to develop. As an insight into a lifestyle and of the human experience, it’s effective but as anything else it ultimately falls flat.
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