Everyone’s out to kill John Wick (Keanu Reeves) following the events of the last movie and the former safe zone of The Continental has ex-communicated him. So a price is put on our favourite assassin and now it’s just a matter of survival.
Once any franchise reaches its third instalment you’d be forgiven for expecting the stakes to be raised and they certainly are here leading to several violent, immaculately choreographed and particularly brutal confrontations. This is certainly a visceral, pulse pounding experience yet this time around any plausibility and believability occasionally leap out the window in favour of increasingly thrilling, but at times ludicrous set pieces. The violence takes on a near cartoonish quality at times and when you consider scenes of public fights where the public don’t batter an eye lid or run away screaming, it’s clear the movie exists in its own version of reality, not unlike that scene in The Matrix with the woman in red.
So despite these obvious gripes, how come I still managed to get a real kick out of this? It’s edited and presented with such a visual sheen with so much energy and personality that coming away from this not entertained means you either hate action movies or are a bit dead inside. Smatterings of humour are a welcome addition, and memorable support from Lawrence Fishburne, Ian McShane and especially Halle Berry as a dog-loving fellow assassin still managed to make this sequel worthy despite it all feeling a bit deja at this stage. And no, I haven’t a clue what ‘Parabellum’ means.
This year’s most hyped movie begins with a rather gentle ‘where the world is now’ first act that sets a melancholy tone for this sequel and eases the viewer into a complicated turn of events to ‘put right what once went wrong’. As anyone could predict after that ending for Infinity War … this is all about time travel as Ant Man gets a disbanded team of the surviving Avengers back together to attempt a risky mission to claim the infinity stone before Thanos originally did.
So what we get are several very entertaining sequences taking place in earlier time periods (but mostly the first Avengers movie) that prove funny, exciting and rather clever … if it wasn’t for the fact that this movie turns time-travel conventions as we’ve come to understand like ‘the butterfly effect’ on their head. This leads to a few moments of ‘hang on, how can they do that? Won’t that change such and such…’ which proved problematic for me.
That aside, banter between the various characters is at the forefront and brilliantly comical and well written. also throwing in a few emotionally poignant scenes between the characters we have grown attached to over the years. Add to this some slick action (Captain America v Captain America?), epic battles and feel-good moments this still delivered a satisfying, at times awe-inspiring piece of cinematic grandeur. Shame then, that towards the end it had to hit a few of those pc-culture tick boxes that came across as obvious and totally unnecessary. So not quite the masterpiece I hoped for, but regardless I still had a great time.
Eighties nostalgia is really trendy right now and as someone who grew up in that decade I’m certainly in approval. In the wake of hit Netflix series Stranger Things, breakout horror It Follows and that recent IT remake, this has a similar group of teenage friends during a time when a series of children disappearing lead the Police to believe they have a serial killer on the loose. One kid, a nerdy conspiracy-theory obsessive jumps to the conclusion that the mysterious man on his paper round might be the killer.
This is very much Goonies meets Fright Night, and the likeable gang of kids certainly bring back memories of both movies … as we watch them stalk and investigate their neighbour and gather evidence. It’s not quite the horror the trailer has you believe, more a comedy-drama filled (likely intentionally) with cliches – the hot girl next door, the outcast kids, parents who don’t listen etc. The movie also rushes over smaller details that become important later on (sighting a kid in the man’s house – blink and you miss it). Yet the movie kept me guessing and with some clever use of red herrings and decent twists, I found myself really invested.
In its reliance on nostalgia it loses a bit of its own identity and characters beyond the main protagonist are wafer thin and under-explored. The ending however floored me. Recommended.
A movie that starts with a woman being set on fire in a field, certainly isn’t messing around and so begins this uproarious if somewhat rough around the edges horror movie. A cop stumbles upon a delirious man injured whilst escaping his pursuers, and quickly takes him to a nearby hospital. However it soon transpires the man has run away from a cult group who quickly surround the hospital, cloaked in white and sporting an ominous black triangle symbol. So sets forth a battle for survival as events quickly descend into hell.
Immediately it’s clear this is fairly low budget stuff and skimps on any star appeal in favour of ‘limited’ performances from its cast, especially the cop acting as the movie’s main protagonist. Thankfully a frantic pace helps disguise such shortcomings and delivers lots of violence, gory set-pieces and some decent practical creature effects. This movies wears its influences proudly and I recognised nods to the likes of From Beyond, Hellraiser and The Thing. It lacks the tongue-in-cheek appeal of say a Stuart Gordon or John Carpenter movie and takes itself a little too seriously. Also at times the film making gets rather amateurish with incidents of confusing editing and shots where it’s not that easy to tell what you’re looking at.
The second half of the movie however cranks up the craziness, monsters and horror … and this turned up the entertainment factor for me immensely, meaning that overall I’d say check this out – especially if 80’s-style throwback horror is your jam.
After the sad passing of gifted comedienne and actor Robin Williams in 2014, I think it’s taken me until now to watch one of his movies again. Yet having sat through this, everything I loved about him came flooding back. He certainly was one of the most likeable and versatile presences in anything he appeared in and this 1991 fantasy-drama is no exception.
Directed by master visionary Terry Gilliam (Twelve Monkeys) this has Jeff Bridges as a shock-jock radio DJ who’s outspoken show inadvertently leads to a shooting in a local restaurant. Disgraced, Bridges falls on hard times and stumbles upon the plight of local ‘bum’ Perry (Williams) who comes to Bridges’ aid after some youths attack him. However, Perry isn’t playing with a full deck and believes the Holy Grail is held in some wealthy tycoon’s house in the middle of New York.
This is quite mad-cap stuff with Gilliam at full tilt delivering fantastical yet captivating imagery (grand central station turning into a ballroom) and filling the movie with a wealth of oddball creations. Yet this is also a story of redemption and salvation and Williams delivers a laugh-out-loud zany performance that’s also filled to the brim with heart. Bridges is also on fine form (with hints of ‘the dude’ prior to The Big Lebowski) and goes on a real character journey.
At times Gilliam’s direction and emphasis of the weird and bizarre gets a bit ‘much’ and takes a little bit of adjustment to fully appreciate. However at its core the movie is equal parts magical, heart-breaking and feel-good making for a genuine cult classic.
The Blu-ray release from the U.K. division of Criterion boasts a pleasingly crisp and vibrant image. Although mostly filmed in a subdued style, various details make it look more expensive than its low budget origins, helped I’m guessing by Gilliam’s unique eye. A noticeable shimmer does rears it’s head now and then though. The 5.1 DTS HD Master Audio soundtrack is also clear and effective-enough, if not particularly showy. Extras consist of several worthwhile featurettes, although none new for this release. A highlight though is Terry Gilliam’s commentary from the 90’s. There’s also a poster-like booklet with its own write ups on the movie. Solid treatment for a still very unique and enjoyable movie.
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