About Craig M

Hi everyone. Thanks for stopping by. My name's Craig and reside in the UK. I am a big fan of all kinds of movies and video-games, and occasionally write fiction when I get the time. I work as an administrative assistant 9-5, five days a week and enjoy it very much. For more info, please read the 'About me' section on my blog. Bye for now.

The Bird with the Crystal Plumage


Viewed – 20 June 2017  Blu-ray

Cult Italian horror auteur Dario Argento’s 1970 debut, has all the trade marks that have distinguished his career right through to the present.  The black gloved killer, beautiful female victims, superb camera work, an effective, characteristically unnerving musical score, and grand set-piece murders.  Tony Musante plays an American writer travelling in Rome with his girlfriend (the gorgeously photogenic Suzy Kendall, who resembles like a young Suzanne George), when he witnesses an attempted murder on a local female gallery owner by a dark figure dressed in a black raincoat.  He quickly becomes amateur sleuth after the local detective takes away his passport, and soon further murders take place and he grows ever closer to unmasking the assailant.

Although by no means as graphic as the director’s other works, this well told murder mystery harks back to the classic films of Alfred Hitchcock in both the theme and iconic imagery.  Dario Argento has been often labelled the Italian Hitchcock, and with this thriller such a label is hard to deny.  Yet although his work has become more abstract and bizarre over the years, and such creating a style that is distinctly his own, with this effective film, the director made a mark in cinema that introduced the world to a bold and brilliant new visionary.  Engaging performances by its lead actors (especially Musante), several colourful, odd-ball characters and situations that really get your pulse racing create a distinctly classy thriller right up their with the director’s best.  

Bird with the Crytsal Plumage

This newly restored 4k transfer from the always dependable guys at Arrow Video comes in a deluxe box set that boasts a vintage poster, a detailed booklet and the movie itself on both Blu-ray and DVD complete with a plethora of extras.  We get an essential audio commentary by Argento expert Troy Howarth as well as a new interview with the director, featurettes, trailers and newly commissioned artwork with a reversible sleeve.  Add to this 6 art cards.  The movie itself is in great shape with a clean, grainy image that only suffers from somewhat garish colours (which I’ll admit suit the era the movie was made in).  The soundtrack may only be in it’s original mono audio but is still effective, especially with composer Ennio Morricone’s memorable, haunting score.  An impressive treatment for a genuine classic of the Italian giallo genre.

Verdict:

(the movie)  4 /5

(the Blu-ray)  5 /5

The big e3 2017 report


Well once again the biggest date on the gaming calendar, the e3 gaming convention in Los Angeles … has come and gone, and so what have the big names had to offer us feverish gamers?  Let’s find out…

E3-2016

Sony

God of War KratosI didn’t watch the whole briefing, but have learnt they showcased several games, some of which interest me some that don’t at all (Gran Turismo Sport … yawn, I became bored of that series a while back).  I am however looking forward to God of War and the new Spider-Man game looks impressive.  Days Gone, one of the most anticipated games of last years e3 had another showing and again wowed.  I was also pleasantly surprised to see they’re going to be releasing a Shadow of the Colossus remake.  Detroit: Become Human looked interesting but I’m not sure exactly what it is still.

However there was a strong focus on VR (which I can’t say interests me at all) like they were desperate to flog this expensive and gimmicky peripheral, and some of the newest most interesting looking games were for VR which was disappointing.  They also had a large presence of third party titles like Call of Duty WWII and Destiny 2, both of which looked decent.   There seemed a serious lack of firm release dates for all these titles overall which wasn’t good.  Overall some good stuff but not a lot to really blow me away this year.

Microsoft

The Xbox guys had some new hardware to showcase, making their briefing more exciting than Sony’s from the off and the uber-powerful Xbox One X certainly looked cool.  I’m an Xbox fan first and foremost these days and I was anticipating the reveal of the previously hyped Xbox Scorpio and like the new name.  Microsoft predictably showcased Forza 7 running on it and also showed off a new game in the acclaimed Metro series as well as my personal highlight of e3; Bioware’s stunning looking Anthem.  Sea of Thieves was looking better than previous but I’m still on the fence over whether I’d enjoy it all that much myself.

Xbox One X

They also showed off a ton of indy games but not many big name exclusives to get all that excited about.  No Halo, no Gears for example which although not surprising could have really added to the whole new hardware reveal and made it all that more sexy.  It was a bit of a case of quantity over quality but games like Ori and the Will of the Wisps still looked great.  Like Sony before it though it’s hard to really be all that confident in the games from an XB1 and PS4 owner’s point of view actually looking anywhere near as good as we’ve been shown due to the new PS4 Pro and Xbox One X consoles, meaning us existing console owners potentially being left short handed in time to come, which I’d say is inevitable.

Nintendo

Super Mario OdysseyNintendo’s segment was initially short and to the point, showcasing only a handful of titles but with some exciting announcements.  The biggest surprise here was Metroid Prime 4, an game I’ve personally been hoping for, and despite no actual footage, it’s got me feeling happy I own a Nintendo Switch.  To further cement this feeling we had reveals of new Kirby and Yoshi platformers which both looked great as well as further details on Xenoblade Chronicles 2 and especially Super Mario Odyssey.  The Tree House segment that ran over three days and was broadcast live on YouTube also showed longer gameplay of some of the aforementioned titles like Yoshi and Mario Odyssey and well, I was left drooling.

There was something immediately alluring about Nintendo’s games … they all looked a ton of fun, and well, fun is something that has gradually been getting replaced in the games industry for a while now, in place of realism – which it has to be said can make a game feel more like work than leisure.  Third-party support still seems Nintendo’s Achilles heel, and well there was Fifa and Rocket League announced which I suppose is a start.

There were absences of expected or hoped for titles to be mentioned for all three companies’ machines with no Animal Crossing or Virtual Console talk from Nintendo, no Halo, Gears or much in the way of big name exclusives from Microsoft and well, where was PS4 exclusives Hellblade or the Final Fantasy VII remake this year?  Overall each company had something to offer and as someone with all three consoles, there was certainly something to play on each machine for the foreseeable future, which can’t be a bad thing.

Split


Viewed – 06 June 2017  online-rental

It’s probably safe to say that acclaimed director M Night Shyamalan has been off his game for a few years, with such poorly received movies as The Last Airbender and The Happening.  However recently there seems to have been a slight return to form, what with the well received The Visit and now this much talked about thriller.  James McAvoy plays a disturbed man who suffers from dissociative personality disorder and claims to have 23 different personalities all vying for attention.  Told with a combination of visits to his psychiatrist and the kidnapping of three young women by his more sociopathic personalities, this sets the stage for a clever little thriller, held together by a demanding and often eye-opening performance.

Split

The initial impression I got from the trailer (and I tend to avoid trailers for the most part) wasn’t all that positive despite plenty of good word-of-mouth.  McAvoy you see delivers a myriad of different performances here, some menacing, others it has to be said rather absurd and silly (do we really need him to do a rather dodgy impression of a nine year old boy, complete with a lisp?) and less said about the campy female personality the better.  Which is a shame as Shyamalan’s direction is tight and atmospheric, full of eerie camera movement not unlike something from a Hitchcock movie and great use of claustrophobic locations.  The three turns from the kidnapped girls are also good, especially from The Witch’s Anya Taylor-Joy (an actress who continues to impress).  However a final twist involving a 24th personality throws the movie into schlocky horror, doing away with it’s otherwise semi-realistic tone … and well, we get a final scene that adds a connection to an earlier Shyamalan movie that just felt forced.

However with what has to be said is a colourful and impressive turn from McAvoy (his transitions from certain personalities are damn freaky) and bags of tension I still found myself entertained.  Just sad the idea promised much more than the movie could eventually deliver.

Verdict:  3.5 /5

Wonder Woman


Viewed – 01 June 2017  Cinema

Despite many people’s misgivings about Batman V Superman, few could argue that Gal Gadot’s sensual Wonder Woman was a particular highlight.  Her appearance kept viewers eager for more, and so we have this origin story that focuses on how Diana (who funny enough is never referred to as Wonder Woman) came to be involved in a mission during (interestingly) the first world war.  Quickly we’re introduced to Diana’s fantasy world of Amazonian warrior women and a loose connections to Greek mythology.  There we have Connie Nielsen (Gladiator) as the reining Queen and also Diana’s mother, as well as the queen’s gutsy sister played by Robin Wright (House of Cards), who despite seemingly a departure for the actress, proves a good fit.  However their peace is soon interrupted when an American pilot Chris Pine (Star Trek) crash lands at their shore, and Diana comes to his aid.

Wonder Woman

This plays mostly like a fish-out-of-water adventure with some well observed comedy and sharp dialogue, helped immeasurably by the chemistry between Gadot & Pine who spark wonderfully off one another.  The WWII backdrop also means we get plenty of action and thrills within a fun ‘dirty dozen’ escapade.  When Diana gets to kick ass too, its a sight to behold, superbly choreographed and well, she’s very appealing to the eyes (where did they find this beauty?).  The movie is a tad over-long and degenerates into typical over-powered villain verses overpowered hero showdown, and well some of Wonder Woman’s super-human powers aren’t fully explained (she can easily toss a tank aside with one hand).  Add to this an avalanche of CGI where some acrobatics began to look a bit cartoonish once people are flying around left right and centre.

However this has it where it counts; with colourful characters that work well with each other, a decent script with plenty of humour and some excellent set-pieces.  DC seem to have turned a corner with this one, so on such evidence, I can’t wait for Justice League!

Verdict:  4 /5

Hacksaw Ridge


Viewed – 30 May 2017  online-rental

It would be easy to be a little bit cynical about ‘another war movie’ after how many we’ve had over the years, and comparisons with some of the greats are inevitable.  However this based on a true story drama at least has an interesting perspective of one such time in the second world war.  Andrew Garfield plays Desmond Doss, a pacifist war objector and medic who refuses to carry a weapon despite being part the battle of Okinawa … and becomes a hero when he saves the lives of more than 70 soldiers during a brutal siege against the Japanese. 

Hacksaw-Ridge

Director Mel Gibson’s movie for me began familiar…Desmond leaves his sweetheart to join the army, his drunk father is against him signing up, and we also get a shouty drill instructor played by Vince Vaughn doing his best R Lee Ermy impression.  So initially I was thinking this was just going to be a re-tread of say Full Metal Jacket or Saving Private Ryan.  Thankfully though with the focus on Desmond this became more than simple war movie cliché and actually an enthralling story of one man’s fight to stand by his beliefs whilst still managing to make a difference.  The war scenes that come fairly late on are unashamedly brutal yet visceral showing that Gibson has lost none of his flair for gruesome battles that he showcased so well in Braveheart.  Also add to this that the movie has some interesting, humbling character arcs, such as certain characters starting out unlikeable and then becoming someone I cared about etc.  Also I was glad to see that the otherwise ruthless Japanese army were not painted entirely one dimensional, with a few welcome moments showing soldiers scared or not entirely wanting to be a part of what they were involved in.  It made for a well rounded and well written account of a what must have been a horrific time in history. 

I was left a little puzzled by where Desmond’s elder brother disappeared to considering he signed up to join the army before Desmond but then the movie forgot about him.  Just an observation.  However, Garfield not exactly an actor I’ve ever warmed to, who was miscast in Spiderman is thankfully a revelation here, convincing and probably a career best from him … helped by several solid supporting turns. 

Simply put – a must see.

Verdict:  5 /5