Hi everyone. Thanks for stopping by.
My name's Craig and reside in the UK. I am a big fan of all kinds of movies and video-games, and occasionally write fiction when I get the time. I work as an administrative assistant 9-5, five days a week and enjoy it very much.
For more info, please read the 'About me' section on my blog.
Bye for now.
I consider The Shining one of the best movies ever made, so this follow-up, based on Stephen King’s own best seller was something I never knew I wanted. King famously hated director Stanley Kubrick’s 1980 adaptation and so this movie interestingly brings King’s sequel to life as well as heavily referencing Kubrick’s movie.
Ewan McGregor plays Dan Torrance, the grown up version of that kid in the original, who has battled his ‘shining’ affliction to see the dead, with alcohol. However when a young girl named Abra begins communicating with him through her own psychic gift, Dan is drawn into a battle against a mysterious group of travellers (lead by Rebecca Ferguson) who pray on those that shine.
The way characters, separated for miles connect and come together during the story was what drew me into this. The movie uses imaginative ways of making the various locations and characters feel connected and only builds and gets more creative the closer they get to one another. The story also fleshes our the ‘shining’ ability as well as further exploring characters and moments from the first movie with spot-on re-creations and occasionally uncanny look-a-likes. Rebecca Ferguson is dangerously sexy as Rose The Hat and McGregor is also very good, even if he’s often outshined by Kyliegh Curran as Abra.
Although I’d have liked the movie to be less the supernatural drama it is and more a full-on horror, the story was (mostly) involving enough to make up for a lack of genuine frights. Director Mike Flanagan (Gerald’s Game) uses many creative visual flourishes to make what on paper could get a bit silly – highly entertaining and I found myself invested in Dan and Abra’s plight. This is how you do a sequel to such a legendary movie … build on a great concept yet take nothing away from the original.
Rocker turned director Rob Zombie has over the years carved out his own sub-genre that despite strong influences from grind house shockers like The Texas Chainsaw Massacre and The Last House on the Left, delivers a style that’s all his own. It can be an acquired taste that’s for sure, and not much has changed since 2005’s The Devil’s Rejects that this is a direct follow up to. With a clear tip of the hat to Natural Born Killers, in the years since their incarceration, the Firefly gang have become celebrities. After one of them escapes, a violent home invasion ensues to convince a Prison warden to help crazy as-a-loon Baby Firefly (Sherry Moon Zombie) escape also.
Zombie’s direction attempts to add style and panache to a movie that’s neck deep in sleaze and grime. It’s characters carry a self-importance that doesn’t make them glamorous, but simply pompous, and with the lack of interesting adversaries, including a none existent police presence, there’s a distinct lack of tension or drama throughout.
If you’re here to find out if this delivers the required violence and gore then yeah, there’s several nasty scenes including a throat slit, stabbings and a (unconvincing) face removal – but almost all is watered down by what appears to be crappy CGI blood. Bill Mosely is the stand out as Otis, and Sherry Moon is equal parts entertaining and annoying – so the acting’s a mixed bag also. The under-use of Sid Haig (who recently passed away) as nutty clown Captain Spaulding is disappointing but in a movie this half-arsed, perhaps it wouldn’t have been his finest swan-song. For die hard Zombie fans only.
I genuinely don’t think there’s ever been a truly bad Terminator movie. I’m also happy to say that whilst this doesn’t break the mould, it doesn’t ruin that tradition either. A bad-ass female resistance soldier travels back in time from a ‘war against the machines’ future to protect a young Mexican woman who is the target of a new Terminator that may just be the deadliest yet. Lucky for them there is help from Sarah Conner (Linda Hamilton).
James Cameron, producer and series creator has said this is the true follow up to T2 and ignores the other sequels. It certainly feels closer to his vision than any other and the inclusion of Hamilton’s Sarah Conner cannot be underestimated. However as it turns out she’s mostly here to link movies, and a jarring plot twist early on basically makes her involvement pointless. Natalia Reyes as Dani, the Terminator’s target is a little bland also. The saving grace then, ironically is Mackenzie Davis as Grace, the cybernetically-enhanced resistance soldier who proves this movie’s most compelling aspect.
Action is decent, the CGI impressive (if at times over done) and the pace relentless (occasionally to the movie’s detriment) but this concept has always been exciting and it’s no different here. Arnie turns up after a while and proves a real scene-stealer. Yet unlike the masterpiece that was T2 there’s little wow-factor here, and the sense of a franchise finally being milked dry. But for seasoned fans like myself, this still entertained.
I wasn’t expecting much from this but as a casual fan of the other movies (although I never got around to seeing the second movie), I suppose a desire for easy watching fun and the usual reliability of Chris Hemswoeth grabbed my attention.
This follows the story of a woman (Thor Ragarok’s Tessa Thompson) who following an alien encounter as a child has always dreamed of joining the top secret organisation that turned up that fateful night but didn’t do the mind-zap thing on her like they did to her parents. As an adult she gets her chance and is quickly recruited and given a job to join the London division headed by Liam Neeson. There she is quickly partnered with Chris Hemsworth’s cocky, reckless agent ‘H’ and stumbles on a new threat to the planet.
The story is weak here, something involving a powerful weapon, and is mostly an excuse for a fun if very predictable caper with some entertaining banter between Hensworth & Thompson. Although the twist this time around to reverse the roles and offer up plenty of female empowerment, sadly leaves Hemsworth (and generally any male) as merely joke-fodder or targets of female chauvinism. Oh, hasn’t equality come a long way?
That being said, action set-pieces are decent, production values high and it’s still fun. It just lacks anything beyond the points made above to warrant its existence following a fairly complete and finished trilogy. The failure to even mention Will Smith or Tommy Lee Jones’ characters also seems a strange oversight. For die-hard fans only.
I’ve always enjoyed the X-Men movies but in recent years they seemed to have fallen out of favour with the critics. I stood alone it seems in my liking of Apocalypse and I think going by the reaction to this latest offering, I remain in a minority on this one also.
With mutants more accepted into society and Charles Xavier (James McAvoy) able to continue running his school for gifted children … all seems well. That is until a fairly routine mission to rescue some astronauts goes bad and Jean Gray (Sophie Turner) gets caught in a blast that drastically increases her powers to an uncontrollable level.
This might not have the epic scale of say, Days of Futures Past and with the focus (mostly) on a single character, some of the series’ most memorable characters are sidelined (especially Jennifer Lawrence‘s Mystique / Raven). However with decent turns from McAvoy and the always dependable Michael Fassbender as Magneto as well as Sophie Turner delivering an occasionally menacing Jean Gray – I still found myself absorbed. There is some terrific action too (particularly the train sequence) and the effects work throughout is great.
There’s just something missing. It lacks the drama and depth of previous movies and Jessica Chastain‘s villain is woefully under written. Turner despite best intentions just can’t carry the movie either. She was wooden in Game of Thrones and isn’t that much better here. So, a lesser X-Men movie but if you’re a fan as I am there’s still much to enjoy.
Mensen maken de samenleving en nemen daarin een positie in. Deze website geeft toegang tot een diversiteit aan artikelen die gaan over 'samenleven', belicht vanuit verschillende perspectieven. De artikelen hebben gemeen dat er gezocht wordt naar wat 'mensen bindt, in plaats van wat hen scheidt'.