Hi everyone. Thanks for stopping by.
My name's Craig and reside in the UK. I am a big fan of all kinds of movies and video-games, and occasionally write fiction when I get the time. I work as an administrative assistant 9-5, five days a week and enjoy it very much.
For more info, please read the 'About me' section on my blog.
Bye for now.
Following the death of his father, Prince T’Challa aka Black Panther returns home to claim his birth right and become king of Wakanda. However when news surfaces of a terrorist who has stolen some of his homeland’s resources, T’Challa (Chadwick Boseman) springs into action to stop his home’s sacred power being used for evil.
This has had a great deal of attention and is now one of the highest rated Marvel movies on RottenTomatoes.com, surprising when the character has never been what you’d call a household name like Thor, Spiderman etc. For whatever reason this movie has gained such attention, what we actually have is a fairly basic super hero movie with the twist of an African setting and largely black cast. Panther is an interesting, layered character and fairly refreshing compared to the usual machismo we get with other characters; but with a rise and fall and rise again story ark, I failed to see how this was any different than what we’ve been getting for several years now. Add to this an underwhelming Michael B Jordan as the villain who’s character is basically a carbon copy of another Marvel villain, and like in Creed has no screen presence and is instead feels miscast beyond his impressive pecks. Yet we do get a fantastic car chase sequence, decent CGI and some tense fight scenes, along with good support from Martin Freeman and especially Letitia Wright as T’Challa’s sister – who gets all the best lines and funniest gags.
As it stands this was very pretty, often fun but very drawn out considering it’s simple plot, and felt more like an ‘also ran’ in the juggernaut that is the Marvel Cinematic Universe than anything else. I still had a good time, but like a lot of heavily-hyped things these days … I also came away wondering what the fuss was about.
Blumhouse Productions seem to getting quite a reputation for making high concept, well received horror what with the popular Purge franchise and the sleeper hit of Don’t Breathe. So we come to this recent offering that again has a clever concept at it’s heart, and follows a day in the life of University student ‘Tree’ who finds herself stalked by a masked killer and ultimately killed. No, this isn’t spoiler territory as that’s when Tree’s day starts repeating itself ala Groundhog Day, and so it quickly dawns on her that she has to find how who her killer is, to hopefully set things right again.
It’s not a new idea but given a teen-movie twist along with the central character having to solve her own murder is at least a novel spin. Yet despite strong potential in a creepy and played straight opening, once it descends into the day repeating, ill-fitting comedy comes into play and transforms this into a sillier movie than I’d have liked. This is not helped by a mostly unlikeable group of characters, who despite best attempts at quirky pop-culture spouting dialogue, come off as self-absorbed idiots, including our lead. Yep, she’s got some tragedy in her past, but does that mean she should be so utterly stuck up?
It attempts to save itself in some fun, if tame stalk and slash sequences and a couple of twists did keep me guessing … but when we have the final reveal, it’s pretty ‘meh’ again because of it’s wafer-thin characters. There’s some moral lessons to take away here, but overall this was nothing to rush out and see.
I was first exposed to the wonders of Korean cinema quite like many were I presume with Park Chan-wook’s Oldboy. From that starting point firstly, that director became a firm favourite, and I also was treated to some real gems; including last year’s personal top ten entry Train to Busan. So we come to this somewhat under-hyped action thriller. Sook-hee has been trained from a young girl to become a deadly, highly skilled assassin. However upon the death of her mentor, she vows revenge which ultimately lands her in the custody of a government organisation that would like to put her kills to work.
This starts brilliantly with a no-holds-barred visceral action sequence filmed mostly in first person that well, has to be seen to be believed. This immediately hooked me, and once again it seems I was in for a top level Korean movie that I’d be recommending to anyone willing to listen. There’s clear echoes of French classic La Femme Nikita here, as well as Lady Vengeance. Also the direction, with rapid-fire editing and impossible camera work certainly makes this an experience. It’s sad to report then, that this is all held together with a rather generic and muddled plot with a myriad of flashbacks that only help to confuse matters. Performances are largely decent, especially from Kim Ok-bin as Sook-hee and there’s some fun characters and interesting twists. It also doesn’t take any prisoners and is at times very bloody and violent. I also found myself caring for the central protagonist’s plight and affected by the shitty things that happen to her … but with a villain who’s motives seem simply ‘because I’m evil’ this ended up not being the full package.
See it for it’s action and impeccable style. Not so much for it’s plot.
I can’t say I was particularly enthused at the prospect of seeing this, despite rave opinions from people I know who had been. I have a bit of an uneasy relationship with musicals, and they have to be particularly good to win me over. This based on true events depiction, has Hugh Jackman as P.T. Barnum, a man who rose from nothing to become one of the pioneers of show business as we know it.
I can’t say I was particularly familiar with the story but as soon as this started, I was transfixed. Jackman, who of course I mostly associate with Wolverine, is a revelation as Barnum and commands the screen with total, Hollywood magnetism and presence. His rags-to-riches story whilst somewhat clichéd is classic stuff and made me think of Charles Dickens books along with Rogers & Hammerstein musicals of yesteryear. You know – back when Hollywood did it right. Add at times breath-taking choreography and several stunning set pieces, with grand set design, colourful costumes and eye-catching cinematography and this was a real treat for the senses. The songs, if at times a little ‘samey’ are foot-tapping and enjoyable, aided by larger-than-life performances from also Zac Efron and Michelle Williams and a plethora of colourful characters … and well, sometimes it’s overwhelming but never boring.
The movie seems to stumble a little in a plot device with a famed Opera Singer and although essential to the story, takes things in a direction that isn’t quite as much fun … but then comes back again to deliver a great feel good ending that left me wanting to stand up and applaud. This movie’s been a bit snubbed by the Oscars and that’s a shame as really, a night out at the movies doesn’t get much better than this. Essential.
I’m easily attracted to a movie when it stars someone I’m especially appealed by. So with this starring two actors I am increasingly impressed with, namely Hurt Locker’s Jeremy Renner and Avengers: Age of Ultron’s Elizabeth Olson … this was a no-brainer.
Renner plays a hunter and expert-tracker living on a wintery Indian reservation where some years previous a teenage girl died under mysterious circumstances. As he was married to the mother of said girl at the time, he feels personally involved when a similar death occurs when a young girl’s body is found. With the possibility of the death being a homicide the local Sheriff call in the FBI in the form of a rookie female agent played by Olsen and soon she’s teamed up with Renner to figure out just what happened.
This realistic and gritty drama has strong turns across the board and a solid mystery that kept me gripped. The backdrop of Native American racial issues and paranoia whilst not that unique was engrossing also. Add to this some striking cinematography and hard-hitting revelations and action in the final act and I came away rather impressed. If you’re after a thought-provoking, non-Hollywood-glossed evening’s entertainment this will surely satisfy and if anything further cemented the growing reputations of it’s leads. Recommended.