Hi everyone. Thanks for stopping by.
My name's Craig and reside in the UK. I am a big fan of all kinds of movies and video-games, and occasionally write fiction when I get the time. I work as an administrative assistant 9-5, five days a week and enjoy it very much.
For more info, please read the 'About me' section on my blog.
Bye for now.
… and the Fantabulous Emancipation of One Harley Quinn
Some of my favourite movies are pleasant surprises. I went into this with not very high expectations and you know what? I really enjoyed it. It’s a simple movie at heart; a diamond falls into the wrong hands, a pick pocket kid steals it causing bad guys to go hunting for her, whilst at the same time anti-hero Harley Quinn fresh off a break up with former boyfriend The Joker finds herself the target of cops and crooks.
Yeah I wasn’t here for the story either, but when you consider Margot Robbie’s Quinn was the only redeeming aspect of the mostly forgettable Suicide Squad, another crack of the whip with this off-kilter character I was certainly up for. She doesn’t disappoint, narrating and carrying the movie in a whirlwind showcase of the actress’s screen magnetism and comic timing. Add to this decent support from Mary Elizabeth Winstead as an avenging assassin and especially Ewan McGregor having a ball as villain Black Mask, and with several stand out fights and action scenes … I was thoroughly entertained. For a mostly female lead vehicle it didn’t shove some feminist agenda down one’s throat either.
It’s plot and structure are a little messy, but the movie wisely plays with this as a representation of how Harley Quinn thinks. Rosie Perez seems a bit out of place though, and characterisation other than the lead is fairly basic. Yet with enjoyable dialogue, a goofy sense of humour and a memorable villain, this was far from the disaster some critics (and that disappointing box office) would have you believe.
Marriage is meant to be a happy time when two people tie the not in hope of spending the rest of their lives together. However, new bride Grace doesn’t quite realise what she’s getting into when introduced to her new hubby Alex’s eccentric, wealthy family on their wedding day. As it turns out each new member to the ‘family’ must undergo an initiation before they can be truly accepted. So sets forth a wedding night quite unlike any other.
Margot Robbie look-alike (and fellow Ozzy it transpires) Samara Weaving proves a plucky lead surrounded by colourful characters in this energetic ‘romp’, that plays out kind of like an even more macabre version of Cluedo. The idea however just doesn’t make much sense and when you find out exactly what’s going on it fires up more questions than the movie has any chance of answering. Yet a decidedly tongue-in-cheek tone helps carry the movie, aided immeasurably by its cast who all look like they’re having a riot, and there’s some shocks and surprises along the way, as well as a solid punch-line ending.
The directors have delivered a brash, often cartoonishly violent ride, and that’s almost good enough. However it’s all let down by a poorly thought-out concept that feels like a stretched out segment of an anthology piece than its own movie. Fun, in a purely popcorn entertainment kind of way.
I’ve never been the biggest fan of Adam Sandler. His movies especially these days just slip under my radar and except for The Wedding Singer none of his output has ever impacted me much. However, some positive word of mouth has been doing the rounds about this, so I thought I’d check it out. Sandler plays Howard, a crooked jewellery store owner and general wheeler-dealer with a wife, kids and a girlfriend on the side who lives his life ducking mob loan sharks and continually struggling to keep one step ahead of people. After obtaining some priceless uncut gems however, a way out just might be on the cards.
I found Howard’s lifestyle exhausting to watch yet it’s portrayed fairly realistic even if it never made me sympathise with such an obviously self-inflicted plight. What’s going on and why is pretty much glossed over as well. And… despite best intentions, Sandler fails to be much more than a caricature surrounded by more believable casting (including NBA star Kevin Garnett as himself). This isn’t helped by what appears to be a bad Heat-era Al Pacino impression Sandler is doing throughout.￼. With that said the sheer relentlessness of the direction is commendable.
For fans this proves a departure for Sandler they might appreciate but for me he didn’t stand out or prove all that appealing … the story pretty much goes exactly where I expected also. Forgettable.
I think it would be remiss of me not to mention the sad passing of a true Hollywood great. Kirk Douglas, star of so many great movies and an actor I personally admired and enjoyed passed away today at the grand age of 103. Father of Michael Douglas and star of movies such as Spartacus and some of my personal favourites like Brian DePalma’s forgotten classic The Fury, as well as comedy heist movie Tough Guys, he will be sadly missed. R.I.P.
I can’t say the prospect of a third Bad Boys movie filled me with excitement. I’d lost interest in Will Smith as an actor a while back, and who had seen much of Martin Lawrence? Also it felt like a concept that was relegated to the past. However on seeing the positive buzz surrounding this I thought I’d give it a go. Smith and Lawrence return as the streetwise Miami detectives who following the escape of a dangerous Mexican cartel woman from prison, learn of a hit list targeting various cops and officials, including Smith’s Mike Lowrey.
Initially some of the dialogue and humour, that focuses on growing older and family commitments, felt a bit forced … but once the narrative hit its stride this observational humour began to gel better. The focus like previous movies, on Smith and Lawrence’s buddy chemistry was again the star and even 17 years later they still work great together. Smith proves heroic, reckless and layered rekindling my liking of the actor all over again. Also Lawrence proves at times hilarious with some perfectly timed one-liners – and that motorbike side car sequence is just gold.
Although series director Michael Bay isn’t behind the camera this time (but appears in a brief cameo) the visuals are stylish and the action particularly slick and visceral making this equal parts funny and exciting whilst not shying away from the violence. It feels very much like the older movies but brings it up to date with some genuine emotion and pathos amidst the pyrotechnics. Check it out.
Mensen maken de samenleving en nemen daarin een positie in. Deze website geeft toegang tot een diversiteit aan artikelen die gaan over 'samenleven', belicht vanuit verschillende perspectieven. De artikelen hebben gemeen dat er gezocht wordt naar wat 'mensen bindt, in plaats van wat hen scheidt'.