Crash


Viewed – 12 December 2020 Blu-ray

Very few directors could deliver a movie with subject matter such as this and make it work, without it being exploitation trash, but in the hands of David Cronenberg (The Fly, A History of Violence) what remains an uncomfortable viewing experience somehow still took hold of this viewer. James Spader plays a guy fascinated by car crashes and aroused by the thrill of injury, twisted metal and the sheer violence of it all. Aided by his girlfriend (The Game’s Deborah Unger) they pursue this unhealthy obsession until Spader ends up in hospital. There he meets fellow crash victim Holly Hunter who he discovers is a kindred spirit and before long he’s lead into an underworld of like-minded people who find sexual arousal in near death experiences.

Maybe next time, my darling…

Acted from the off by all involved like they’re on the brink of orgasm, this highly sexual drama is just plain weird and has an atmosphere I’ll admit was initially hard to get into. Cronenberg’s direction however makes everything eerie, borderline hypnotic and very dream-like. However not for a second is it sexy, as Cronenberg gives each sex scene an unnatural and animalistic vibe that’s closer to his brand of body horror than say, Basic Instinct … but it works.

James Spader is perfectly cast, as is Deborah Unger, actors both at ease with uneasy material. However one surprise was Holly Hunter who I’d never usually associate with this kind of thing. Elias Koteas (Zodiac) stands out as a rather freaky medical photographer obsessed with staging recreations of famous car crashes. We also get Rosanna Arquette as a woman in leg callipers who’s involved in a particularly infamous scene. Overall this was a difficult watch. I appreciated much of the atmosphere and the perverse subject was strangely alluring… but was I entertained? No. Worth seeing but definitely not for everyone.

Crash remains quite the controversial movie, and this new, fully uncut limited edition from Arrow Video explores it impressively. The restored 4K Ultra HD image is grainy and nicely detailed, with only occasional softness. However, despite mention of HDR this isn’t a showcase for your TV setup. The same goes for the 5.1 DTS HD Master Audio soundtrack that’s made up mostly of gentle dialogue and Howard Shore’s haunting score. The surrounds get a mild workout mostly in the various driving / highway scenes but nothing all that diverting. However it’s the extras where this release shines. There is a comprehensive booklet covering the making and legacy of the movie, various interviews, featuretts, some David Cronenberg short films, and a commentary by film scholar Adrian Martin. Add to this a double-sided poster and deluxe hardback slip case packaging and this is decent treatment for a polarising yet still worthwhile entry in Cronenberg’s back catalogue.

Verdict:

(the movie) Good

(the Blu-ray) Recommended

In The Valley Of Elah


Viewed – 27 June 2008  DVD

Director Paul Haggis follows up the acclaimed Crash (one of my top films of 2006) with this equally powerful drama following the story of a retired army officer who comes up against the closed ranks of the U.S. Army after his son disappears returning from a tour of duty in Iraq.  Tommy Lee Jones is on great form as the determined father searching for the truth, who befriends a female detective (Charlize Theron) and together they attempt to uncover what happened.

Like the aforementioned Crash, this is a deeply moving and gripping story with believable performances and some top acting, especially from Jones who is easily one of the best of his generation…and delivers here where he seemed wasted in No Country For Old Men.  I was also impressed by Charlize Theron who brings a tough but likable demenor to her role.  Also, anyone who has had even a passing interest in the war in Iraq and the politics surrounding it, will be swept up in this very human story of what war can do to good honest people.  My only gripe remains with the closing scenes and the big reveal – I felt it lacked believability, not in what happened, but in Tommy Lee Jones’ reaction to it.

Verdict:  4 /5