Night of the Living Dead

Viewed – 31 March 2018  Blu-ray

Criterion Collection

Growing up in the 80s and 90s I had a taste for zombie movies, and cut my teeth on movies like Return of the Living Dead parts 1 & 2 and even obscure oddities like The Video Dead.  However the much celebrated godfather of the genre, George A Romero mostly passed me by, and I hadn’t been that taken by Dawn of the Dead.  You see, I was more into the practical effects, and a sillier vibe to proceedings rather than the much talked about social commentary and seriousness of Romero’s approach.  So of course I never even got around to the 1968 genre-defining original that started it all.

Night of the Living Dead zombies

Although not the first zombie movie, for it’s time it seemed daring and streets ahead of what had been seen before (with the unusual casting of a black lead actor).  It presented a new type of horror that wasn’t set in a haunted house or the Carpathian mountains … but in a world we exist in, with familiar locales and normal people beset by extraordinary events.  When a young woman witnesses her brother get attacked in a grave yard by some strange man, she runs for safety, and eventually holds up in a seemingly abandoned house, where she’s soon joined by a man who quickly takes charge of the situation.  There the two barricade themselves in and gradually witness the undead march on the house.  Will they survive the night?

Night of the Living DeadDirector George A Romero presents a striking and effective, if rather rough around the edges experience, helped immeasurably by unconventional camera work and a claustrophobic setting.  His editing and direction cranks up the intensity, with a group of characters all offering up different viewpoints.  Performances aren’t that great however, and I found myself irritated by how pathetic female characters were, especially the character of ‘Barbara’ despite a strong introduction.  Yet working with a very low budget, applying at times experimental guerrilla film making techniques this still somehow achieves genuine shocks and an unpredictable narrative filled with creepy imagery.    With this taken into account and despite it’s age and at times amateurish performances … I had a better time than expected, which proves just how much it set in place, and still stands as the blue-print for what was to follow.

NOTLD CriterionThe Criterion Blu-ray is jam-packed with extras, but firstly I’ll say the classy black & white 4k-restored image presented in 1.37.1 ratio (yep we get black bars either side of the screen) is vivid and detailed.  It’s grainy but not overly so and generally creates an effective almost film-noir look that I appreciated.  The soundtrack whilst only in it’s original mono is sharp, has clear dialogue and the various moments of orchestral score (taken from believe it or not, stock library audio) is used well and at times creates a welcome Hammer-horror / 50s b-movie aesthetic.  We also get two commentaries, both from key members of the cast and crew, recorded in the 90s, and there’s several new featurettes / interviews covering the impact the movie has had on popular culture (with interviews with Frank Darabont, Guillermo Del Toro and Robert Rodriguez) along with archival footage.  For fans of the movie, this feels like the definitive release, and anyone who has never seen it before, especially if you are a fan of the genre horror – this is the version to own.


(the movie)  3 /5

(the Blu-ray)  5 /5

The Horde

Viewed – 30 September 2010  DVD

There have been loads of Zombie movies over the years, from the legendary Night Of The Living Dead, Italian shocker Zombie, and also 28 Days Later.  Even remakes such as Dawn Of The Dead.  So it was just a matter of time,  in wake of the rise in popularity of French horror movies like Frontiers and Martyrs that the talented guys from that country would deliver their own zombie apocalypse.

Following a night time raid on a high rise apartment building, a group of cops find themselves teaming up with the criminal gang they had set out to apprehend, when a ravenous army of zombies attack the building.  This wafer-thin setup offers some fairly competent characterisation, with bickering brothers on the crooks side, a bitter, gutsy female and a hard-as-nails guy on the cop’s side, that are soon joined by an over-zealous ex-war veteran / pensioner with stacks of weaponry.  Lacking the biting social commentary of a George Romero movie, but with plenty of gunfire, hand-to-hand smackdowns and oodles of blood and gore, this is certainly entertaining.  The kills go for a more brutal, nasty approach rather than anything remotely inventive and at times the violence felt a touch cartoonish.  Yet what spoils this is firstly an erratic camera that although attempting cool just proves annoying, then a setting that is 80% in darkness, meaning its not always clear what’s happening.  Add to this moments of character stupidity I haven’t seen since the 80s – There’s someone growling and scratching at the door – don’t bloody open it!!!

So in closing, considering the otherwise stellar output from France when it comes to horror, this just lacked imagination and a personality to call its own amongst a crowded genre.

Verdict:  2.5 /5

The Zombie godfather is back!


Acclaimed horror movie director George A Romero makes a welcome return with Diary of the Dead, the latest entry in his zombie saga that started with Night of the Living Dead.  After enjoying the most recent entry, Land of the Dead a couple of years back, I am awaiting this latest film with great anticipation…and going by the poster its gonna kick ass!