It’s unfortunate that the awful history of racism in America can make for such riveting movies. Set in North Carolina in 1971, this explores the story of a female black activist who gets pitted against a leader of the local Klu Klux Klan. When forced to work together to pass a bill about racial integration in schools, the two rivals find themselves forming an unusual friendship.
This is the type of movie that really gets one thinking and questioning the world we live in. Immediately the setting and time period, aided by a great soundtrack pulled me in. This was also brilliantly acted, with the stand out being Taraji P Hensen (Hidden Figures), who delivers a powerhouse performanceas Ann Atwater. Sam Rockwell as KKK leader C P Ellis is also excellent and delivers possibly one of his best turns in a challenging portrayal. Although the story might seem familiar and there’s certainly comparisons to be had with the acclaimed Green Book, this still really grabbed me. Direction from first-timer Robin Bissell was authentic and engrossing, and delivered a surprisingly feel good ending that really made the movie for me.
For such material it very much glosses over some of the worst the KKK were known for, although I’m guessing this was more a character piece focusing on how people can learn from one another … and in that respect it’s pretty damn great. One to check out.
Something is wrong with our planet, the fuel or food supplies are drying up and everyone is acting like the place is doomed. Farmer and former astronaut Cooper (Matthew McConaughey) lives a quiet existence on a farm with his son and daughter, until following stories of a ghost in his daughter’s bedroom, Cooper discovers a communication signal hidden in the dust and various books falling from the shelves. The strange anomaly leads them to follow co-ordinates one night that leads them to a secret underground NASA base. Headed by Michael Caine, that’s where Cooper is then given the opportunity to return to space on a mission that just may be the answer to mankind’s future.
Give it to director Christopher Nolan for tackling big ideas. No stranger to presenting bold concepts to the viewer, as we saw in the dreamscape epic Inception, and this sci-fi drama is no different. We get black holes, deep space, other dimensions and strange new worlds. Yes McConoughey is boldly going where no man has gone before, and I was fully along for the ride. He is supported well by Anne Hathaway as a scientist and fellow astronaut, and the ideas at play here were particularly fascinating, borrowing to a large extent from Stanley Kubrick’s seminal 2001: A Space Odyssey but throwing in enough personality and visionary-wonder to stand on it’s own. This is a stunning looking movie, Nolan using his various locations and his love of I-Max to wonderful effect, and various scenes just swept me up in their sheer majesty (the tidal wave…the ice planet etc.). This is helped no end of course by Hans Zimmer’s at times intense and sweeping score. Trust me watch this on a decent sized screen in surround sound and you’ll be blown away.
I can’t say I understood it all, and it get’s rather mind-boggling towards the end – in a good way. Yet with a strong, emotional performance from McConoughey and good turns from Caine and also Jessica Chastain who turns up half way through, I really got a kick out of this. It’s long at over two and a half hours, but it’s profound questions on humanity, love and life needed time to breathe, and so I can’t say I was bored one bit. One of my ‘movies of the year’ without doubt.
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