By the time the sixth entry in a popular franchise rolls around, you’d be forgiven for expecting things to get a bit lazy. Tom Cruise has now cemented himself as the biggest action star since Schwarzeneggar with a does-his-own-stunts calling card to rival Jackie Chan, but can another outing keep on upping the anti? Let’s see… Cruise returns as super agent Ethan Hunt who this time is given the job of tracking down three nuclear bombs that have fallen into the hands of black market dealers. He must stop them falling into the hands of The Apostles, what remains of Rogue Nation’s The Syndicate to prevent a global catastrophe. However when a mission takes an unexpected turn, Hunt and his team (including series regulars Simon Pegg & Ving Rhames) find the odds stacked against them – just how it should be.
Ok so having to stop nuclear bombs falling into the wrong hands is probably as generic a plot as it gets and with the return of Rogue Nation’s sleepy-talking villain, this initially felt like it was going through the motions. Yet it soon dawned on me that this time it was less about the mission and more about Ethan Hunt; the man, his methods and his dilemmas, constantly haunted by that fateful decision he made three movies back to send his wife (Michelle Monaghan) into hiding. The story handles this aspect that’s only ever been hinted at in previous movies, very well indeed and proves the movie’s beating heart in place of set piece after set piece. Yet along with the return of Rebecca Ferguson’s assassin ‘Elsa’ we still get tons of action, car chases, roof top chases, fights and a helicopter chase sequence that has to be seen to be believed.
The pacing stumbles occasionally, not helped by some copy and paste sequences that aren’t quite as good as we’ve seen before (another bike chase?), yet the movie makes up for this in strong performances and memorable character moments that made me love the camaraderie between Hunt and his agents. Six movies into the franchise this may be a different kind of Mission Impossible but by this stage that’s a good thing.
With Rogue Nation fresh in my head, I thought it might be fun to revisit the original 1996 blockbuster. Now sitting down to this, my memory was fairly cloudy and I realised I hadn’t actually seen it since it’s cinema release, yet recalled finding it overly confusing with a couple of stand out sequences.
Cruise, looking very young is Ethan Hunt, not quite the super-spy we know him to be today but simply a special agent for a CIA division known as IMF. Headed by John Voight, Hunt and his crew consisting of smouldering French beauty Emmanuelle Béart as well as former brat-packer Emillio Estefez must locate some stolen files that could leak the identities of a number of special agents into the wrong hands. However during the mission, Cruise finds himself double-crossed and his team all but killed. He’s then on the run and out to unmask the real culprit as his own innocence comes into question.
Directed by one of my favourites, Brian De Palma (Carrie, Carlitio’s Way) and with a twisting, complex narrative … this stylish and very well filmed ‘espionage thriller’ seems at first worlds away from the action extravaganza the series is known for. Yes, we hardly get any chases, fights or stunts for pretty much the entire run time. This was therefore more closely based on the TV show, with a more ‘pure’ mission: impossible storyline and with a strong if somewhat arrogant turn from Cruise and good work from series stalwart Ving Rhames. It is too complicated (but not that clever) and at times confusing, which marred my enjoyment, but with a very tense CIA headquarters break-in that has been parodied to death (but is still cool) and a stunning climax on the roof of a speeding train heading into the channel tunnel – this remains a good start to a franchise that has developed and (mostly) improved with every entry. Oh and ‘that’ theme has never been better implemented.
The Blu-ray is a mixed bag. The image quality at first appears impressive until I noticed some harsh edge enhancement and wider shots seriously lacked detail. The bog-standard Dolby Digital 5.1 is serviceable but lacks some punch. Thankfully then we do get some decent extras on this box-set re-issue such as a M.I. retrospective documentary, various featurettes, a documentary on Tom Cruise and photo galleries. A lack of a commentary is a let-down but not surprising considering the fairly underwhelming treatment of the movie itself.
Good to see that one of our most enduring Hollywood stars can still deliver a pulse-pounding action extravaganza even as he settles into his fifth decade on this planet. Add to this the fact he does many of his own stunts, and actor Tom Cruise is the real deal, regardless of what some may think of him personally.
Cruise plays super-agent Ethan Hunt who, currently in hiding and ‘gone rogue’ is trying to unmask the real identity of secret organization ‘the syndicate’ whilst back at Langley, CIA headquarters the big wigs are disbanding the IMF. Following a lead in London, Hunt witnesses the murder of a contact and the revelation that those he believed he worked for may be involved in a global conspiracy. Like Ghost Protocol before it, this is a confident and well directed spy movie full of fancy gadgets, intense action and lots of double-crossing. Director Christopher McQuarrie (Jack Reacher) has put together what feels like the Mission Impossible movie we’ve all been waiting for – the action feels bigger, the locations more diverse and glamorous (London, Paris, Vienna etc.) and the story seems more dramatic. Add to this a wonderful discovery in actress Rebecca Ferguson, who may be the sexiest (and deadliest) femme-fatale we’ve had on screen in years, and with excellent comedic support from Simon Pegg – this almost has it all.
I felt that even for an M.I. movie, sometimes the stunts and situations got a little implausible (a somersaulting car?), and some moments were just plane mad (the admitedly tense under water sequence). Also, creepy-demeanour aside, the villain was again like Ghost Protocol, rather one-dimensional. It was a shame to also see Jeremy Renner not be fully utilized for such a gifted actor … but regardless, this was still a shot of adrenaline to the heart and packed full of memorable moments, an amazing car turned bike chase, and an ending that made me want to stand up and applaud. With Spectre on the horizon, I’d say in the spy movie world, this is going to take some beating.
I remember loving this entry in director Wes Craven’s admirable output several years ago … its clever idea of suburban hell and enough gore and creepiness to keep your nerves thread bare. It tells the tale of ghetto teenager ‘Fool’ who with his mother dying of cancer, teams up with a petty crook (Ving Rhames) to break into the house of the local wealthy property owner and his wife. Yet a seemingly straight forward plan as you can imagine goes horribly wrong, and they stumble upon a very macabre secret.
Genre king Wes Craven delivers again. As the director of cult favourites A Nightmare On Elm Street and Scream, you can expect a degree of skill to the chills and frights, even if for the most part this plays out more like an adventure, with Fool transported into another world, that of the labyrinthine house and its many traps and secrets – its like he’s entered an episode of The Crystal Maze at times. Playing the couple is Twin Peaks stalwarts Everett McGill and Wendy Robie who are both wonderfully nuts … and pretty much make the movie for me. Also as their nervous daughter Alice, A J Langer is quite heart-breaking and very believable. Yet Brandon Adams as Fool, a few corny lines aside is a revelation for such a young actor – did he go onto anything else?
This movie is quite silly in places, and sometimes its more funny than genuinely scary – but I’ll go on record as saying it remains one of the more inventive horror movies of the 90s, and for Wes Craven, possibly his most interesting creation.
The Blu-ray from Arrow Video is very pleasing. The image is detailed and colourful (Ving Rhames’ hat in the van looks astonishing…) and although at times a little softness rears its head – overall I was very pleased. Audio is acceptable in uncompressed 2.0 stereo and the many sound effects inside the house still work well. Extras consist of a (moderated) commentary by Brandon Adams, as well as several featurettes and interviews. Most interestingly we also get a collectable booklet and a reversible sleeve with specially created new art work. An impressive package by all means.
Bruce Willis seems to be becoming less the A-list movie star he was, and more the next Nicholas Cage, turning his hand to pretty much anything that’s offered him. Which is a shame, as this run-of-the-mill sci-fi thriller really is beneath his talents. He plays a Cop living in a society where everyone experiences their lives through robot ‘surrogates’, never leaving the house, never getting ill, and strapped into a machine. With a shady company behind the robots, and someone killing off robots and inadvertently killing their human counterparts, it’s up to Willis to break free from his isolated existence, and figure out what’s gone wrong.
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