I can’t say I was all that hyped by this. Despite seeing the trailer at one stage, I had pretty much passed it off as just another typical Liam Neeson thriller. Now at one stage that phrase would have been exciting. After all Taken remains one of the best thrillers of the last decade or so. He followed this up with similar high-concept thrillers like Unknown, the two Taken sequels and Non-Stop. So as you can imagine, it soon began to get a little clichéd. Just as well then that this movie was a pleasant surprise.
Neeson plays an Insurance Salesman who takes the train to and from work every day and has done for the last ten years. Nothing all that interesting ever happens. However one day after hearing some bad news, he’s heading back home when a mysterious woman (Vera Farmiga) approaches him and offers a task – find a particular person and place a tracking device on them. If he does so before his stop comes, he’ll receive a bundle of cash. Easy huh?
Think Hitchcock’s ‘Strangers on a Train’ meets ‘Speed’ with plenty of fist fights. I was swept up in the ‘who is it’ mystery of it all, what the people the woman works for might want with said person and just how Neeson is going to get out of an increasingly desperate situation. Add a claustrophobic setting and welcome support from Sam Neil and Patrick Wilson and I found myself suitably thrilled. Neeson can make even the silliest plot work with his grizzled Irish charm and screen presence, and although it gets rather crazy and typical Hollywood-over-the-top in the final act – I came away both surprised and thoroughly entertained.
One not to pass up just because you might think you’ve seen it all before.
(Updated 22/06/2016). The first movie in what appears to be growing into a horror franchise really impressed. I was quite late to watching it but so glad I did even though supernatural ghost-story fair usually freaks me out. But director James Wan nailed an old fashioned concept and delivered a truly unnerving and frightening experience. So sitting down to the sequel I was both excited and a bit on edge. Early word had it that this was going to be even scarier … and once again explored a based-on-fact true story this time set in Enfield, England in the late seventies. Paranormal investigators Ed & Lorrain Warren (Patrick Wilson & Vera Farmiga) are called into investigate a series of strange happenings at a family home where the youngest daughter seems to be the focus of a restless entity.
As a UK resident this was an immediately relatable and authentic setting for a horror movie. With recognisable east-end cockney accents, along with a street not unlike one I grew up on, I was transported back to my childhood, at least spiritually. However this is a James Wan movie and soon the tension builds and the scares are brought on so we get freaky things going bump in the night, eerie corridors, moving furniture and a ghostly, malevolent old man. It’s effectively creepy and unnerving but not quite as under-your-skin as Conjuring #1, relying a bit too much on jump-scares. A prologue detailing the Warren’s involvement in the infamous Amityville house sets the tone and the involvement of a ghostly, demonic nun definitely disturbs. However with a 2hr+ run time, the encounters do get a bit repetitive, and a boogie-man sequence that plays on childhood fears threatens to turn the movie into something else entirely.
Performances however are decent across the board especially the young actress playing tormented child ‘Janet’ (Madison Wolfe), as well as her struggling mother. Yet this is also Wilson & Farmiga’s movie and they again add plenty of emotional weight to proceedings. Wan cranks up the thrills especially towards the end but a bit like the last movie things wrap themselves up too easily. However throughout I was nervously gripped and with the backdrop of a true story in mind this still made for an above average experience. Recommended.
I had wanted to watch this a while back, but for one reason or another never got around to it. Horror movies of late it seems have a funny effect on me. I have grown up loving the genre but the more recent obsession with supernatural subjects has never been to my liking – what can I say, ghost stuff scares me. That being said it has been a while since one has had such an effect, and the last was probably Insidious. Funnily enough by the same director as this supposedly based on true events movie.
James Wan has made a bit of a name for himself; a relatively young director who has gained quite a reputation, starting out with the Saw movies and then the aforementioned Insidious (and it’s sequel) and now this. A family move into an old farm house in the early 70s, a man and woman and their four daughters. However its not long before they realise they are not alone and strange stuff starts to occur. Step in demonologists Lorraine & Ed Warren (Vera Farmiga and Patrick Wilson) who specialising in investigating the paranormal – and boy, have the family got a very unpleasant spirit for them. Wan knows how to direct a horror movie, no doubt. This is filled with tension, solid performances (with a stand out Lili Taylor) and slow burning atmosphere complete with quality camera work and a creepy setting. I’m easily put on edge by movies like this, but this drew me into the characters and story, building up to the scares with genuine style and class. We get an eerie sleep-walking girl, stuff going on in mirrors, glimpses of ghosts and a decidedly unsettling backstory. As a subplot, we are also introduced to the possessed doll ‘Annabelle’ and the freaky looking thing gets to play it’s part … even if it seems under-utilised.
The movie is not without it’s clichés and there are riffs on The Ring, The Exorcist and Amityville – but the influences here are worn with pride and when the scares come – oh boy. This was one of the most frightening horror movies I have seen in quite some time – it goes for the jugular where many recent horrors have chosen to play it safe (The Babadook). A movie best watched with the lights down and the sound cranked up – as long as you don’t mind a sleepless night afterwards.