By this stage in the supposedly dead Bourne franchise, following the commercial and critical failure of ‘Legacy’ (which I actually liked) you wouldn’t think we’d see Matt Damon play the eponymous rogue agent again. However most likely a big pay cheque and some fan anticipation lured him back and here we have Jason, formerly presumed dead after ‘Ultimatum’ getting back in touch with Julia Styles’ ex-CIA agent. She’s uncovered info on Jason’s deceased father and that he may have been involved in the government programme that Jason was in before Jason lost his memory. Wanting to uncover more and quickly learning that CIA chief Tommy Lee Jones may have the answers, soon Jason is back hiding from cameras and a particularly deadly assassin (Vincent Cassel).
I liked how this mixed the usual Bourne formula with some relevant and topical themes, such as a side plot involving a social media guru clearly modelled on Mark Zuckerberg and Facebook. Damon as always is brilliant and nails Bourne’s character again; deadly but vulnerable and well, he kicks ass like nobody else (I’m looking at you Mr Bond). Cassel was a nice surprise too, one of my favourite French actors and here he’s particularly ruthless. Jones, whilst looking old still chews up the screen and is perfectly cast and although Julia Stiles is a bit under-used she helps bridge the gap between the third movie and this fifth entry. For a Bourne movie it’s a tad formulaic, ticking all the boxes (ooh look a female agent takes pity on him…again) and well we get the expected car chase. Helps though it’s probably the best chase in the franchise through the neon glitz of the Las Vegas strip.
For fans of the franchise, this is a strong, highly-entertaining entry full of tension and style, even if it does little to truly warrant it’s existence beyond ‘let’s do another one’. Regardless I had a ball with this and you might too. Recommended.
With some hype being drummed up for a new Bourne movie, I thought it was as good a time as any to revisit the movie that kick started this franchise. I’ve always liked Matt Damon as an actor and he especially impressed most recently in Martian. However at the time of this movie’s release few people saw him as an action star, especially the fan-base of the best selling books by Robert Ludlum.
However time was to prove the naysayers wrong and here, Damon cements himself as a tough-as-nails guy left for dead in the Mediterranean sea. Once back on terra-firma, he’s out to unravel both the truth behind his own identity and why people are trying to kill him. Along for the ride is a German woman who crosses Bourne’s path, played by the decidedly yummy Franka Potente (Run Lola Run), and the two make for a good pairing as the thrills and spills kick in.
The Bourne movies are sort of like the more serious Bond before Bond went more serious and were a likable alternative, but with a focus on surveillance and teams of assassins out to get our man than over-throwing some megalomaniac villain, and is therefore routed in real-world espionage. Support from the likes of Brian Cox and a near-wordless cameo from Clive Owen bring some colour to proceedings and assured direction from Doug Liman (Mr & Mrs Smith), brilliantly-choreographed fight scenes and a stand-out car chase … this delivered the necessary thrills. In the wake of more violent fair like the first Taken for example, this could have really gone for the jugular, and at times seems to have a rather leisurely pace. However, Damon makes for more than just a believable bad-ass and with his acting credentials conveys vulnerability and charisma. It leaves the viewer in the dark about much of who this guy is though, but I guess that’s what sequels are for.
The Blu-ray is very pleasing. The image itself is acceptable but for a little softness and the muted colour pallet prevents it really popping … but it suits the movie’s tone regardless. However the punchy DTS Master Audio mix hits hard on several occasions and dialogue is crisp. Extras are exhaustive for this release with behind the scenes footage, deleted scenes and a look at the series of novels that inspired a series of movies. A commentary by the director is the icing on a very commendable cake.
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