I was quite hyped for this when I saw the trailer. Thor Ragnorok remains for me one of the more enjoyable Marvel movies, so going into this follow-up I was hoping for another dose of entertainment. This time we have Thor (Chris Hemsworth) out to stop a maniac warlord called ‘Gorr the God Butcher’, who blames the gods for the death of his daughter. Back on earth, Thor’s ex girlfriend Jane (Natalie Portman) is dying of cancer until she discovers hope in Thor’s shattered hammer.
Directed again by Taika Waititi (Jo Jo Rabbit) this mostly light-hearted adventure is full of jokes and visual pyrotechnics as Thor wages war and bumps into characters like The Guardians of the Galaxy and Zeus (Russell Crowe), all to the soundtrack of Guns N Roses. Yeah, sometimes the jokes don’t always land, there’s a few poor effects shots and I grew tired of the screaming goats quickly. Yet the action is fun, the tone is fun and the story good enough for this kind of thing.
It’s a shame then that, despite best efforts Christian Bale is simply ‘ok’ as the villain, failing to figuratively ‘jump out of the screen’. Otherwise, it’s hard to find much fault here. Many of the scenes are very enjoyable and I got caught up in the action and entertainment factor the movie was clearly going for. Natalie Portman also held her own alongside the gods (whilst avoiding ‘woke’ pitfalls of other recent movies). Overall better than critics and the generally negative culture of the internet might have you believe. Simply put – I’d watch it again.
Ryan Reynolds is quickly becoming my go-to actor for decent comedy these days, especially following his two hilarious turns as Deadpool. This latest outing has him as video game character ‘Guy’ who leads his life blissfully unaware he’s inside a game. However when a female character catches his eye, causing him to break free from his programming, he stumbles upon a programmers quest to uncover some stolen code hidden with the game world.
This vibrant and immediately enthralling concept really captures the wacky style of game worlds like Fortnite and Grand Theft Auto, whilst at the same time blending the concept of Ready Player One with The Truman Show. Reynolds is perfect as the loveable ‘Guy’ and is aided by a great pairing with Killing Eve’s Jodie Comer, as the real-world programmer and gamer who’s avatar in the game world is a gun wielding badass. Every second there’s something new to spot, references to music, games and pop-culture and although it may not be consistently funny, mostly down to a deliberate over-the-top approach, for me it’s was still a joy to sit through and take in.
Taika Waititi’s main villain does grate quickly and despite him being a character in the real world, his performance is very video-gamey. It is also a tad too sugar-coated as it ends, but these are small gripes in what is otherwise a genuinely fun time. Check it out.
A young boy living in World War II Germany idolises Adolf Hitler to the point of having an imaginary friend who bares more than a passing resemblance to the Fuhrer. With dreams of joining the German Army and hopes of becoming a Nazi, one day he finds all he loves thrown into question upon discovering a Jewish girl hiding in the walls of his house.
Directed by Taika Waititi (Thor Rsgnorok) who also takes on the role of Hitler, this irreverent and unusual approach to the WWII conflict boldly blends satire and surrealism with a profound commentary on the innocence of youth during war time. Coming off as a bit of comedy at first seems rather bad taste but as the story unfolds it became clear that the viewpoint is solely that of a ten year old boy, who’s young mind has been overloaded with propaganda. However the murkier aspects of the Nazi regime lurk in the background, and despite many an absurd moment, still manages to have an impact. This is down to solid performances across the board, especially Roman Griffin Davis as Jo Jo and Thomason McKenzie as Elsa, although support from Scarlett Johansson and Sam Rockwell are also memorable.
Waititi manages the inconceivable by delivering a light tone to the war without ‘making light’ of the war, leading to many effectively poignant moments such as when Elsa remarks about her parents ‘my parents went to a place they can’t come back from.’. A sharply written, brilliantly performed and unique approach to a difficult subject.
A satirical fly-on-the-wall documentary following the day to day activities of a group of flatmates … who just happen to be vampires. It’s a good idea and one I sat down to with intrigue and curiosity. An unseen film crew are given the opportunity to follow around these ‘creatures of the night’ as they go about their vampire ways, luring innocent humans to dinner parties only to kill and feed on them, or night clubbing only in clubs they get invited inside of and trying to avoid confrontations with the neighbourhood werewolves.
This New Zealand effort is cleverly observed, ticking all the vampire mythology boxes and with a group of interesting personalities with each vampire coming from different eras in history, I found myself really getting into this. The story such as it is doesn’t really have much to it as far as an all that interesting series of situations and we’re basically just watching these creatures squabble, talk about their pasts and do vampire stuff like flying or turning into bats (in a stand out, funny fight scene). It sits on an uneasy precipice between satire and all-out comedy, and although it leans more towards comedy, its not really that funny despite fairly sharp dialogue and decent performances. However effects work including some slapstick gore and the aforementioned flying and transforming is done well, even if make-up effects are more miss than hit.
Overall this was a quirky idea that worked mainly down to it’s cast and less down to it’s structure or writing; like the maker’s had a great idea but were not entirely sure what to do with it. That being said, this is worth seeing basically because it’s an original take on a very familiar subject.
Mensen maken de samenleving en nemen daarin een positie in. Deze website geeft toegang tot een diversiteit aan artikelen die gaan over 'samenleven', belicht vanuit verschillende perspectieven. De artikelen hebben gemeen dat er gezocht wordt naar wat 'mensen bindt, in plaats van wat hen scheidt'.