Viewed – 19 September 2020 Netflix
Writer / Director Charlie Kaufman has a reputation for off-beat, unusual movies but I’ll admit I’ve only seen one of his – Eternal Sunshine of a Spotless Mind (which he wrote) that I remember liking for its surreal themes and imaginative imagery. So checking out the trailer this looked like it had a similar quirky vibe. Lucy, a young woman is on a road trip with her boyfriend Jake to visit his parents. However she’s struggling with uncertain feelings about their relationship and is considering breaking up with him. However during their jpurney and stay at the patents farm, Lucy’s neurotic uncertainties cause various strange things to occur.
This was an odd experience. It’s initially a relationship drama but quickly tumbles down the rabbit hole of surreal imagery, time-jumps that seem to only be happening in Lucy’s head and plenty of pondering on life, mortality and relationships that gets a bit ‘much’. Occasionally the movie seems to hit pause for long inner monologues from Lucy that get rather pretentious, reciting poetry and insecurities that made me rather frustrated with her character. She came across utterly self-absorbed. Also occasionally the (admittedly clever) surreal moments seems to be there just to be odd and wacky (the dog that keeps shaking, disappearing and reappearing), which would have been fine if the movie had more of a sense of humour. Instead we get an overly pessimistic tone that doesn’t shift, and ultimately goes nowhere. David Thewlis and Toni Collette turn up as the patents, playing their characters at various ages, which did prove a highlight.
I’m sure theres plenty of meaning hidden amongst the oddness, and realise it’s all about life, ageing and the passage of time. However overall this lingered too much on the mundane and shy’d away from a potential to be more fun instead of just depressing. Disappointing.