In my ongoing quest to watch and review director John Carpenter’s back-catalogue, we come to this 1987 somewhat ignored entry in his filmography. Starring genre favourite and Carpenter regular Donald Pleasence as a priest who stumbles upon a decades long secret held by a church, that has been housing a sinister, mysterious force in it’s basement. On the death of the priest last given the task of keeping the secret er…secret, Pleasence turns to a college professor (Big Trouble in Little China’s Victor Wong) who recruits a group of students to monitor and understand the strange discovery.
I’ve been a fan of this movie for a while, having caught it on TV numerous times. However on viewing it recently it dawned on me that it’s night quite the sum of it’s parts. Firstly the acting varies from passable to pretty bad, and dialogue is delivered like the cast are reading autocues, with a consistent lack of feeling. The setting is at least creepy and unnerving and acts as a character of it’s own, and the weird vat of green mist / goo is suitably is ominous. Also in the final act the movie cranks up the freakiness and proves effective especially once the evil presence starts taking affect on various characters. The idea is probably a bit too ambitious for it’s own good and doesn’t quite deliver either in scares or concept, feeling half-finished. It also takes itself way too seriously. Not one of Carpenter’s worst, but not up their with his best either.
I didn’t manage to pick up the also available deluxe edition of this Studio Canal release that comes in the same packaging treatment as the recently released Escape from New York and The Fog, but we still get some decent extras. This includes the always essential John Carpenter commentary, as well as interviews, scene analysis, trailers, behind the scenes featurette and a photo gallery. The movie itself is in decent shape, with Carpenter’s eerie score proving especially effective in DTS HD 5.1. Dialogue is also crisp and the movie looks good, if a little smudgy and overly soft in places. Overall above average treatment for a fun if ultimately unsatisfying movie.
A Spanish supernatural horror hyped as being so scary it caused heart attacks and for viewers to switch it off. I’ve had my fingers burned by similarly worded hype campaigns before, as I recall actually being cautious to see The Blair Witch Project back in the day and well, that turned out to be a pile of shite. However this also had Paco Plaza attached as director, one half of the duo that delivered the excellent [REC] and its equally impressive sequel.
Veronica, a school girl who pretty much runs the house, looking after her younger siblings whilst their single mother works all hours, holds a seance involving a Ouija board along with two friends in a bid to contact her dead father. Predictably things don’t go to plan and soon theirs some sort of demonic entity out to claim the souls of her brother and sisters. So Veronica has to find out how to banish the demon and save the day.
Paco Plaza’s direction is moody and stylish with some clever camera work and decent gradual build up of dread. Set-pieces such as hands coming out of a bed or some ravenous kids are well done but an over-familiarity with the subject matter quickly creeps in and makes this pale in comparison to similar fair like Insidious or The Conjuring. It’s just not all that scary. The principle cast do their job but are all more serviceable than particularly memorable. Not essential then, but if you’ve exhausted most mainstream horror offerings, then there’s still entertainment to be had with this.
(Updated: 18/07/2016) Possibly one of the most heavily criticised movies for a long time before anyone actually saw it. Now that it’s out however, although public opinion hasn’t completely reversed it seems the movie might actually be worth your time … and I’ll say straight away that it certainly is.
Is it OK to say I have a crush on Kristina Wiig? The Bridesmaids star heads an all new female cast who join together to rid the city of New York from a supernatural phenomenon, despite government and the media struggling to take them seriously. So far so very much the original plot, and this movie bares a very close resemblance to what came before along with many in-jokes and (a slight overkill) of cameo appearances from the original actors. That being said this also has it’s own flavour – in the form of a great cast all doing a fine job bringing their individual personalities into the action. Melissa McCarthy whose brand of often slapstick humour I feared might have been misplaced, is very good as are a somewhat unhinged Kate McKinnon and a fun Leslie Jones. The effects for the various ghosts and creatures are above average and the ghost busting action itself is often thrilling, funny and utterly entertaining.
Inevitably comparing this to the original, I’ll admit the movie doesn’t hold up as well, replacing creepy atmosphere and characterisation with at times corny humour and an overdose of CGI (and gunge). Yet taken on it’s own merits I enjoyed several fun encounters (slimer and mrs slimer?), it made me chuckle often and it was seriously feel good in places, making this more than a simple cash-in … and for a new audience it possibly works even better. So I say give this a chance. It does a lot right and everyone involved (including a dopey Chris Hemsworth) look like they are having a blast, which came across strong enough to this viewer to leave him with a big, satisfied grin.
I approached this fairly open minded despite my general dislike of remakes to classic horrors. However my memory of the original Steven Spielberg penned / Tobe Hooper directed Poltergeist is cloudy at best. A family move into a house in a nice neighbourhood and soon find themselves troubled by weird goings on. Yes, it’s nothing at all new and is pretty much following the blue-print of a wealth of other horror movies such as The Conjuring or anything with restless spirits in it.
However with a likeable cast headed by Sam Rockwell (Moon, The Green Mile) and decent production values I still found myself entertained. In an attempt to bring the idea into the modern era we get ghostly apparitions tinkering with cell phones and flat screen TVs as well as electricity and lighting to interesting effect. There’s even a sequence with a drone robot going into a portal that proves pretty creepy. Yet the movie’s key failing is not having any genuine scares (sorry, but clown dolls…again?) and apart from an alarming scene with a drill…it stays decidedly family-friendly throughout. Good use of CGI and a fun if clichéd appearance by Jared Harris (Mad Men) kept me intrigued and some fun ghost pranks like kids being dragged up a staircase or a muddy puddle with a hand coming out of it made this a fun if uninspired evening’s viewing. Characterisation was particularly lacking however (the parents are unemployed…but can still afford a swanky house!!?), the little girl as the focus of the movie just basically said her lines (with the blandest ‘they’re here’ ever delivered) and some better atmosphere wouldn’t have gone amiss instead of a reliance on effects and action.
I’m an old-school horror devotee and yes this left me wanting, but if you’re not as fussy as me or that keen on more hard-core frights … this was a competent if unimaginative remake that may still be worth your time.
(Updated 22/06/2016). The first movie in what appears to be growing into a horror franchise really impressed. I was quite late to watching it but so glad I did even though supernatural ghost-story fair usually freaks me out. But director James Wan nailed an old fashioned concept and delivered a truly unnerving and frightening experience. So sitting down to the sequel I was both excited and a bit on edge. Early word had it that this was going to be even scarier … and once again explored a based-on-fact true story this time set in Enfield, England in the late seventies. Paranormal investigators Ed & Lorrain Warren (Patrick Wilson & Vera Farmiga) are called into investigate a series of strange happenings at a family home where the youngest daughter seems to be the focus of a restless entity.
As a UK resident this was an immediately relatable and authentic setting for a horror movie. With recognisable east-end cockney accents, along with a street not unlike one I grew up on, I was transported back to my childhood, at least spiritually. However this is a James Wan movie and soon the tension builds and the scares are brought on so we get freaky things going bump in the night, eerie corridors, moving furniture and a ghostly, malevolent old man. It’s effectively creepy and unnerving but not quite as under-your-skin as Conjuring #1, relying a bit too much on jump-scares. A prologue detailing the Warren’s involvement in the infamous Amityville house sets the tone and the involvement of a ghostly, demonic nun definitely disturbs. However with a 2hr+ run time, the encounters do get a bit repetitive, and a boogie-man sequence that plays on childhood fears threatens to turn the movie into something else entirely.
Performances however are decent across the board especially the young actress playing tormented child ‘Janet’ (Madison Wolfe), as well as her struggling mother. Yet this is also Wilson & Farmiga’s movie and they again add plenty of emotional weight to proceedings. Wan cranks up the thrills especially towards the end but a bit like the last movie things wrap themselves up too easily. However throughout I was nervously gripped and with the backdrop of a true story in mind this still made for an above average experience. Recommended.
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