Spider-Man No Way Home


Viewed – 13 April 2022 online-rental

Where do I begin talking about one of the biggest movies of last year? This third entry in the rebooted franchise starring Tom Holland follows directly on from the last movie that ended with Jake Gyllenhaal’s Mysterio revealing Spider-Man’s true identity to the world. Faced with being recognised and harassed everywhere he goes, Peter Parker / Spider-Man turns to Dr Strange (Benedict Cumberbatch) to alter time and cause people to forget who Spider-Man is … however things don’t go according to plan.

This is up there with one of the boldest concepts for a superhero movie. Hyped leading up to its release due to the fact the movie brings back a number of classic villains from all the previous Spidy movies – including Alfred Molina’s Dr Octopus … I was nervous the wealth of ideas and characters wouldn’t come together in a coherent, easy to follow way. Thankfully, the writers did a commendable job here and deliver a fun, constantly surprising and highly entertaining ‘spectacle’. There’s room in its 2 and a half hour run time for action, comedy and some powerful character moments that definitely had my heart-strings tugged.

Effects wise, even for a Marvel movie this reaches new levels – a fight between Spider-Man and Dr Strange is simply jaw dropping. A special mention should also go to the de-ageing effects for certain returning characters which is probably the most convincing I’ve yet seen. At times there are some plot conveniences that stand out and a bit involving a ‘cure’ remedy feels a stretch – I’m also still pondering that gut-punch of an ending. Yet considering what’s going on and the fact it mostly all works – this was still a triumph. Not the masterpiece it’s been heralded as, but still a great time from start to finish.

Verdict: Recommended

The 2010s – a decade in movies


The 2010’s has been an interesting decade. I think the popularity of superhero movies has dominated and we also got the return of Star Wars so yes, Disney were raking it in these past ten years. The decade has also further cemented the popularity of streaming services and how Hollywood has looked to these services with a greater amount of seriousness than previously and that is why big name directors like Martin Scorsese and The Coen Brothers to name but two, have launched big budget movies on these platforms. Add to this major Hollywood talent taking TV and streaming exclusive rolls, and the future looks bright for these services. That’s not to take anything away from the big screen cinema experience which I still feels has a great deal to offer, and although gimmicks like 3D have begun to fall off, nothing can beat what is still such an immersive form of entertainment.

Looking back over the decade and the numerous top tens I’ve done at the end of each year (look out for my 2019 top ten tomorrow), it’s also clear there’s been many top quality movies released, some that have gone on to become firm all time favourites. Black Swan and The Revenant especially are two of my favourites of the decade. Alongside these movies I’d also place the much underrated Stoker, as well as Shutter Island and Nightcrawler, all movies with stand out central performances and directors with a unique vision.

When it comes to the massive onslaught of comic book adaptations I’d call the first Avengers movie as well as Avengers Infinity War, the brooding (and brutal) Logan and the first Guardians of the Galaxy movie all solid gold entertainment. Captain America: The Winter Soldier and Wonder Woman can also join that list. It’s a shame then that DC on a whole couldn’t live up to Marvel’s consistency with Batman V Superman and Justice League both disappointing.

Horror, so stuck in a rut for longer than I can remember began to finally discover a new lease of life with directors like Jordan Peele, Ari Aster and Fede Alverez delivering breath-of-fresh air experiences like Us, Hereditary and Don’t Breathe, and even remakes like Evil Dead and IT didn’t feel as stale as they could have done. Add to this Far Eastern gems like I Saw the Devil and Train to Busan delivered a high level of quality to the genre.

If I was to pick my personal favourite movies of the decade, I’d have to choose Christopher Nolan‘s mind-bending Inception, Alejandro González Iñárritu‘s utterly unique Birdman, the aforementioned Black Swan from Darren Arronofsky and Wes Anderson‘s captivating Grand Budapest Hotel, although the fan-boy in me might also place J J AbramsStar Wars: The Force Awakens on that list just because…

So yes the 2010’s has been a great decade. It further pioneered special effects, unique approaches to story telling and proved the blockbuster still could have depth beyond the avalanches of CGI. It also gave us career defining performances. We also have it better than ever for home entertainment. What the next decade has waiting for us I can only dream but know that the much delayed but highly anticipated Avatar sequels will be a good start.

Roll on 2020 and beyond…

Aquaman


Viewed – 23 June 2019. Blu-ray

When Nicole Kidman’s Atlantian queen washes up before a lighthouse, her forbidden love with land-dweller Temuera Morrison produces Arthur a half-breed who grows up to become underwater superhero Aquaman. However despite his reluctance to be the hero he’s destined to become, a war at his home world of Atlantis causes his own kind to come calling.

This colourful, energetic comic book adaption has a potentially star-making central performance from Game of Thrones’ Jason Momoa and delivers a setting that immediately intrigues. It’s a shame then, that an over-use of CGI and green screen means that almost nothing in this looks like it was shot on location, leading to a largely artificial look and feel. Add to this a cliched story I felt I’d already watched with strong resemblances to the Thor films and Black Panther, with predictable revelations and plot twists … and what’s left is a movie that feels like it arrived too late for its own party. Momoa is charismatic and well cast and handles a plethora of fight sequences with genuine skill and showmanship, and the gorgeous Amber Heard is equally enjoyable. Willem Defoe feels kind of miscast and despite often being cast as the villain – should still have been the villain (Patrick Wilson is largely forgettable) and what really, is Dolph Lundgren doing here?

With that all said it’s hard not to be entertained. The action is slick and at times jaw-dropping (a particular roof top chase is heart-in-mouth exciting) and at times it’s really feel good. It re-introduces the character (following Justice League) well and brings with it a fascinating underwater world ripe for sequels. Just a pity it’s all feels so deja-vu.

Verdict: 3 /5

Brightburn


Viewed – 19 June 2019. Cinema

I love it when I go in blind to a movie and come away surprised and impressed. This novel take on the superhero origin tale has a young couple, desperate to have a child get their wish granted when one night something falls from the sky. Soon they discover a baby boy and decide to bring it up as their own. However as he grows older ‘Brandon’ begins to develop violent tendencies and before long it becomes clear this little fella ain’t going to become superman.

A cast of familiar faces headed by Elizabeth Banks and a strong central performance from Jackson A Dunn as Brandon, makes this sci-fi horror immediately intriguing and under the watchful eye of producer James Gunn (Guardians of the Galaxy) this is smart, refreshing and rather freaky. Atmosphere is piled on in a Twilight Zone meets Friday the 13th kind of way and liberal doses of effective gore (glass splinter to the eye?) and a great build up to some pretty messed up moments … I was quite taken back by this out of nowhere gem.

it plays loosely with some horror movie cliches (investigate the weird noise) and the ending left me contemplating sequels – asking where can they take such a concept? Yet that’s a good thing regardless whether we get any of that. If you’ve grown tired of all those comic book adaptions and fancy something a little different, check this out.

Verdict: 4 /5

Batman v Superman: Dawn of Justice


Viewed – 29 March 2016  Cinema, 19 August 2016  Blu-ray

Theatrical & Ultimate Edition

(Updated: 20/08/2016) Not for a long time has a concept made me so nervous.  Two of my favourite comic book heroes of all time, pitted against each other?  Why?  I couldn’t understand the need for it other than an excuse to bring Batman back after the Christopher Nolan trilogy wrapped.  I was a big fan of the last Superman movie, Man of Steel and I felt it was exactly the movie we deserved in the modern era, with the shuddering memory of Brian Singer’s Superman Returns pushed from my mind.  The casting of Superman with Henry Cavill was also a work of genius.  Where did they find this guy?

Batman v superman

So we come to the expected sequel and this time the stakes are increased after the fall out from the devastation and destruction at the end of the last movie.  Unbeknown to us at the time a certain playboy millionaire was in town by the name of Bruce Wayne (Ben Affleck) who witnesses the destruction.  Unaware who this new hero is and witnessing what he is capable of, he vows to step in when a media and government backlash sets out  to discredit the man of steel’s name.  On hand to further blacken Superman’s image and raise awareness of ‘what if this man was to turn against us?’ is local tycoon Lex Luthor (Jesse Eisenberg) who gradually manipulates everyone including Wayne / Batman until both caped heroes are forced into a confrontation.

WonderWomanSitting down to the extended ‘ultimate edition’ a few of my issues with this movie got fixed, with more light shed on how Superman becomes so disliked and how Luthor manipulates public opinion against him.  However not much has changed as far as the script is concerned and on a second viewing some of those pivotal lines are even more cringe-worthy (‘do you bleed?’ for example…).  Also despite more evidence to support Batman wanting to actually kill Superman, it still doesn’t ring true for the character as we have come to know him.   However in the hands of director Zack Snyder the whole deal looks incredible and the action throughout is superbly executed with stand outs being a great Batmobile chase and of course the eventual smack down does not disappoint and plays out well … until that is they find a reason to stop.  Yeah once you see it it’s pretty corny (even more so on a second viewing ‘why did you say that name?’).  Also casting throughout is decent with Holly Hunter on hand as a conflicted Senator, yummy Amy Adams again perfect as Lois Lane and newcomer Gal Gadot damn sexy and bad-ass as Wonder Woman.  Jesse Eisenberg is also having a ball as Luthor … but proves rather annoying and overly pantomime.

batman-v-superman-ben-affleck

But the movie still has problems.  It’s jam-packed with characters which causes it to feel bloated.  A wealth of flashbacks and dream sequences throw in some confusion and just feel lazy.  Also the writing stumbles in key areas such as the main narrative and how Luthor seems to know everything (including certain people’s alter-egos), which is not explained (even in the longer cut).  There’s also a bit too much setting up for Justice League.  With that said … production, style, action, encounters, performances (with a surprisingly spot-on Affleck) and a few bold plot developments still impressed.

The original theatrical cut battled against plot issues for everything it did right.  The ultimate edition only slightly improves things with some welcome details helping it all work better – but that doesn’t make for a great movie … just an entertainingly flawed one instead.

Verdict:  3.5 /5