This came as a surprise. An interesting sounding thriller that has a married couple getting mugged in the wrong neighbourhood that leaves central protagonist ‘Gray’ paralysed and his wife dead. However a billionaire inventor later approaches Gray to offer him a breakthrough microchip that will not only cure him – but also upgrade him.
Set in a not-so-distant future with self driving cars, a.i assistants and drone robots, this tight and energetic movie was like a cross between Ghost in the Shell, RoboCop and Videodrome with heavy influence of body-horror auteur David Cronenberg. Director Leigh Whannell has put together a well narratively-clever genre flick that’s at times very violent and full of action. The relationship between Gray and a disembodied voice named ‘Stem’ coming from his microchip proves the most entertaining aspect and how this new power is used to aid him in an investigation into his wife’s killers is particularly compelling. Add to this some great fight scenes and even if at times the ‘walking like a robot’ aspect looks rather silly, I still found myself invested.
It may lack any recognisable names and it’s all done it seems on a tight budget … but Whannell achieves a lot with very little and that always goes down well with me. Recommended.
Science-fiction has become one of my favourite genres, with such gems as The Martian and Interstellar impressing me. There seems to have been a bit of a resurgence in such movies, albeit stepping away from the flights of fantasy we’ve seen and instead focusing on a more semi-realistic tone. The same can be said for this latest space-set thriller starring amongst others, Jake Gyllenhaal and Ryan Reynolds.
A team of astronauts orbiting the earth reprieve a probe that has been on it’s way back from Mars, and discover a life form within it’s gathered soil samples. Nurturing said life form in an incubator, the astronauts try to figure out how it responds and whether it’s harmless or deadly. I’m guessing you probably know the answer to that one, huh?
I got a serious Alien vibe from this but stripped down to actual realistic space travel and science rather than H R Giger inspired horror aesthetics. The creature, nicknamed Calvin is initially cute but eventually shudder creepy-crawly, and as the scientists attempt to contain it, this set into action some seriously well done thrills. It’s not a subject that breathes new life into a tired genre but it’s done well, has some genuinely heart-in-mouth moments and is topped off by decent effects work (but for the occasional obvious CGI monster) and great set design that transported me right there … and I didn’t want to be there. Gyllenhaal, considering his usual brilliance is a little side-lined and the star of this turns out to be Rebecca Ferguson who is very good. Ryan Reynolds seems like he’s just playing Ryan Reynolds, but the rest of the cast do a decent job. It’s also a movie, despite it’s familiarity that still managed to keep me gripped and wondering how it might end, and in this day and age that has to be commended.
I don’t think it can be argued that Chris Pratt is currently on a role. He’s pretty much the darling of Hollywood right now and has delivered enjoyable performance after enjoyable performance, most notably in his two Guardians of the Galaxy outings. The same can probably also be said of Jennifer Lawrence who also seems to do no wrong. Both are charming, good looking stars so sitting down to this space-set adventure was an easy prospect, helped I must add by my love of all things sci-fi.
A space station on a 90 year journey to reach an earth-like planet suddenly starts to malfunction, and one ‘passenger’ on board (Pratt) wakes up decades too soon, and quickly realises he might be doomed to a life of solitude and possible madness. However as time progresses, he’s joined by fellow passenger Aurora (Lawrence) and together they try to exist and adjust to their potentially grim fate.
This is a great premise and I was easily absorbed into both character’s plight. Think Robinson Crusoe in space and you get what this one’s going for, whilst also throwing in some heart-breaking dilemmas and powerful emotional drama that really surprised and pulled me in. Pratt is excellent as is Lawrence who are supported well by an android Michael Sheen who brings his inimitable style and class to proceedings. Helps also that Pratt & Lawrence have convincing chemistry, which made later scenes even more effective. However amongst the drama there is also a lot of fun to be had, especially with the amusing ways Pratt initially tries to cope (although thankfully Pratt’s gratuitous butt shots are counter-balanced by a couple of lingering Lawrence swimsuit moments) … and with some superb CGI and an epic, at times ominous setting I really got a lot out of this.
The only real issue is pacing, as the story tends to drag its heels a little here and there. For such a large space station too, it failed to really develop as a setting you haven’t seen a dozen times before, perhaps in need of a bit more eeriness. However, with solid performances and a thrilling final act … I just have to recommend this one.
Simply, a single image made me want to see this. A girl’s pretty face but with a transparent neck where a mechanical bone structure and wires were visible within. I love science fiction, but there’s been too many movies that have just been throwaway pop corn fluff with sci-fi wrapping that haven’t really got me thinking about the possibilities of technology and what it could mean for our future. Thankfully this is one such film that really massaged my imagination.
Caleb (Domnhall Gleeson) is a coder at a renowned internet company (think: Google) who wins the chance to spend a week at the home of the company’s reclusive CEO and discover just what he’s been working on behind closed doors. Once there he meets Nathan (Oscar Isaac), who soon tells him he will be involved in a series of tests with an artificial intelligence called ‘Ava’.
I loved this premise, a single albeit beautifully high-tech (homes of the future) setting and three characters all very different and complex. Ava, played by the exquisite Alicia Vikander is a revelation – human but subtly artificial, brought to life by not only Alicia’s vulnerably sexy and nuanced performance but also a ground-breaking special effect – she really does look like half girl / half machine with a stunning design with transparent arms, legs and stomach etc. It harks back to I-Robot with a hint of ‘Hal’ out of 2001 A Space Odyssey and even Hayley Joel Osmet’s performance in A.I. I loved every moment she was on screen. Domnhall’s Caleb is equally complex and fascinating, the kid in the candy store but unaware of just what he’s getting himself into … should he find Ava attractive? Should he really befriend her? What will the tests all mean for her eventually? Isaac’s Nathan is less appealing however – a drunken, somewhat clichéd ‘damaged’ genius who clearly is a bit of a bastard, but his presence still fills the movie with an uncertainty, beings as he’s the only one who really knows what’s going on.
I was puzzled by Caleb’s lack of amazement on first seeing Ava … his reaction to such a technological achievement more ‘ok, that’s cool’ – like he sees such like every day. I’d have also liked to learn more about him too, apart from his parents being in a car crash – what made him really tick? Nathan is also a pretty blank canvas. So that leaves Ava, who thankfully doesn’t need a back story – she’s a robot after all, but probably the strongest light in this very different and at time freaky movie. As a directing debut this is a bold and gripping story from Alex Garland (28 Days Later, Dredd) and shows he’s a voice (and visionary) to really take note of … who has probably delivered one of the best true science fiction tales we’ve seen in a long time.
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