Although I enjoyed the original 1991 anime of the same name by Mamoru Oshii, I always felt like something was missing from it, that it wasn’t the complete package. So the prospect of a live action remake was for once, intriguing. Scarlett Johansson plays a cybernetic agent who’s only human part is her brain and fragmented memories of who she used to be. Other than that she’s a highly skilled killing machine, who’s agency ‘Section 9’ is killed in when a cyber terrorist begins killing various members of a robotics organization by using innocent people and hacking into their minds.
This took a little getting into. Translating a cyber-punk future Tokyo-like aesthetic to live action takes no end of CGI and visual flair, and initially it’s overwhelming, all weird holograms in the streets and bizarre costumes and gadgets. Yet once the story kicks in I really began to get absorbed in this world. Johansson is aided well by several recognisable faces, especially Juliette Binoche (The English Patient) as a scientist and veteran Japanese actor ‘Beat’ Takeshi Kitano (Battle Royal). Johansson herself is decent as a character trying to figure out what it’s like to be human and adjust to her robotic body, and she conveys the not-quite-human personality eerily well. The movie is also filled with several action sequences, although these are a little hit and miss – full of cool looking imagery for the trailer or poster, but fail to flow as well as say, The Matrix – there’s a little too much style and choppy editing to fully make them ‘zing’. Also the suit that Johansson’s character wears to go invisible … I’m still undecided if it looked sexy or silly (the original movie’s was much more skin-like and could easily be seen as naked). Such a look was probably avoided however to maintain that 12A/PG-13 rating (another issue that impacts the action).
Thankfully where it all leads is much more fleshed out and satisfying than the original movie and has more closure for the lead character. So for the always difficult task of translating anime to a mainstream audience, director Rupert Sanders has done a commendable if somewhat rough around the edges job, that’s still worth your time if you like your sci-fi with style cranked up to 11.
I must admit I was sceptical going into this. The much loved Disney classic from 1967 was prominently known for it’s sing-a-long musical numbers and largely animal cast of characters, with the only human being a child. In this day and age of state-of-the art CGI I wasn’t too worried about them pulling off convincing animal performances. Yet that child casting and subsequent acting had to be spot on. Luckily it is.
But I digress. This classic tale follows the story of young ‘man-cub’ Mowgli, a child abandoned as a baby and brought up by a pack of wolves, along with the watchful eye of a black panther by the name of Bagheera. Yet when bitter and ferocious tiger, Sheer-khan finds out about Mowgli, he vows to kill him as revenge for being burnt by ‘man’ some years previous. So Mowgli, in order to keep him safe is sent away to find the man-village and be with his own kind, if that is he can escape the clutches of Shere Khan first.
This is very well done. The child actor playing Mowgli (Neel Sethi) is a revelation; just as likeable and fun as the original character, and aiding him on his journey is lovable Bear ‘Baloo’ perfectly voiced by Bill Murray. Voice-acting on a whole is very good throughout with only a couple of questionable choices. Scarlett Johansson as a manipulative snake seems out of place and Idris Elba’s Shere Khan whilst good, is way too familiar to me (I’ve just come away from a run of Luthor episodes after all). However Ben Kingsley as Bagheera is perfect, and I got a kick out of Christopher Walken’s mobster-like King Louie. Yet the somewhat awkward implementation of the most famous songs, like ‘bare necessities’ and ‘I want t be like you (ooh ooh)’ considering the different tone, felt like unnecessary nods to the past rather than adding anything to the experience.
But for a remake that really shouldn’t have worked, this delivers on (almost) all counts with several stand out sequences and plenty of heart. Well worth your time.
There seems to be a theme of late in these continuing comic book franchises, that of repercussions and casualties of otherwise heroic endeavours. First we had Batman facing off against Superman after the fall out from Superman saving the world from the threat of General Zod, and now we have the Avengers turning against each other when a government initiative tries to Police them. Tony Stark / Iron-Man (Robert Downey Jnr) feels his band of heroes, that he helped put together has caused too any deaths in their bid to save the greater population, but Steve Rogers / Captain America (Chris Evans) doesn’t feel having to await orders from a higher power is the way to go if or when a new threat appears. Then in the midst of their conflicted beliefs, Steve’s old friend, elite brain-washed super assassin The Winter Soldier is supposedly linked to a terrorist bombing.
This complex plot at least on paper is aided immeasurably by a wealth of solid, at times stellar performances and it’s ensemble cast, that also includes Scarlett Johansson’s Black Widow and even Spider-Man to name but two, never feels bloated or confused. The writing is key here and everyone’s agenda and personality gets time to shine and despite a ton of superbly executed fights, chases and battles the focus on character and agendas is brilliantly done.
However once again rather vague references to the other movies in the series gets a bit mind-blowing at times unless you’ve you have a cast-iron memory for the Marvel movie cannon (including Iron-Man 3 and Avengers 1 & 2). Also, I thought how the villain’s master plan seemed to rely on a rather convenient plot development was a little cheap … but this isn’t a movie that follows a tried and tested route and how things eventually turned out surprised and shocked in equal measure … not something we normally get in these kinds of movies.
I had a great time with this as you’ll probably have figured out and along with the last two movies in the Captain America franchise, you can consider this a hat-trick of quality entertainment. And it delivers the ‘heroes turning against each other’ better than Batman V Superman.
I have been an admirer of the work of sibling directors Joel & Ethan Coen for many years now and count movies like The Big Lebowski and Fargo amongst some of the best movies I’ve seen. However sometimes these talented guys seem to stumble upon an idea that for one reason or another just doesn’t work – and I’m surprised to say, this is one such movie.
The plot follows a day in the life of a movie studio exec (Josh Brolin), sometime in the early 1950s, where musicals and swords & sandals epics were all the rage. It’s certainly a fascinating setting and one I was hoping would be a great backdrop to an intriguing kidnap storyline, at least that’s the idea the trailer gave me. However following the mysterious abduction of their biggest star, Baird Whitlock (George Clooney), Brolin finds himself being forced to come up with a ransom whilst at the same time juggling a myriad of other issues at the studio.
Now you see here lies the problem … there’s a lot of things going on here; Scarlett Johansson appears as a tough-talking pregnant starlet whose lack of a husband puts her image (and that of the studio) in question. Also twin reporters turn up trying to dish the dirt on Baird Whitlock’s past and a dim-witted western star get’s the opportunity to do his first speaking part in a new movie. Oh and there’s some dancing sailors too, headed by Channing Tatum. Yet despite these admittedly colourful characters, along with Clooney they’re written so one dimensional that it was really hard to care about any them. Johansson, considering she’s one of the most bankable actresses around at the moment gets two redundant scenes, and Clooney’s plot is more perplexing and confusing than gripping.
The movie isn’t without it’s moments though. It looks fantastic (thanks to regular collaborator Roger Deakins) and behind the scenes segments of movies being made will always pull me in. The dialogue at times is also pretty comical (a meeting with various representatives of different religious faiths to discuss a biblical epic is a stand out). Yet the comedy isn’t strong enough to hide the fact the movie fails to go anywhere even remotely interesting and no attention to set design, costumes or musical numbers can make up for such a glaring flaw.
With the never ending juggernaut that is Marvel Studios, it would be easy to say this cash-cow is getting milked dry. However with a plethora of comic book stories to mine from, those udders aren’t drying up any time soon. So we come to this sequel to the highly entertaining Marvel Avengers Assemble.
We are thrown straight into the action as our heroes attack a Russian Hydra base to steal back Loki’s sceptre (which you’ll recall him wielding during the last movie). However little is explained as to what is going on or why, and so despite having seen all the other Marvel movies up to this, I still felt a bit in the dark. Now here’s the first issue – this is again a sequel that relies on you having a very good recollection of not just the last Avengers movie but also Thor: The Dark World and especially Captain America: The Winter Soldier. So Samuel L. Jackson’s Nick Fury is missing from the line up, the Avengers are holed up in Stark Tower with seemingly Robert Downey Jnr as their boss (?), and there’s two rogue super-powered teens wanting revenge for something Tony Stark did with a bomb. Then Downey’s Stark goes and complicates it even more by creating an artificial intelligence (Ultron) that turns evil and goes all megalomaniac.
So we come to this globe-trotting and overly complicated sequel’s saving grace … James Spader’s Ultron; a charismatic, darkly humorous villain, with seemingly unstoppable power and a somewhat clichéd kill the entire human race and start again evil plan. Yet Spader livens up what would otherwise be just another, albeit action-packed super hero movie. Director Josh Wedon’s skill at snappy dialogue seemed watered down in place of more realism, with downbeat and heartfelt exchanges instead of the humour I’d expected (although there are still some great gags). The first half an hour or so also drags with a couple of redundant scenes (the tiresome lifting Thor’s hammer bit). Yet a romance sub-plot between Scarlett Johansson’s Black Widow and Mark Ruffalo’s Bruce Banner / Hulk is handled well, and each character again gets their moment in the spotlight, most welcomely Jeremy Renner’s Hawkeye.
Overall a solid sequel slightly let down by the usual sequel trappings such as too many characters and storylines going on at once. Yet with slickly directed action, several stunning sequences (especially the Iron-Man vs Hulk fight…) I still have to recommend this one.