The Shape of Water


Viewed – 07 July 2018  Online rental

I’ve been really looking forward to this.  Having been a long time admirer of visionary director Guillermo Del Toro since his fantastically ingenious debut ‘Cronos‘, we come to this, the Oscar winning movie that finally after so many years, recognised Del Toro for the master that he is. Telling the story of Elise, a young mute woman working as a cleaner at a military base during Cold War era 60’s America … we discover that a new ‘asset’ has come to the base for further experimentation and investigation by a team of scientists headed by Michael Shannon’s unhinged Government Agent.  Said asset is a amphibious humanoid creature who Elise forms a unique bond with that gradually turns into love.

The Shape of Water

A gothic romance, a dark fantasy … hallmarks of what Del Toro does best and this takes some of the most interesting aspects of his earlier work and weaves them together into probably the best thing he’s done since Hellboy 2.  The performances are first rate, with a scenery chewing Michael Shannon, although no stretch for an actor used to playing intense characters, on brilliant form.  Also the often underrated Doug Jones who has appeared in several of the director’s works always underneath a wealth of prosthetics is mesmerising as the creature.  Yet it’s the breakout turn from relative unknown stage actress Sally Hawkins that impresses most, bringing incredible depth and emotion to a character who can not speak.

The romance at the centre of the story did feel a little rushed however, with Elise too easily attracted to a creature-from-the-black-lagoon looking monster, although her urge to help it was more understandable.  Also how the movie doesn’t exactly treat the creature as anything all that unusual considering it’s like nothing anyone had ever seen up until that point, is puzzling.  Of course it would be remiss of me not to mention Del Toro’s direction and eye for darkly beautiful imagery; macabre and at times weirdly erotic.  A true master of his art whose movies always look stunning – this is no exception as the set design, the slightly exaggerated 60’s Americana and the often cartoonish characters all create a tone and atmosphere uniquely his own and it’s a real joy.  Del Toro has put together a movie that is both heart-breaking and touching yet thrilling, funny and magical.  Although not quite up to the standard of Pan’s Labyrinth for me due to an undeveloped villain who’s motives are unclear and a little too much mystery to the creature … this was still a captivating watch from beginning to end.

Verdict:  4 /5

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Blue Jasmine


Viewed – 01 March 2014  online rental

There is something immediately comforting about siting down to a Woody Allen movie.  As a long time fan of this celebrated, iconic director what was presented to me was very familiar … minimalist opening credits, a collection of characters discussing relationships, art, interior design with enthusiasm and intelligence … that gentle jazz background music.  Classic Allen harking back to Manhattan.  Then of course we get Cate Blanchet as a stuck up New York socialite brought crashing down to earth after her wealthy husband (Alec Baldwin) is found out to be a crook, and she has to slum it with her ghetto sister Ginger and Ginger’s Italian boyfriends…

blue_jasmine

Blanchet, one of the finest actors of her generation shines as the neurotic, troubled, egocentric forced to start again, but seemingly unable to accept that her life is very different now.  A character study of a woman with seemingly everything handed to her on a plate, who reluctantly has to actually work to make something of herself.  Good support comes from Boardwalk Empire’s Bobby Cannavale as one of Ginger’s boyfriends, and Sally Hawkins as Ginger is suitably likable and the polar opposite to Blanchet.  Allen’s direction can not be sniffed at either, with his camera work really casting a beautiful glow on Blanchet, arguably one of the most uniquely attractive actresses around.  Swapping his usual New York setting for San Francisco gives the movie plenty of character, even if this isn’t as with other movie’s in the director’s back catalogue … a love letter to the city.

Perhaps Allen at his lightest, it lacks the genuine wit and charm of something like Annie Hall or even the more recent Midnight In Paris, but with a strong, complex central performance I still came away with a smile.

Verdict:  3 /5