Unhinged


Viewed – 13 April 2021 online rental

I’ve always liked Russell Crowe, and who can argue he was amazing in Gladiator. However I’ve always appreciated his more edgy characters like in L A Confidential or his earlier role in the controversial Romper Stomper. So it was interesting to see him return to such a role where he’s not exactly the good guy. This has him as a man who begins a brutal vendetta against a woman who honks her horn at him at a set of traffic lights.

Yes this is a movie about road rage taken to the absolute extreme. For about 90 minutes this intense thriller sent me on a wild ride of ever increasing intensity and brutality. Really, this just doesn’t hold back as we watch Crowe’s rampage consume the screen. Think Falling Down meets The Terminator and you’ll get what this one’s going for. There were times I was basically shouting at the screen.

Caren Pistorius as the woman who is the object of Crowes vendetta is excellent, coming across convincingly as a woman in a terrible situation. I’d have liked a bit more back story on Crowe’s character … but overall I really got a kick out of this. Check it out.

Verdict: Recommended

Top Ten Movies 2016


I watched a lot of movies this year.  I watched a lot of very good movies.  I also watched a few bad ones and several disappointing ones.  But the list below, in descending order compiles the movies that had the greatest impact on me during 2016.  A few may have actually been theatrically released prior to 2016 but I didn’t get to see them until this year.

10.

Zootropolis

Zootropolis

‘Disney does it again with very likeable characters, gorgeous animation and a fun, exciting story with plenty of great moments’

9.

The Nice Guys

The Nice Guys

Shane Black writes and directs the spiritual sequel to Kiss Kiss, Bang Bang and the result is every bit as good as that sounds’

8.

The Witch

The Witch

‘One of the more original and genuinely disturbing horror movies of the year’

7.

The Jungle Book

The Jungle Book

‘It shouldn’t work but oh boy … does it.  Disney deliver a remake that really impresses’

6.

X-Men Apocalypse

X-Men Apocalypse

‘Underrated comic book entertainment and for me, the best X-Men movie since X2’

5.

Straight Outta Compton

Straight Outta Compton

‘The biopic of the controversial rap pioneers proves more emotional than I expected’

4.

Rogue One: A Star Wars Story

Rogue One

‘A spin off movie every bit as good as the famed saga?  Oh yes and then some!’

3.

The Revenant

The Revenant

Alejandro G. Iñárritu delivers a powerhouse man vs nature survival epic that breaks as many hearts as it does DiCaprio’s bones’

2.

Sing Street

Sing Street

‘Feel good coming-of-age drama with great music, great characters and great performances’

1.

The Martian

The Martian

‘Ridley Scott proves without a doubt that he’s still got it and delivers a powerful, funny, breath-taking sci-fi drama with genuine heart’

A few almost as deserving ‘honourable mentions’ include:

When Marnie Was There

Arrival

Captain America: Civil War

It’s been another great year for movies and I am already looking forward to what 2017 has in store.  Happy New Year everyone and hoping next year is good to you all.

Craig.

The Nice Guys


Viewed – 09 October 2016  Online-rental

I am a big fan of the movie Kiss Kiss, Bang Bang and consider it one of the career highlights of Robert Downey Jr.  The same could also be said for Shane Black, who penned the script to Lethal Weapon amongst other accolades and also directed said Downey Jr vehicle.  So coming to this latest written and directed effort from Black, you could say my expectations were dialled on the high side.  We won’t mention Iron Man 3 (oops).

The Nice Guys

With a very similar vibe to Bang Bang, this sort-of homage to 70’s detective shows has somewhat amateur detectives Russell Crowe and Ryan Gosling on the trail of a missing girl who is somehow mixed up in the shady world of the porn industry and the death of a famous starlet.  Immediately this is Shane Black on blistering form; at least dialogue-wise, which leaps off the screen and is delivered with no end of personality and charm by the principle leads.  This has many very funny lines and even funnier situations (that rotating car display) as our bumbling duo go from one crazy encounter to the next, topped off with some surprisingly thrilling moments.  Along for the ride is Gosling’s character’s daughter who it seems understands how to be a detective ten times better than her adult counterparts do and you could call her the Inspector Gadget’s niece of the trio.  Also we have a not-ageing-gracefully Kim Basinger as some department of justice bigwig sporting Botox or plastic surgery, but fails to really bring anything but familiarity to the party.

The plot takes a step back to Black’s flair for dialogue and moments and it shows, as what it all ends up being about is rather ‘meh’ and well, just what was all that with Misty Mountains?  The movie also threatens to spiral out of control with a bit too much  slapstick and occasionally really stupid humour … but is held together by a likeable trio of performances and a great sense of time and place.  Kiss Kiss, Bang Bang suffered similarly but again that didn’t detract from what was otherwise solid entertainment – and the same can be said here.  Recommended.

Verdict:  4 /5

Man of Steel


Viewed – 18 June 2013  Cinema

Following the huge disappointment of Brian Singer’s Superman Returns, fans and critics alike have been right to think the series was dead in the water, again.  Thankfully, I have been quite optimistic on just how this latest interpretation of one of the most famed superhero characters ever might turn out – mainly because Zack Snyder was directing.  Overseen by producer Christopher Nolan and writer David S Goyer (the team behind the Dark Knight movies) – and with the man who brought Watchmen to the big screen – really, could this fail?

Man-of-Steel

Inspired by the story of Superman: The Movie (1979) and the comics before it we start on the gradually dying planet of Krypton where Jor-El (Russell Crowe) launches his only child into space after General Zod (Michael Shannon) attempts to rage war.  Yet once baby boy Kal-El (superman) is gone, Zod is trialed for treason and sentenced to the phantom zone along with his cronies.  Cut to about 30 years later on earth, and Kal-El is now Clark Kent, raised by Diane Lane and Kevin Costner, but yearns to find out his true origins whilst struggling to hide from the world who he really is.

From the off this is an energetic and confident movie full of spectacle and solid performances, especially from scene-stealing Michael Shannon (Boardwalk Empire).  Casting here is what impresses most with a surprising but perfect Crowe nailing the part of Jor-El and also an enjoyably feisty (and gorgeous) Amy Adams as Superman’s love-interest Lois Lane.  Snyder’s direction whilst at times lacking in subtlety like a mad professor drunk on his own power (or wealth of effects tools) still delivers probably the best Superman movie we could hope for in this age of anything-is-possible CGI.  The action is loud, brash, mad-as-hell but most importantly FUN, and with an interesting structure (Clark’s childhood / teenage years is shown only in brief flashbacks) and lots of welcome ideas (Clark overwhelmed by his powers, more back story of Krypton) … this fan-boy couldn’t have had a bigger grin on his face.  Of course the big question remains just how good was Henry Cavill as Kal-El / Clark Kent?  Well, if memories of the late (great) Christopher Reeve didn’t even come to mind, then instantly he’s doing something right – he had the charisma, the vulnerability and the looks, so yeah job done – and ladies, prepare to swoon big time!

There you have it … Superman returns – for real this time!

Verdict:  5 /5

American Gangster revisited


I not long ago finished watching the extended cut of Ridley Scott’s rightly-acclaimed American Gangster, and although I see no point in calling this a review after already giving my opinion on the Theatrical version…I would like to add that I think this version, although long (I watched it in two sittings, one laaaate last night, the other this afternoon) is my preferred version, as it adds more flashbacks to Frank Lucas’ mentoring with his boss Bumpy Johnson, which I think add a whole lot to the movie – and overall I think I enjoyed the film more this time around. 

 

Both cuts don’t differ that much, so if all you have seen is the theatrical version, then thats all well and good and you’re not missing a great deal – but if you are approaching American Gangster for the first time, seek out the 2 disk special edition which has both cuts of the film…and make your own mind up.

My review of the Theatrical version.