Garbage bring it again…


Well, three singles have been released in the lead up to my favourite band Garbage’s seventh album. Wow, I’m feeling spoilt as all three have been bangers, and their latest, ‘Wolves’ is a rocking, creatively produced, catchy tune that has become my personal jam of the songs released thus far. The animated video is stylistically similar to ‘The Men Who Rule The World’ and equally as provocative. Check it out below….

No Gods No Masters is out June 11. You can expect a review of the complete album once it’s released.

Even newer Garbage


Last night during a live YouTube chat with the band and viewers, Garbage’s title track from forthcoming album No Gods No Masters was revealed, in a cool, neon-fused promo video. This electro-pop, kind-of eighties sounding jam was much more my taste than the previous, highly political ‘The Men Who Rule The World’ and I can see it becoming a favourite amongst the many other stellar songs the band have produced over the years. Anyone unfamiliar with Garbage, I highly recommend checking them out, especially if you enjoy alternative pop/rock with strong vibes of Blondie, No Doubt etc. Watch the video below…

Garbage’s 7th studio album is released on June 11. They have plans to tour with Alanis Morissette in America later this year, followed by a tour in the U.K. with Blondie.

2018 music highlights


Apple Music

KT TunstallAs someone who pretty much shuns the mainstream for the corporate beast it has always been in favour of the less celebrated or lesser known artists, this year a few albums have been in heavy rotation on my iPhone.  Firstly the return of KT Tunstall with her surprisingly enjoyable and polished album ‘Wax’ which harked back to that skillfull song writing that made her name in Eye To The Telescope, and well just has some really good pop-rock songs on it.

PearlHartsThen we come to the stripped back, moody guitar simplicity of ‘Glitter and Spit’ the brilliant debut from female duo The Pearl Harts, who initially grabbed my attention when they supported Garbage during part of their UK tour in 2016.  This album has a resemblance to The White Stripes but also adds gritty punk rock to it that made me think of Suzy Quatro.  The guitaring and the attitude driven vocals make for a very promising start to a career in my book.

ChvrchesChvrches impressed me previously with their excellent second album Every Open Eye, and even if their latest ‘Love Is Dead’ seems overly mainstream and a little bit lazy in places, it still has a sheen of slick production and Lauren Mayberry’s angelic vocals to carry it through.  Not a massive highlight but an album I’ve enjoyed none the less.

Against The CurrentAgain favouring a more mainstream sound than their last records, Against The Current still delivered a polished and entertaining second album in the shape of ‘Past Lives’ which features several decent songs even if some of their punk-pop sensibilities are mostly absent.

For a re-issue Garbage’s 20th anniversary of ‘Version 2.0’ not only brought with it a stellar remastering that made the album sound amazing, but a wealth of quality b-sides that made for a hell of a package.  Version 2.0 is not only my favourite Garbage album, it’s my favourite album … period.  So this version, despite some odd tinkering on certain tracks was a genuine highlight of 2018 for me.  Add to this the fact I got to experience it’s entirety live in concert at Brixton Academy, and well I think you can guess how happy that made me.

Garbage

Music for me is certainly still a difficult hobby to truly embrace.  I find myself trapped in the 90s or only listening to the same handful of artists.  We live in a culture that favours repetition and mediocrity and worships heavily promoted familiar names rather than promoting the freedom to go and seek out something ‘different’.  I feel it’s the only entertainment industry that really shuns creativity in favour of whatever music execs and narrow-minded radio stations consider the current cool trend, and so finding music that I can identify with and appreciate gets harder and harder every year.  The above named albums seemed to stick with me this year and stood out when so much else just felt boring.

Craig.

Garbage autobiography


For an avid fan of alt-rock veterans ‘Garbage’ the long-awaited announcement of a book being released that covers their 20+ year career was huge news.  It’s been often rumoured and never really dismissed, but nothing had been heard of the book in well over a year. 

Garbage autobiography

So the news today that the book had not only an official name ’This Is The Noise That Keeps Me Awake’ (a lyric taken from their hit song Push It); but that it’s also been put up for pre-order at all good book retailers like Amazon was a big surprise.  The book promises to be a thorough exploration of the band’s career, from their humble beginnings at the legendary Smart Studios in Wisconsin through their rise to Grammy nominated multi-million selling rock stars right up to now, independent darlings of the live arena doing things on their own terms.  With full colour pictures and written by the band members themselves, this will surely be a cherished possession of any genuine Garbage fan – such as me!

The book which will be released in hardback is currently pencilled for a July 11 2017 release, and that date can’t come quick enough.

Garbage – Strange Little Birds


(updated 24/06/2016)  After a long wait the one album I have been looking forward to for the last few years has finally landed.  Yes ladies and gentlemen my favourite band Garbage are back … and could this be one of the best things they have ever created?  Let’s see…

Garbage logoAfter extensive play over the last two weeks I can confidently say this is a particularly polished, quality album from the alt-rock pioneers who first made waves back in 1995.  21 years later and Garbage have still got it, even to the point of further developing their sound to create something with a well defined mood through the whole album, which I feel the band hasn’t totally nailed in years.  Strange Little Birds tells a story of obsession, jealousy, regret and eventually hope.  It’s really quite powerful.  Personal highlights include the sublime rock-ballad ‘Night Drive Loneliness’, the powerhouse anthem ‘So We Can Stay Alive’, moody stadium rocker ‘Blackout’, and the heart-breaking ‘Even Though Our Love Is Doomed’ – but really I like every track and I haven’t felt that way since Version 2.0.  ‘Sometimes’ whilst possibly my least go-to track, is still a perfectly ominous opening and powerfully introduces ‘Empty’, which is the most radio-friendly track at least as far as today’s radio songs go.  Yet there’s a lot of potential here for singles; Night Drive being an obvious one as well as ‘If I lost You’ with it’s decidedly Madonna-like chorus.  I also really enjoy the slightly trippy vibe to ‘Teaching Little Fingers To Play’.  I should also add the closing, suitably epic ‘Amends’ makes me think of a moody western about a woman seeking redemption.

25.-Garbage

‘Magnetized’ is possibly the only track on the album I don’t totally enjoy … but I still like aspects of it.  Also the subjects explored, despite best intentions are not exactly new ground for this band.  However it’s the delivery and the craft that impresses most.  It’s also an album that left me wanting more … no bad thing, but I’d have loved a couple more tracks than the 11 we get here.  So overall, stellar work from Shirley Manson and her band mates; musicians & producers Butch Vig, Steve Marker and Duke Erikson.  You’ve proved the nay-sayers rather foolish indeed and have delivered some of the best work of your career.  I’d say Strange Little Birds will surprise a lot of people, critics especially, and in this homogenized, cookie-cutter musical landscape we find ourselves in – that’s a very good thing indeed.

Verdict:  4 /5