When a plane disaster kills Stephanie’s (Blake Lively) family, the government make out it was an accident. However when an ex-MI6 agent appears with information that suggests it was terrorism instead, Stephanie vows revenge. A quick glance online, this hasn’t had the most positive buzz, which is curious as overall I found it an enjoyably gritty thriller with a strong lead performance. Yes it’s a tad derivative of similar movies like French classic La Femme Nikita. Even though it lacks the style of a Luc Besson movies. This still delivers a semi-realistic experience with Jude Law on hand as another former agent who helps Lively become an Assassin.
Lively’s performance definitely has echoes of Noomi Rapace’s turn as Lisbeth Salander from The Girl With The Dragon Tattoo, especially the down-trodden, self-destructive characteristics, and proved quite believable. The movie lacked a bit of exposition with the plane crash not being shown and the why ‘s and wherefor’s behind what really happened rather unclear. At time’s the cinematography lacked style also, with an overly murky atmosphere despite some glamorous locations. That being said one car chase and a fight do stand out. Jude Law also proves an enjoyably tough-talking mentor.
Apart from Stephanie’s motivation for revenge, why Jude Law or those that aid Stephanie turn to her in particular is anyone’s guess – considering she has no underlying skills to build on to make her an ideal assassin-type. It’s like the filmmakers really wanted to make a ‘girl with a gun thriller’, and didn’t concern themselves with the details. I’m guessing the book this is based on fairs better. Yet nit-picks aside this was still effective in places and Lively was decent.
This Liam Neeson thriller has gotten swept under the rug it following the actor’s controversial remarks during an American TV interview earlier in the year, which has since relegated this to stumble-upon VOD fodder. Here, Neeson plays a snowplow driver at a ski resort who’s son is murdered in mysterious circumstances.. A simple set up then has Neeson tracking down those responsible. At the same time a war breaks out between rival drug dealers that Neeson uses to his advantage.
Now I thought after a glut of copycat Liam Neeson thrillers that just seemed like weak attempts to cash in on tne success of Taken … a satire of his usual formula was on the cards. However despite such a promise in the trailer, what we actually get is Neeson playing it entirely straight in a movie that tries and mostly fails to a achieve that clever Coens-esque vibe that blends the serious with the comedic (think especially Fargo). Some support characters add flavour, including a rookie cop out to prove herself and a young boy Neeson befriends who’s father just happens to be the main villain. I also enjoyed the villain’s maniacal performance, and the drug gang rivalry stuff was entertaining as they slowly picked each other off. Also on a purely technical basis, the wintery setting and some of the sequences were at least visually arresting.
Yet with a limp story, a cliched lead performance and plot threads that go nowhere – what actually had the son done to get himself killed? Oh and Laura Dern is in this as Neeson’s wife who following their son’s murder, just stops talking and eventually leaves – that’s how this movie explores grief. Yeah, this was a bit of a strange one and I’m afraid, not a movie I can easily recommend.
I like Joaquin Phoenix and it has to be said, you never really know what you’re in for with his movies. He’s weird but fascinating and usually at least his performance is something to come away appreciating regardless of the movie. This thriller has him as ‘Joe’ a grizzled, world-weary hit man, who takes jobs from various shady contacts, killing whomever he’s told to for a cash sum whilst otherwise going about his life, caring for his ailing mother and haunted by a troubling past.
There are strong echoes of the seminal Taxi Driver here, with similar themes of feeling disaffected by the world surround oneself and wanting to find some sort of meaning within the murk, the grime and the sleaze. Once Joe however stumbles upon a case of a runaway girl who may have fallen victim to a child sex trafficking ring, a new found purpose emerges which quickly comes with unexpected repercussions. It lacks the dry wit of Martin Scorsese’s classic, and plays out in a rather unique fashion, hardly showing any of the violence that is clearly taking place, preferring jump cuts and fancy editing to give a sense of dread and hopelessness, which works well. However with a vague approach to the details, especially surrounding Joe’s past, this proves frustrating and with performances that are mostly blank stares and silence (and sometimes words uttered so lazily it’s hard to actually make them out) … for all this is trying to achieve, it ends up annoying in equal measure.
Director Lynne Ramsay has certainly delivered a different kind of thriller; sort of like Taken but with absolute realism in place of Hollywood action … a movie that lingered in my memory, disturbed me but was ultimately unfulfilling – reflective I’d say of the central character’s life. Perhaps that was the point.
I really don’t know what’s taken me so long to get around to this. It’s Denzel Washington in a remake of the much loved cult TV show that starred the late Edward Woodward. Now, I can’t say I’m all that familiar with the show, but Denzel killing bad guys never gets old. So here he plays a mundane blue collar guy who works in a hardware store and by night frequents a diner to read books and swap small talk with the local troubled young prostitute (Chloe Grace Meretz). Now before you make the leap that I did that this was more Taxi Driver than anything else, firstly you wouldn’t be far wrong but said blue collar guy also possesses mad skills as demonstrated when he goes up against a gang of Russian mobsters after said prostitute winds up in hospital. So less the social commentary and more a strong case of picking on the wrong guy, ala John Wick, Leon etc.
What this lacks in originality it more than makes up for with several solid performances and well choreographed action and some brutal violence that makes every stabbing, every punch and every broken bone really hit home. Denzel is on great form, charismatic and deadly and plays the duel ‘everyman’ and ‘trained killer’ personas effortlessly. This is aided well my a scenery chewing, stand out turn from Marton Csokas as the man called in to solve the problems Denzel creates. Moretz is also good if a little underused for a large portion of the movie, but every scene she’s in is decent, with clear echoes of Jodie Foster.
Sad then that in the final act, a very stupid decision by the supposedly intelligent bad guy lets the show down and plausibility is stretched as the movie tries to tie everything up in a neat bow, regardless if it rings true or not. Which is a shame because Antoine (Training Day) Fuqua’s movie is otherwise stylish, thrilling and confident … and a helluva lot of fun. If this was the 80’s and it was Arnie or Stallone, I could forgive such developments, but cemented in a fairly believable world, I didn’t think the ending worked in the context of what had come before. That said, this is still worth your time, especially if you’re a fan of Denzel Washington.
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