Kate


Viewed – 14 September 2021 Netflix

I admit it, Mary Elizabeth Winstead just does it for me. She always plays cool characters, is a capable actor and exudes a subtle sexiness that’s very appealing. This latest vehicle, playing a character not too dissimilar to one she played in Birds of Prey has her as Kate, a professional assassin who following a hit that goes wrong, discovers she’s been infected with a deadly poison. With about a day to live she races against time to find out the culprit and eliminate them.

Co-starring Woody Harrelson as her mentor, this is very much the female take on John Wick and yes, Winstead is a badass. Set in Tokyo, of course this is stylish, full of neon, fast cars and plenty of gun-fu. Shame then that unlike that Keanu Reeves franchise, the direction here isn’t as slick, and action can occasionally feel stilted, with some uninspired camera work and sloppy editing – add to this an over reliance on (poor) CGI. The plot is still effective if simple, serving up some good twists, and the subplot of a teenage girl who Kate has to reluctantly team up with, proved interesting.

If you like your action fast and colourful, this is still the movie for you. Winstead is great, portraying her pending death well, but much of the plot was quite predictable. Harrelson also is also just ok, clearly capable of delivering this kind of character in his sleep. So no, not quite an action classic, but worth seeing regardless.

Verdict: Good

Promising Young Woman


Viewed – 07 August 2021 online rental

I love going into a movie blind. Not knowing anything about it other than seeing it keep popping up in my YouTube feed. I also like female lead stories, and so I settled down to this with anticipation. Telling the tale of Cassie, a drop out medical student who by day works in a cafe and by night frequents clubs pretending to be drunk just to see if once again some scum bag will try to take advantage of her. However, when she finally appears to have met Mr Right, a tragic past that has haunted her, rears its head once again.

Me Too…?

Carey Mulligan, an actress I’m not overly familiar with, eats up the screen as the bitter and vengeful Cassie. The scenes where she tracks down and manipulates figures from her past are highly entertaining. It’s fun watching and waiting for who will be next and where the story will go. Ryan, the love interest also proves interesting, especially with how he plays off Cassie’s cautious personality to show he’s not the same as ‘those guys’. This all leads to a gut-punch of a twist that truly left my jaw dropped.

Shame then that the ending relies so heavily on certain things falling perfectly into place, which as it turns out is utterly implausible. This kind of ruins what is otherwise a really good movie, with memorable moments, a great soundtrack and a great turn from Mulligan. For all it’s other merits then, I’d still say give this a watch.

Verdict: Good

The Rhythm Section


Viewed – 28 July 2020 online rental

When a plane disaster kills Stephanie’s (Blake Lively) family, the government make out it was an accident. However when an ex-MI6 agent appears with information that suggests it was terrorism instead, Stephanie vows revenge. A quick glance online, this hasn’t had the most positive buzz, which is curious as overall I found it an enjoyably gritty thriller with a strong lead performance. Yes it’s a tad derivative of similar movies like French classic La Femme Nikita. Even though it lacks the style of a Luc Besson movies. This still delivers a semi-realistic experience with Jude Law on hand as another former agent who helps Lively become an Assassin.

Lively’s performance definitely has echoes of Noomi Rapace’s turn as Lisbeth Salander from The Girl With The Dragon Tattoo, especially the down-trodden, self-destructive characteristics, and proved quite believable. The movie lacked a bit of exposition with the plane crash not being shown and the why ‘s and wherefor’s behind what really happened rather unclear. At time’s the cinematography lacked style also, with an overly murky atmosphere despite some glamorous locations. That being said one car chase and a fight do stand out. Jude Law also proves an enjoyably tough-talking mentor.

Apart from Stephanie’s motivation for revenge, why Jude Law or those that aid Stephanie turn to her in particular is anyone’s guess – considering she has no underlying skills to build on to make her an ideal assassin-type. It’s like the filmmakers really wanted to make a ‘girl with a gun thriller’, and didn’t concern themselves with the details. I’m guessing the book this is based on fairs better. Yet nit-picks aside this was still effective in places and Lively was decent.

Verdict: Good

Cold Pursuit


Viewed – 03 September 2019. Online rental

This Liam Neeson thriller has gotten swept under the rug it following the actor’s controversial remarks during an American TV interview earlier in the year, which has since relegated this to stumble-upon VOD fodder. Here, Neeson plays a snowplow driver at a ski resort who’s son is murdered in mysterious circumstances.. A simple set up then has Neeson tracking down those responsible. At the same time a war breaks out between rival drug dealers that Neeson uses to his advantage.

Now I thought after a glut of copycat Liam Neeson thrillers that just seemed like weak attempts to cash in on tne success of Taken … a satire of his usual formula was on the cards. However despite such a promise in the trailer, what we actually get is Neeson playing it entirely straight in a movie that tries and mostly fails to a achieve that clever Coens-esque vibe that blends the serious with the comedic (think especially Fargo). Some support characters add flavour, including a rookie cop out to prove herself and a young boy Neeson befriends who’s father just happens to be the main villain. I also enjoyed the villain’s maniacal performance, and the drug gang rivalry stuff was entertaining as they slowly picked each other off. Also on a purely technical basis, the wintery setting and some of the sequences were at least visually arresting.

Yet with a limp story, a cliched lead performance and plot threads that go nowhere – what actually had the son done to get himself killed? Oh and Laura Dern is in this as Neeson’s wife who following their son’s murder, just stops talking and eventually leaves – that’s how this movie explores grief. Yeah, this was a bit of a strange one and I’m afraid, not a movie I can easily recommend.

Verdict: 2.5 /5

You Were Never Really Here


Viewed – 24 July 2018  Online rental

I like Joaquin Phoenix and it has to be said, you never really know what you’re in for with his movies.  He’s weird but fascinating and usually at least his performance is something to come away appreciating regardless of the movie.  This thriller has him as ‘Joe’ a grizzled, world-weary hit man, who takes jobs from various shady contacts, killing whomever he’s told to for a cash sum whilst otherwise going about his life, caring for his ailing mother and haunted by a troubling past.

You Were Never Really Here

There are strong echoes of the seminal Taxi Driver here, with similar themes of feeling disaffected by the world surround oneself and wanting to find some sort of meaning within the murk, the grime and the sleaze.  Once Joe however stumbles upon a case of a runaway girl who may have fallen victim to a child sex trafficking ring, a new found purpose emerges which quickly comes with unexpected repercussions.  It lacks the dry wit of Martin Scorsese’s classic, and plays out in a rather unique fashion, hardly showing any of the violence that is clearly taking place, preferring jump cuts and fancy editing to give a sense of dread and hopelessness, which works well.  However with a vague approach to the details, especially surrounding Joe’s past, this proves frustrating and with performances that are mostly blank stares and silence (and sometimes words uttered so lazily it’s hard to actually make them out) … for all this is trying to achieve, it ends up annoying in equal measure.

Director Lynne Ramsay has certainly delivered a different kind of thriller; sort of like Taken but with absolute realism in place of Hollywood action … a movie that lingered in my memory, disturbed me but was ultimately unfulfilling – reflective I’d say of the central character’s life.  Perhaps that was the point.

Verdict:  3 /5