The latest outing for Ian Fleming’s famed spy, Daniel Craig reprises his role as the iconic James Bond for the fifth and reportedly final time. Following on from the last movie, Spectre – this finds a now retired Bond living life with new wife Madeline. However after choosing to help out old CIA friend Felix – Bond unexpectedly uncovers a new threat to the world.
What we get here certainly follows the usual blueprint … the tricked out car, gunfights, beautiful women, stunning locales. However we also get a great deal of character moments, with Daniel Craig impressing in not only the role of the hero, but as a human being. It’s probably his most layered performance as the character. He’s also aided well by a very good Lea Seydoux as Madeline, Ralph Feinnes’ M and a scene-stealing Ana De Armas as a plucky fellow agent. However a particular stand out is Rami Malek’s very creepy villain.
The main plot is fairly typical and Malek’s motives not all that interesting – and certain bold plot developments didn’t sit right with me. Also Billie Eilish’s theme song is just awful. Yet with a greater focus on character and emotion than I think there’s ever been previously, as well as a fun subplot surrounding a rival female agent… this delivered a great deal of heart and personality amongst the pyrotechnics. A worthy swan-song for Craig as the famed spy and a highly enjoyable, often surprising Bond movie at same time. Check it out.
I’ve come to this with quite some anticipation, not only for the fact that any movie involving the British rock band Queen was going to be an interesting story but also following the Oscar nod given to Mr Robot’s Rami Malek for his portrait of Freddie Mercury … this just became more and more an essential prospect. Charting the band’s 1970s origins right through to their legendary appearance at Live Aid in 1985, this mostly focuses on the personal battles of Mercury, his sexuality etc., whilst also touching on the bands on off struggles for creative freedom.
Malek, a little young looking to fully get away with the role and not the most eloquent of speakers (thankfully Mercury’s actual voice is dubbed over for the singing) still does a good job mimicking the iconic star’s flamboyant mannerisms and also handles emotional scenes convincingly. Additional casting for the band members is also rather uncanny (especially Brian May). Director Bryan Singer has delivered an absorbing, respectful yet not glossed-over biopic that although not fully capturing the attention Queen got especially in the early years (little word on record sales or chart success), manages to showcase who Mercury was and just how good the music was, leading to a feel-good if bitter-sweet ending that I’ll admit got me teary eyed.
It may bunny-hop over significant moments in their discography such as a collaboration with David Bowie or their involvement with the Flash Gordon soundtrack, but overall this was fascinating, entertaining and made me appreciate Queen all over again.
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