Green Book


Viewed- 09 July 2019. Online rental

After seeing the trailer for this drama I had a strong feeling it would be good. Viggo Mortensen, an actor I feel I haven’t seen in anything for a while, plays Tony Lip a bouncer who after a stint at the coppacabana comes to an end finds himself out of work with a wife and kids to provide for. As an Italian, Tony tries to avoid working for the local mob and instead gets a job chauffeuring former child prodigy and pianist Dr Don Shirley who happens to be African-American. So begins an unlikely pairing and a journey of self discovery for both men.

This entertaining and engrossing drama boasts two strong performances aided by a story inspired by true events. The mismatched pairing mixed with a road trip may be familiar fair but it’s the gravitas of the real-world spot light it puts not only on racism and prejudice in 60s America but also that of different classes and how throwing such people together can change otherwise narrow-minded opinions. The movie is often funny with Mortensen brilliant as a loveable wise-guy type and the gradual bonding and chemistry that is formed between the characters is heart-warming and particularly thought-provoking.

Yes the story doesn’t quite tackle the real ugliness of racism and offers up a more palatable take on the subject but I’d say that works in the movie’s favour and makes this a must watch.

Verdict: 5 /5

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Blackkklansman


Viewed – 05 February 2019 online rental

An African-American cop in the 70’s infiltrates the Klu Klux Klan in a bid to expose them and prove himself at the same time.

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This movie had a really strange vibe. Lead actor John David Washington stood out like a comedy actor in a straight movie who still thinks he’s in a comedy. The subject of racism and the KKK is clearly being satirised but sits uneasy with such a serious, sickening subject. This is not helped by the movie eventually throwing in shocking real-life footage to hammer home its point. Director Spike Lee has always been one of the strongest voices for black culture and black cinema but here his intentions feel misguided. The story based on a book isn’t as compelling either and I came away wondering just what had the main character achieved? Star Wars’ Adam Driver is decent as a fellow detective and performances overall are fine. Lee has delivered a stylish, authentic looking movie yet also fills it with some odd music cues with an overall 70’s blaxploitation feel.

As a different take on the subject of racism and as a movie that certainly has some fun and intriguing moments it’s worth a watch … I just think it would have been more impactful played either entirely comedic or entirely straight.

Verdict: 2.5 /5

Get Out


Viewed – 01 August 2017  Online-rental

I kept hearing very good things about this relatively under-the-radar horror-thriller so thought I’d check it out.  A black guy goes to spend the weekend with his white girlfriend’s family but not long after arriving he starts to feel there is something rather strange about these people.  Is it simply paranoia or is there really something sinister afoot?

Get Out

Think of this like a more seriously creepy version of Meet The Parents.  I quickly began to get absorbed by the concept and the racial tension take was refreshing.  British actor Daniel Kaluuya (Psychoville) proves an effective lead and support from Catherine Keener and Allison Williams were also decent.  It’s what makes this work so well; a strong cast and a foreboding, well handled sense of dread and eeriness.  The eventual revelation of what is really going on is also pretty damn disturbing.  Comic relief from motor-mouthed newcomer LilRel Howery felt a little out of place but still kind of worked and although not a horror in the traditional sense, this holds up a compelling reflection of modern racism and social classes that is surprisingly scary and probably still relevant.

It descends into typical horror survival territory towards the end despite maintaining a freaky atmosphere (with echoes of The Wicker Man).  However, along with good use of foreshadowing, solid performances and leaving this viewer with plenty to think about post-credits …  this remains one to see.

Verdict:  4 /5