Top Ten movies 2020


2020 has been a very strange year, due to a global pandemic resulting in the pushing back of big names movies, closing cinemas or forcing some movies to get released on streaming platforms for a premium price. So watching movies hasn’t been as simple or as accessible as we’ve been used to. During the year I’ve found myself watching older catalogue titles on Blu-ray or focusing more on TV, gaming or doing challenges like my A-Z challenge during the summer.

However that doesn’t mean I missed out on some quality movies, and the count down that follows, showcases for me the cream of the crop. Please note these are movies i enjoyed the most during the year … but some may have been released earlier than 2020.

10

Birds of Prey

9

Knives Out

8

Tenet

7

Dark Waters

6

Midsommar

5

Parasite

4

Onward

3

Ford V Ferrari (aka Le Mans ‘66)

2

Fighting With My Family

drum roll……

1

Jo Jo Rabbit

Honourable mentions: Greyhound, Incident in a Ghostland

Well there you have it. Here’s to hoping 2021 goes a little more smoothly. Like 2020, I think we’re in for some treats as far as movies are concerned and of course I’ll try and watch and review as many as I can. Happy New Year folks!

Craig.

Onward


Viewed – 03 October 2020. Disney+

Its difficult reviewing animated movies, because the quality is often so high, it’s tempting to just rate them all the same. So I tend to be a bit harder on them that some other movies. This unusual story presents an enchanted, fairy tale world that turns its back on magic, favouring technology to develop very much like the regular world. So people have jobs, there’s police, shops, fast food restaurants etc. On his 16th birthday, young elf Ian is given a present from his Dad who died of an illness before he was born, and it turns out to be a wizards staff. After reciting a spell that’s meant to bring the dad back for one day only … the spell goes wrong and only half of the dad’s body comes back – literally from the waist down. However his big brother Barley says there’s a way of completing the spell and so a quest unfolds to resurrect their dad before the sun goes down.

Like Monsters Inc and Inside Out before it, this presents a world full of character and personality. Again it’s a feast for the eyes and full of memorable side characters, pop culture gags and references – but it’s the unique idea that’s the winner; a caper comedy that’s weirdly a lot like 80s comedy Weekend at Bernies. Some moments, especially the freeway chase with the biker sprites certainly had me laughing out-loud. Yet underneath the visuals and gags lies a great deal of heart – something Pixar have always been masters of.

Tom Holland as Ian is perfect, but is overshadowed by Chris Pratt’s Barley who turns a potentially irritating loud mouth of a character into someone I really cared about. Julia Louis-Dreyfus is also good as the two brother’s Mom. The ending also turns the story on its head to deliver an emotion-heavy and wonderfully bittersweet conclusion. So there you have it – damn, another Pixar gem that shouldn’t be missed! Sigh.

Verdict: Essential

Toy Story 4


Viewed – 25 June 2019 Cinema

When toy cowboy ‘Woody’ (voiced by Tom Hanks) finds himself sidelined by new owner ‘Bonnie’ in favour of other toys, he finds new found purpose after Bonnie’s hand-made new toy ‘Forky’ goes missing at a carnival during a family road trip. At the same time Woody is reunited with his old flame, Bo Peep (Annie Potts).

I was looking forward to this. I’m a big fan of the other movies and couldn’t wait for the further adventures of Woody, Byzz and the gang. This time around we are introduced to a new villain, antique shop dwelling Doll ‘Gabby Gabby’ (Christina Hendricks). Yet despite initial promise with her brilliantly creepy Ventriloquist doll henchmen, she just failed to live up to her potential. The same could also be said for wasting the presence of such established characters as Jessie, T-Rex or even Buzz Lightyear (who is mostly demoted to a supporting role). Instead the movie focuses on Woody and Bo Peep which is at least different, even if Bo’s topical feminist symbolism was a bit too on the nose.

With that said, Forky is a welcome addition and gets all the best gags, and the movie looks as expected, stunning – the CGI animation often wowing this viewer. The caper at play here, if a little typical is still great fun too. The heart-strings get pulled firmly towards the end and the key characters are well written with at times real emotional depth. Overall though, this fails to be quite as sharp, clever or funny as what’s come before and the plot was not as engaging, Toy Story 3 had everything coming full circle. This however, whilst still worthwhile … didn’t have much more to say.

Verdict: 3 /5

The Incredibles 2


Viewed – 22 December 2018  online rental

I don’t watch as many animated movies as I should be, and realize I’ve missed out this year some big hitters.  However on browsing the latest rental releases, this took my interest as I recalled really enjoying the first movie.  This long time coming sequel pretty much picks up where we left off, with our super-hero family having to go about their crime fighting adventures in secret, with a law having been passed outlawing people with powers.  This brings in a wealthy brother and sister who propose to change things for the better by hiring Elastigirl (voiced by Holly Hunter) to showcase just how good super heroes are to the masses.

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I’m a little bit sick of this concept of the public unsure of or shunning super heroes.  They almost becoming the enemy when there’s all too many actual enemies out there.  A similar plot device was used in Captain America Civil War and Batman V Superman.  Why does Hollywood think we want our heroes being portrayed with such distrust and fear?  Aren’t they meant to be the heroes?  Thankfully this admittedly very entertaining and visually arresting movie jumps between such plot threads and a twist on family responsibilities and throws in plenty of spectacular action.  The villain though is sign posted a bit too well and I guessed their identity easily.  Also there’s a clear feminist slant to the reversal of roles and some of the dialogue and themes, which yeah is everywhere right now.  As unnecessary as it clearly is in a movie that was never just about the male lead anyway.

The voice work is top notch though including a welcome turn from Breaking Bad’s Bob Odenkirk, and Pixar’s animation is as gorgeous as ever (even if the character design is a bit ugly … what’s with Elastigirl’s massive ass?).  Overall and considering the long wait for this, I was expecting a bit more … the villain is forgettable and cliched and the story adds nothing to the formula.  As it stands though, this is still a lot of fun regardless of wasted potential.

Verdict: 3 /5

Oscars 2016 – a few thoughts


DiCaprio OScars

Well the big night came and went.  I’ll admit I’m increasingly disinterested in awards ceremonies these days, be it movies or music or any kind as usually it’s more about money and big companies backing certain nominees and much less about actual deserving talent.  The Oscars is no different.  However, it was good to see that finally after years of being snubbed, Leonardo DiCaprio got his gong.  Did The Revenant  give him that role that finally deserved an Oscar?  Not necessarily in my opinion as his turns in such movies as The Departed, The Aviator, Catch Me If You Can and even Wolf of Wall Street have all been superior I’d say especially from an acting point of view.  The Revenant was more a physical performance and less showy or obvious, but maybe that’s what it takes – or like many Oscar winner who have been widely snubbed in the past … it was simply DiCaprio’s turn.

Surprised to see Spotlight get Best Picture considering the controversial subject matter, but glad it did and with a strong cast it’s one for my must see list.

Sam Smith’s The Writings On The Wall got Best Original Song?  My only theory is it must have been a limp list of nominees, because although I enjoyed Spectre quite a bit, that was one of the most cringe-worthy Bond themes I’ve ever heard.  But it’s Sam Smith and it’s Bond so we all know the movie studio and the record label paid big bucks to get it on every Academy judge’s list.Alejandro Inarritu

Again Alejandro González Iñárritu’s direction for The Revenant was probably the real star of that movie however and he is much deserving of Best Director.  Is that two years in a row now?  Impressive.

For once I agree with Inside Out getting the Oscar.  Too many years have Pixar been the go-to studio for the awards, an easy and honestly lazy nod whilst movies from less prominent, less famed studios get ignored (Studio Ghibli especially deserve more recognition).  But at least this time it was a particularly good Pixar effort.

Not surprised to see Mad Max: Fury Road sweep up in the technical and make-up/costume stakes…if it was for the look alone I’d have awarded that movie a 5, but it didn’t impress me as much as other reviewers beyond it’s incredible visuals.

Full details of who won what can be found HERE.