The subject of Alzheimer’s disease is certainly going to be difficult viewing. This awfully cruel illness is hard to explore but in the hands of French novelist turned Director Florian Zeller and an actor of the calibre of Anthony Hopkins … I found myself heavily drawn into this powerful drama.
Hopkins plays ‘Anthony’ an ageing man who is looked after by his daughter (The Crown’s Olivia Coleman). The approach here is at first hard to follow as the setting and characters keep changing with no explanation, and even the time line jumps back and forth. Yet when it clicks and you realise such a confusing narrative is purposely due to Anthony’s perspective, you realise you’re witnessing what it might be like to suffer from this disease. It’s very cleverly done and I recommend just going with it until it’s final scenes – because trust me, it’s worth it.
Olivia Coleman is very good like always, convincingly playing a daughter struggling to care for her father. There’s also appearances from Mark Gattis, Rufus Sewell and Olivia Williams. However at the centre of it all is an incredibly layered and it has to be said, heart-breaking performance from Hopkins, who deserves every inch of that Oscar. A powerful, surprisingly amusing at times yet also very authentic drama that gripped me as much as it got me teary eyed. A must watch.
A girl who dreams of making it in the film making industry, one day gets her wish when she is accepted to film school. However on the same day as she leaves to begin her new life, a megalomaniacal A.I. called ‘Pal’ decides to start a robot invasion after her creator chooses to discard her for a more advanced version. Think of it as if Apple’s Siri turned evil and suddenly wanted to rid the earth of mankind. Gulp.
From the creative geniuses that brought us the acclaimed Spider-Man Into The Spider-Verse, this is an energetic and highly entertaining experience, that blends family drama with a robot apocalypse action movie. Katie, our lead is a plucky, technology-obsessed, typical modern teenager and is reflective of the world we find ourselves in, where anyone with a bit of imagination can create movies and animation, on their phones or laptops. The animation style, like Spider-Man is sort of 2D art brought to life in 3D, is jam packed with ideas and detail and looks gorgeous. Occasionally I think it gets a bit over the top, with things popping up on screen to emphasis and over-emphasis moments … but mostly it works.
Although these kind of movies are not meant to be realistic, sometimes the action gets so crazy any hint of plausibility is thrown out of the window. Thankfully, a genuinely touching father and daughter sub-plot gives this its emotional crutch to rest all of the chaos upon. I get a feeling, being delivered as a Netflix original this could be over-looked, which is a shame because this has plenty of great moments, looks stunning, has real meaning and above all else is a ton of fun. Check it out.
Sometimes a movie peaks one’s interest for no particular reason. I guess I wanted to see this just because of its intriguing concept and the fact it had good word of mouth. That Olivia Coleman Oscar nod didn’t go ignored either. So what’s it about? In the early 18th century, Queen Anne (Coleman) reigns during a war with the French, and is dutifully aided by Lady Sarah (Rachel Weisz). However when a maiden, Abigail (Emma Stone) arrives at the palace, the equilibrium is upset as she begins to court the Queen’s favour and a fierce rivalry ensues.
This reminded me of that other costume drama classic Dangerous Liaisons, with its similarly mean-spirited characters and manipulative behaviour. Similarly this is also rather sexy and interwoven some strong language amongst its often entertaining, quirky dialogue. Olivia Coleman may have got all the attention for her performance but I found her portrayal overly pathetic and silly, that whilst fascinating was far from award-winning in my opinion. Weisz is suitably bitchy, sexually-ambiguous and enjoyable but next to Emma Stone’s more interesting, conniving character she comes off second best. Yes, Stone is the stand out here, subtle, layered and just fun to watch with more of a character ark than those that surround her.
With expected lavish production and costumes, despite occasional bizarre camera techniques (were those fish-eye lenses entirely necessary?) this was a joy to look at. The movie’s not quite as daring or provocative as it could have been and where it goes is rather disappointing … whereas I had expected a dramatic, possibly shocking conclusion. Worth checking out though.
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