Viewed – 06 April 2022 Disney+
Guillermo Del Toro is one of my favourite directors, so anything he comes out with is going to grab my attention. However this latest effort seemed to appear out of nowhere with little of the fan fair his movies usually attract. Bradley Cooper plays a guy seemingly drifting from place to place due to a troubled past, and gets taken in by a travelling carnival in the 1940s. There he develops a skill from conning audiences with fake psychic ability and chooses to take that skill to con the social elite out of thousands.
Del Toro’s style is once again showcased, even if it’s more subtle than say Hellboy or The Shape of Water. The movie is beautifully filmed, given an old fashioned, somewhat silent movie aesthetic. The carnival setting is perfectly freaky too. However this is very much a film-noir with a femme fatale in the shape of Cate Blanchett and a flawed hero in Cooper. Support is also decent, with appearances from Ron Perlman, Willem Dafoe, Rooney Mara and Toni Collette.
Due to the mentalist/grifter plot this can be hard to follow at times, and at 2 and a half hours, the movie drags slightly, especially in the first half. However with a clever final act that does make you wish you’d concentrated more early on … as the movie hints and lays bread crumbs to its twist – I felt this was one of those movies that may benefit from repeat viewings. As it stands, whilst not Del Toro at his best, this was still a well acted, stylish and cleverly-constructed movie. Worth a watch.