Following some controversy over Kristen Stewart and the director of Snow White and the Huntsman, this sequel has languished in development with us not really knowing what we were getting. Turns out a sort of origin tale and a sort of follow up, with mixed results. Chris Hemsworth returns as the charismatic Huntsman whose growing love for fellow warrior Sara (Jessica Chastain) quickly catches the eye of bitter Freya, the sister of Charlize Theron’s Ravenna who has now turned Ice Queen following the death of her child and forbids the land from experiencing love.
Despite lacking the scope of the actually very good Snow White and the Hunstman, and possibly on a smaller budget – this is still an entertaining ride. Hemsworth is again charismatic even if his (Scottish?) accent is pretty bad. The same can also be said for Chastain who makes for a bad-ass warrior woman but strays awkwardly between Irish and Scottish. Thankfully then their love affair and the rivalry between Emily Blunt’s Ice Queen and Theron’s Ravenna are all handled well and make up for what is otherwise quite simple fantasy fair. The action, especially some awesome fight choreography is exciting, and we also get a couple of Dwarfs in the form of Nick Frost and Rob Brydon who makes for perfect comedy support as does a scene-stealing Sheridan Smith.
Considering how much the character is mentioned, the lack of an appearance by Snow White seemed odd (even if recast). Also I’d have liked some larger-scale battles and a few more creatures and effects going on … but what we have instead is a focused tale of love and manipulation and rivalry that I thought worked a treat. Perhaps dial one’s expectations back a tad, considering how spoilt we have been with Game of Thrones, Lord of the Rings etc. and you should still get a kick out of this.
I went into this fairly apprehensive. I’d heard only luke warm opinions of it and the usual it’s no ‘Shaun of the Dead’ which has been ringing in my ears with every movie the comedy pairing of Simon Pegg & Nick Frost have appeared in since. This time around Pegg plays a lovable loser whose never really grown up and still yearns to complete the sacred ‘golden mile’ pub crawl that he and his friends attempted and failed at on the last day of school. Now approaching forty, he decides to ‘get the band back together’ and hunts down his old mates who have all moved on, got jobs, gained families, become someone where as Pegg is still the same person he ever was.
A great initial concept sets forth a very energetic ride with snappy dialogue-a-plenty and the usual slapstick pop-culture referencing fun of Pegg & Frost at their best. Lending a helping hand is a wealth of familiar Brit actor faces, including The Hobbit’s Martin Freeman along with Paddy Considine to name but a few. Unlike Pegg & Frost’s last outing ‘Paul’ however this is brought endlessly to life by the scatter-shot, imaginative direction of Edgar Wright, yes the same man that brought us ‘Shaun and Hot Fuzz not to mention the underrated Scott Pilgrim Vs The World. Very clever editing and stylish camera work and surprisingly excellent effects work too. You see the friends all go back to their home town to attempt this so-called pub crawl and suddenly find themselves in the middle of an alien invasion where the majority of the towns folk have been assimilated, ala The Stepford Wives.
I’m not ashamed to say it, but I had a riot with this. There’s some very funny lines (… ‘he may be a bit of a cock, and he is a cock … but he’s my cock’…) and some great action (the gents fight scene is first rate, think the matrix with a twist) and the on-going gag of getting a pint in in every pub, no matter what is happening just never stopped being funny. Yes the ending feels a tad thrown together, and well the alien invasion concept is almost as tiresome as zombies … but that never hurt Shaun of the Dead.
It’s easy to like Brit comedy actors Nick Frost & Simon Pegg, two obvious best buds whose television and movie parings have made for comedy gold, helped by their obvious talent and endless knowledge of pop culture. Shaun Of The Dead, their big-screen debut was the perfect marriage of romantic comedy and zombie horror and remains one of the best comedies to ever come out of the UK. Pegg has subsequently gone onto a Hollywood career, starring in the likes of the Star Trek reboot. But as is expected, he’s right at home alongside Frost, and again we have a sure-fire hit on our hands.
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