Viewed – 18 March 2018  Netflix

As much as I’m a fan of Natalie Portman, I confess to not really seeking out her stuff since the acclaimed Black Swan … strange when I consider that one of the best movies of the last ten years.  So I jumped at the chance to check out this latest Netflix Original movie.  Portman plays a biological scientist who following the mysterious disappearance of her military officer husband (Oscar Isaac) gets recruited by a government organisation headed by Dr Ventress (Jennifer Jason Leigh).  You see, a strange alien encounter has occurred affecting a now closed off area where a strange vapour has cut communications and anyone who has ventured inside, has not come back.


This gritty and scarily-convincing sci-fi drama is helmed by Alex Garland, the man who made Ex Machina, another great thought-provoking piece of sci-fi.  This guy clearly understands his subject and has delivered another very effective experience.  The entire movie has a tone to it that’s rather dream-like and sometimes messes with one’s head; trying to figure out what’s real and what’s not.  Add to this flashbacks exploring Portman’s and Isaac’s relationship, with several revelations along the way and this proves a meatier story than it first appears.  The alien ‘presence’ and how it effects the female scientists who go looking for answers is also handled imaginatively and gives an interesting spin on the who alien-encounter subject, with truly unnerving possibilities.

It takes a while to get going, and is marred by some questionable CGI, and the logic behind the expedition left me a tad puzzled.  However, with strong performances across the board, especially an excellent Portman – this is well worth checking out … especially if you’re after something that will leaving you really thinking afterwards.

Verdict:  4 /5


The Open House

Viewed – 27 February 2018  Netflix

Going into this it was easy to expect a typical haunted house fright-fest, and initially that did seem to be what we get.  However following the untimely death of his father, a teenage guy moves with his mother into a large house in the mountains, which is up for sale but they’re aloud to stay there until it sells.  Yet whilst there they have to deal with the fact it’s on the market as an ‘open house’ meaning the two of them need to make themselves scarce when people come to look around.

the open house

Things start to go bump in the night, and there is a presence watching over the mother and son as they not only try to adjust to new surroundings but also grieve for their loss.  Yet with a strange neighbour who after a time seems to contradict herself with what she says, and a kindly but mysterious local shop assistant who comes across as a bit too friendly, this set up an intriguing concept with an atmospheric setting.  Performances are not bad despite the script frequently letting it’s actors down, having for example the mother and son go into a creepy cellar several times alone rather than together despite a great deal of evidence that something may be ‘down there’.  Really, it was making me want to yell at the screen after a while. It also has a rather cheap reliance on false jump scares.  Yet despite these issues, I still found myself unnerved throughout, and it all lead to a ballsy climax that I hadn’t been expecting, leaving me rather shaken.

Not as mediocre as you may have heard.  Worth a watch.

Verdict:  3 /5

My 2017 – a look back (part two)

As I learnt writing the last look-back, 2017 has been a pretty packed year as far as entertainment is concerned, and there’s been plenty of highlights over the months.  So continuing this little bit of nostalgia, I thought I’d give a portion of this to my music highlights of the year, of which there have been many.

In the summer, Garbage made a return to the stage going on the road with the iconic Blondie for their co-headlining ‘Rage and Rapture’ tour which over 20+ dates travelled the United States and from what I hear was a roaring success.  During the tour Garbage released a stand alone single, the politically charged ‘No Horses’ accompanied by a powerful, hard-hitting video (see below).  It was another belter of a track from my favourite band, but wasn’t the only highlight of the year for me…

PVRISIndie electro-rock band PVRIS returned with their second album ‘All We Know Of Heaven, All We Need Of Hell’, and it was a step up from their impressive debut and cemented them as a new, unique voice in my music landscape.  Add to this British four piece Wolf Alice also delivered their second album ‘Visions Of Life’, and like PVRIS it was an improvement over their debut and a haunting, artistic experience full of emotion and effective songs that has made them one of my favourites.  A couple of more veteran artist also released new material and although I don’t listen to everything out there, I am glad to have discovered Paramour with their fun, energetic album ‘After Laughter’ proving worthwhile.  I was also happy to see the return of possible my favourite female solo artist Kelly Clarkson and her latest release ‘Meaning of Life’ really impressed and proved this singer still had it after her previous, otherwise forgettable ‘Piece by Piece’ album.

Well back to the movies and such…

July to December

As the blockbuster season continued, I didn’t get around to all the big hitters but was pleased to see the latest of one of the best franchises around right now, War For The Planet Of The Apes which again proved powerful and exciting with stunning effects.  Less engrossing but still fun was the rather hypoed but run-of-the-mill Baby Driver.  Adding to the disappointment was the surprisingly un-engaging Christopher Nolan WWII drama Dunkirk which for a war movie directed by one of the best around, proved strangely boring and lacking in character or spectacle.  It sure was ‘pretty’ though.


Get Out was a rather unsettling thriller and an interesting take on the racial tension subject, and hyped book adaptation Girl On The Train was an enthralling mystery with a great central performance from Emily Blunt.  One of my favourite directors, Park-chan Wook returned with The Handmaiden, an erotic period movie that although a tad drawn out was an engrossing love-triangle thriller.  Mark Wahlberg’s based on true events thriller Patriots Day was also powerful and gripping, whilst Jake Gyllenhaal sci-fi thriller Life was particularly effective and scarily-relevant.  August finished up with one of my personal horror highlights of the year, the far better than it should have been sequel Annabelle Creation.

Twin Peaks

Around this time I also watched the highly anticipated and very long awaited new season of Twin Peaks.  This was probably one of my most perplexing, strangely gratifying and definitely unique experiences of the year.  David Lynch’s magnificently bizarre and utterly surreal 18 episode ‘TV event’ is still something I am trying to piece together in my head even months after finishing it.  I had the box set for Christmas so may well be diving back in.  That ending though….yeesh.

French cannibal horror / coming of age drama Raw  proved effective if disturbing and distasteful but has certainly stuck in my head.  However, the latest entry in a once beloved saga, Alien Covenant was very underwhelming, having more in common with the tiresome Prometheus than the Alien movies.  Then I stumbled upon Netflix movie Gerald’s Game, a surprising, engrossing and creepy-as-hell Stephen King Adaptation.

I finished (at least the story) of the highly acclaimed and heavily hyped The Legend of Zelda: Breath of the Wild and as if testament to just how much fun and appealing that game was and still is to me, I still find myself going back to finish every shrine, find every weapon and do at least the majority of side-quests.  I even recently purchased the season pass.  Yeah I can’t get enough of this game.

Super Mario Odyssey CappyThe highly anticipated Blade Runner 2049 disappointed, with a plodding pace, forgettable visuals and was only marginally saved by a good turn from Harrison Ford.  However all was not lost as November rolled around and the much anticipated Super Mario Odyssey was finally released … and proved to be everything I had hoped it would be.  Add to this I finally got my hands on the highly acclaimed Japanese animation Your Name which proved to be a decidedly clever and thought-provoking body-swap drama.

So we come to December and particular stand-outs were Despicable Me 3 and the otherwise maligned Valerian and the City of a Thousand Planets.  Bigger name movies like Spider-Man Homecoming and even Star Wars The Last Jedi didn’t fair as well for me but still had their moments.  With Christmas upon us again, I always enjoy writing these look backs and considering the movies that will eventually make up my Top Ten.  I’ll have that particular post out on New Years Eve, so please drop by then and check it out.

I also managed to get my hands on a new phone.  Previously and for about 3 years I’ve had the Samsung S6.  However now I have the recently released iPhone 8, which I’m loving so far and along with my iPad, that’s me all Apple’d-up going into the year ahead.

So there we have it.  That was my 2017 in two big entertainment nutshells.

Roll on 2018.


The Babysitter

Viewed – 09 November 2017  Netflix

Netflix have been going from strength to strength of late, what with hit Netflix original programming like Stranger Things and then the occasional Netflix original movies … it seems to be a great time to be a Netflix subscriber.  One such movie that caught my eye was this little tongue-in-cheek horror.  It tells the tale of Cole, a stereotypical nerdy loner kid in suburban American who is bullied at school and a bit of a mommies’ boy.  Thing is too despite not being that young, Cole still has a babysitter – helps then that she’s super-hot.  Step in Margot Robbie look-a-like Bee (Samara Weaving) who is not only the kid’s best friend but also keeps a watchful eye over him and helps fend off bullies.  When the girl across the road however points out she thinks said Bee is probably inviting ‘boys’ around once the kid is tucked off to bed .. the kid decides to find out if it’s true – and is in for the shock of his life.


Directed by McG this has the same heightened reality, comic-book feel he brought to the two Charlie’s Angels movies, and there his epileptic style with wacky editing and mad-cap characters suited such a venture.  However here it feels for the most part over the top.  Told primarily through Cole’s eyes it makes sense from a kinds point of view but for what turns into a gory horror comedy, it creates a rather silly vibe that although fun makes it pretty throwaway too.  The characters you see, are not all that engaging and it all gets very predictable.  That being said the gore is at times spit your pop-corn out surprising and inventive, there’s some fun pop-culture references and social media obsession digs, and at least does kind of turn into Home Alone meets Buffy The Vampire Slayer (at least tonally). 

For 90 minutes entertainment, this doesn’t out stay it’s welcome, has some good jokes and plenty of the red stuff, and performances are adequate, and sometimes that’s good enough.  Unlikely to become a genre classic though.

Verdict:  3 /5


I feel I’ve been neglecting my readers of late and not posting as much as I should.  What can I say, life get’s in the way and yes I have a life.  But apart from that I really do like posting on this blog even if only a handful of people ever read it…those handful are important though!  Anyway I digress.  What I wanted was to give you the heads up about a few things I’ve been doing of late.  There’s been an emphasis on gaming and well, I got myself some games I need to get around to finishing before the big slew of releases leading up the Christmas.  There are too many good games coming out to actually manage to play them all let alone complete – but I have my beady eyes on a few.


For now though two games are on regular rotation, that being Uncharted 4: A Thieves End on PS4, arguably the best looking PS4 game and a rather polished adventure with that as expected Naughty Dog mastery of detail and game design.  I won’t say for such a game it’s grabbed me as much as Rise of the Tomb Raider did, but then that game was more about survival and this game’s more a summer blockbuster.  But I’m enjoying it.  The other game I took a gamble with and downloaded is the much underrated Recore for XB1, like Uncharted an exclusive but nowhere near as well received, which is understandable – Uncharted is clearly a flagship title for PS4 and Sony whereas Recore was under-Recoremarketed and isn’t really meant to be a system seller as much as the forthcoming Gears of War 4 will be.  However what it is is a rather classic throwback to platform shooter / exploration games like Metroid and I’m enjoying it a lot.  I love exploration, puzzle solving and platforming and this does those three things brilliantly.  The surrounding game, it’s story and it’s character design isn’t anything to write home about and it suffers from a few technical issues here and there … but it’s nowhere near as bad as the media will have you believe.  I’d say If you like the sound of it, give it a chance.

I also have Mafia 3 pre-ordered on the XB1 and have asked for Watchdogs 2 on PS4 for my birthday (note for your diaries readers, it’s 14 November lol).  I also would like to dive into the latest expansion that’s been released for Destiny namely ‘Rise of Iron’.  I really like Destiny and it’s world and the upgrading of my character and weapons and exploring etc.  keeps pulling me back far more than The Division seems it ever will.    But to save money and give me a chance of completing those two games above, I’m holding off on taking the leap as of yet.  I can also see even Dishonoured 2, a game I’m particularly excited for being put on the back burner until there are not so many games to play.

Daredevil S2

TV is taking up some of my time too and I’m trying to finish off current seasons of certain shows that I like, such as having just finished Daredevil season 2 (it was great, sometimes amazing, started a little slow but really delivered half way through.  I think I still favour season 1 more though).  Also nearing the end of the current season of Orange is The New Black which I feel has failed to really hit it’s stride this season apart from a strong opening and the return of a favourite character…I just wonder where it’s going.   I’m also watching House of Cards season 2 … yes I’m waaay behind but love it.  Its been pretty strong this season too.   Also enjoying British police drama Luthor…I think I’m on series 3…but I lose track.  Suitably violent and disturbing and well, Idris Elba is fantastic.  I’ve also lined up two more Netflix Marvel shows to get into, Jessica Jones which I keep hearing good things about and the imminent Luke Cage which looks a lot of fun.  I may focus on Jones first as the two shows seems to connect with one another by looks of it.


Now back on topic … for movies I have a few in the pipeline you’ll be seeing reviews of.  I need to get around to watching Everybody Wants Some!  Richard Linklater’s spiritual sequel to one of my all time favourite movies, Dazed & Confused.  Also I’m hoping to see The Magnificent Seven with friends from work next week sometime.  Did I also mention that I have a special edition of Donnie Darko coming?  Look out for an in-depth review of that and how it stacks up on Blu-ray.  Also there’s that final Studio Ghibli movie When Marnie Was There that‘s out soon so I can’t wait to get my paws on that.

I’ve not forgotten about my continuing series My Gaming History which will have a new post in the coming days so look out for that.  But for now that’s what’s going on with me as far as a few of my hobbies, interests and this blog is concerned.