There’s a moment early on in Martin Scorsese‘s 3hr + epic when Robert DeNiro meets with Joe Pesci‘s mobster. Could I hear The Godfather theme playing gently in the background? If so, nice nod to a genre you helped immortalise Scorsese.
I was hyped for this. A crime drama with some of the biggest names in crime dramas reuniting for the first time in years? Where do I sign? Based on true events, DeNiro plays Frank Sheeran, a mob hitman who gradually rises up the ladder, going from blue collar worker to petty thief to mob enforcer to right hand man of infamous politician Jimmy Hoffa (Al Pacino). At the same time his story is told by an elderly Frank in a nursing home. One of the much talked about things with this movie was the ageing and especially de-ageing technology used to showcase various characters during different timelines. It’s clever stuff if not entirely successful and did take a bit of getting used to – especially when a (I’m guessing) 40-something Frank still carries himself like an awkward older guy at times, lacking the stature of the same actor in say Heat or Goodfellas. It’s a technology that I’m afraid struggles to hide the fact this movie should probably have been made years ago.
DeNiro is still great though and goes through a plethora of emotions to portray Frank, someone who’s not your everyday mob villain but a family man and a human being. In the closing scenes especially, portraying an elderly man with lots of memories and regrets, I’ll admit I came close to shedding a tear. It’s the ending that elevates this into the realms of potential ‘classic’ even if some sections in the middle revolving around Hoffa’s political dealings dragged and well, got a bit boring. Al Pacino is far from disappointing though, but I can’t say I was all that taken by the man he was portraying. On the other hand, Joe Pesci’s mobster is great and made me wish this guy still made movies and proved much more layered than the usual psycho routine he’s famous for.
It’s also a bit too long. The Jimmy Hoffa stuff, admittedly important to the story could have been trimmed down, and some scenes are drawn out. However this isn’t a zippy, snappy gangster movie but a thoughtful story of one man’s life, and for that it mostly succeeds. Martin Scorsese gives the movie a classy feel, with eye catching camera work, his trusted great choices in music and a great attention to detail. Overall, a must for fans of crime movies and for anyone wanting to see these screen legends deliver the goods one more time.
You’d think a movie based on a notorious true story and starring Kevin Costner and Woody Harrelson, would be a sure bet. However this thriller told from the perspective of two former Texas Rangers, pulled out of retirement to put a stop to Bonnie & Clyde was surprisingly ‘meh’.
Costner & Harrelson make for an good pairing however, and their banter and slightly bumbling approach to an off-the-books investigation proves the main enjoyment of the film. You see, despite an atmospheric setting and authentic sense of time and place, the movie really plods along, barely even showing the legendary bank robbers, especially ‘in the act’ and by focusing more on these has-been lawmen the movie fails to be as riveting as the subject might suggest. It’s also one of those very vague movies when it comes to various clues and important details leading to finally locating Bonnie & Clyde – which proves rather frustrating. In addition, the real-life fame and hysteria that surrounded the murderous criminals is only slightly touched upon.
There’s entertainment to be had here, but overall this was a missed opportunity. Another so-called Netflix original that underwhelms … I’m sensing a pattern.
It would be easy for some to pass off this Netflix original movie as just another TV-movie style ‘illness of the week’ effort … but that would be doing it a disservice. A powerful and gripping true story that has the always likeable Chloe Grace Moretz, who plays plucky young reporter Susannah who is living the dream; ideal job, the musician boyfriend and all. That is until some strange symptoms rear their head sending her into a downward spiral.
With the ‘mystery illness’ at the centre and thoroughly believable performances not only from Moretz who delivers possibly a career best, but also a support cast that includes the often underrated Carrie Ann Moss as her mother … this made me feel so affected not just by Susannah’s struggle but also that of her estranged parents, boyfriend and work colleagues. Watching a family come together but also feel so helpless was utterly heart-breaking.
With solid direction from relative newcomer Gerard Barrett and particularly effective use of sound to portray some of Susannah’s symptoms – this is one of those movies best approached knowing little about it and letting the mystery unfold. The only negative remains a somewhat sugar-coated ending that glosses over certain struggles. However, for a woefully dismissed movie critically, I have to say ignore such opinions and give this little gem your immediate attention.
As much as I’m a fan of Natalie Portman, I confess to not really seeking out her stuff since the acclaimed Black Swan … strange when I consider that one of the best movies of the last ten years. So I jumped at the chance to check out this latest Netflix Original movie. Portman plays a biological scientist who following the mysterious disappearance of her military officer husband (Oscar Isaac) gets recruited by a government organisation headed by Dr Ventress (Jennifer Jason Leigh). You see, a strange alien encounter has occurred affecting a now closed off area where a strange vapour has cut communications and anyone who has ventured inside, has not come back.
This gritty and scarily-convincing sci-fi drama is helmed by Alex Garland, the man who made Ex Machina, another great thought-provoking piece of sci-fi. This guy clearly understands his subject and has delivered another very effective experience. The entire movie has a tone to it that’s rather dream-like and sometimes messes with one’s head; trying to figure out what’s real and what’s not. Add to this flashbacks exploring Portman’s and Isaac’s relationship, with several revelations along the way and this proves a meatier story than it first appears. The alien ‘presence’ and how it effects the female scientists who go looking for answers is also handled imaginatively and gives an interesting spin on the whole alien-encounter subject, with truly unnerving possibilities.
It takes a while to get going, and is marred by some questionable CGI, and the logic behind the expedition left me a tad puzzled. However, with strong performances across the board, especially an excellent Portman – this is well worth checking out … especially if you’re after something that will leaving you really thinking afterwards.
Going into this it was easy to expect a typical haunted house fright-fest, and initially that did seem to be what we get. However following the untimely death of his father, a teenage guy moves with his mother into a large house in the mountains, which is up for sale but they’re aloud to stay there until it sells. Yet whilst there they have to deal with the fact it’s on the market as an ‘open house’ meaning the two of them need to make themselves scarce when people come to look around.
Things start to go bump in the night, and there is a presence watching over the mother and son as they not only try to adjust to new surroundings but also grieve for their loss. Yet with a strange neighbour who after a time seems to contradict herself with what she says, and a kindly but mysterious local shop assistant who comes across as a bit too friendly, this set up an intriguing concept with an atmospheric setting. Performances are not bad despite the script frequently letting it’s actors down, having for example the mother and son go into a creepy cellar several times alone rather than together despite a great deal of evidence that something may be ‘down there’. Really, it was making me want to yell at the screen after a while. It also has a rather cheap reliance on false jump scares. Yet despite these issues, I still found myself unnerved throughout, and it all lead to a ballsy climax that I hadn’t been expecting, leaving me rather shaken.
Not as mediocre as you may have heard. Worth a watch.
Mensen maken de samenleving en nemen daarin een positie in. Deze website geeft toegang tot een diversiteit aan artikelen die gaan over 'samenleven', belicht vanuit verschillende perspectieven. De artikelen hebben gemeen dat er gezocht wordt naar wat 'mensen bindt, in plaats van wat hen scheidt'.