Nostalgia is a funny thing. When I saw that this had been given the prestigious Criterion treatment, I immediately was transported back to when I saw this one night on TV many years ago and remember really liking it. Sitting down now with much more jaded eyes, it transpires it’s not quite the classic I thought it was, even though there’s still fun to be had. Jeff Daniels (Dumb and Dumber) plays Charles, a straight laced office worker who one day has a chance encounter with free-spirited Lulu (Melanie Griffith) who takes Charles on a road trip straight out of his comfort zone that awakens a side to him he never knew he had. Everything is going great until they bump into Lulu’s jail bird husband (Ray Liotta) who seems hell-bent on winning Lulu back.
Its a good concept and one I quickly felt engaged by, but once the ‘wild’ element of Lulu’s nature falls away and reveals who she really is, the movie stops dead, with a very awkward ‘lets go visit my mom’ scene and a drawn out high school reunion sequence. Thankfully once Liotta turns up the movie is cranked up several levels and transforms into more of a thriller. Liotta is brilliant, channelling that dangerous-charm he later honed to perfection in Goodfellas. Also Daniel’s proves much more than simply an every man for the audience to latch onto. Griffiths is also highly watchable and further proves why she was the go-to actress of the 80’s and has presence and personality to spare. The movie never really hits it’s stride though, suffering from a bit of an identity crisis and is neither funny enough to be a comedy, exciting enough to be a thriller or charming enough to be a love story. Like a lot of the other also-ran movies of the 80’s this one’s a bit of an oddity, but certainly retains a quirky appeal.
This UK Criterion release is rather underwhelming. The image quality, whilst showing off some vibrancy to it’s colour palette is marred by a lot of smudgy shots. There’s generally a soft look and lack of detail to the whole presentation. The 2 channel DTS HD soundtrack doesn’t exactly wow either, but dialogue is sharp even if music cues seem to lack punch. Extras consist of a detailed booklet that includes an essay by film critic David Thompson. On the Blu-ray itself there’s an archive interview with director Jonathan Demme and the screenwriter, and we also get a trailer. Not exactly the exhaustive treatment one might expect from Criterion.
A struggling actor (Craig Wasson – A Nightmare On Elm Street 3: Dream Warriors) finds himself looking for somewhere to crash following the discovery of his girlfriend’s affair, but soon descends into an underworld of voyeurism, sex and a who-dunnit murder mystery.
I’ve always admired the movies of prolific film-maker Brian De Palma and consider some of his output all time classics (Carrie, Scarface, The Untouchables). He has a distinctive visual eye and can put his skills to a number of genres. However it’s when his movies attract comparisons to the movies of Alfred Hitchcock and also Italian shock maestro Dario Argento that I become the most interested. Body Double bares a strong resemblance to both film-maker’s works but also has a perfectly sleazy tone that references a different time and is very much a celebration of 80s excess and exploitation. The story for what it is isn’t that well done and is fairly obvious and easy to predict especially if you’re at all familiar with any of the cast. However what is fun is De Palma’s cinematic eye that can make even mundane sounding sequences, like a journey through a shopping mall or a beach front terrace, enthralling due to some clever camera work and genuine tension. Craig Wasson is likeable if a rather unsympathetic character, and I’d forgotten just how much fun Melanie Griffith used to be and is adept here at delivering some great lines which are probably too explicit to repeat. Yet the movie is on a whole, especially considering De Palma’s impressive catalogue; a bit of an oddity and takes some alarming shifts in tone and style leaving me wondering what was the grand plan here…it really does feel a little thrown together. For a piece of 80s genre sleaze however, I’d still say give this a chance.
The Blu-ray suffers from a few smudgy scenes, especially towards the end of the movie for some reason … but this 4k restoration is otherwise decent looking with strong colours and some nice detail both in close-up and in De Palma’s grand wide shots. Dialogue is also crisp and free of lip-sync that I could see, and is delivered in the original stereo as well as a 5.1 soundtrack, which although not really making much use of surrounds is effective, especially in the lengthy ‘Relax’ sequence (spot the cameo by Holly Johnson). This collector’s edition from Indicator boasts a 40 page booklet that has an in-depth interview taken from 1984 as well as a ‘Brian De Palma’s Guilty Pleasures’ segment exploring the director’s influences. The Blu-ray itself comes with a series of featurettes with interviews with cast and crew, some archive, others more recent and proves invaluable for those interested in film-making and that of the movie itself and it’s legacy. Surprisingly no commentary which would have rounded this release off superbly but as it stands this is above average treatment for probably one of De Palma’s lesser efforts that still makes for a worthy purchase.
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