I really enjoyed the first Ant Man movie and thought it was a fun concept with some excellent effects and comedy. This follow up has Paul Rudd’s Ant Man under house arrest following his actions during Captain America: Civil War and when Michael Douglas’ scientist and his daughter discover a way to possibly retrieve Douglas’ wife from the Quantum Realm, they turn to Ant Man for assistance.
Not the deepest of storylines and one of the failings of this sequel which is mostly surface level entertainment more interested in gags and some slick action than having anything new to say that wasn’t already covered by the last movie. The house arrest subplot also seemed shoe-horned in to tie-up loose ends from other movies. I’d also add the pointless appearance from Walton Goggins (in his unending quest to be forgettable in every movie he appears in), and that motor-mouthed friend who like last time balances awkwardly between funny and annoying … even if he still gets some of the movie’s best lines.
Thankfully then, this energetic romp is bolstered by plenty of memorable sequences and welcome support from Lawrence Fishburn who plays a rival to Douglas. The relationship between Ant-Man and his little daughter is also really charming (if underdeveloped since last movie). I should also mention the mysterious, bad-ass character of ‘Ghost’ – an assassin who can phase in and out of form, enabling them to walk through walls etc who nearly steals the movie. For such a concept Ant Man never stayed in shrunken tiny perspective for long enough for my liking, preferring to jump in and out of sizes … but usually to great comedic effect (the school sequence). So quibbles aside this was still a solid follow up, but hopefully for the inevitable Ant Man 3 we’ll get something with a little more ahem… scale.
I think most of us knew that the sequel to the unexpected hit that was Deadpool, would be bigger and better, A movie that was basically a one trick pony first time around, that of Ryan Reynolds’ wise-cracking, self-aware ‘merc with the mouth’ didn’t have a great deal more going for it as far as plot or an interesting villain. So coming into this I was hoping for more. Step up to the task Josh Brolin, fresh off his movie-stealing turn in the latest Avengers, he plays Terminator-like bad-guy ‘Cable’, sent from the future to kill some acting-out mutant kid who wants to blow up an orphanage and those that govern over him. Deadpool see’s some injustice in the kids plight and offers to help, along with his band of reluctant friends he awkwardly names ‘X-Force’.
Reynolds is on brilliant form and his wealth of one liners, observations and fourth-wall breaking piss-takes are often hilarious. Thankfully this time around he’s not the only pull this movie has, because Brolin is again brilliant and there’s also a few other colourful characters to keep things interesting (personal fave: Domino). Yet the child actor at the centre of the plot is somewhat lacking, has poor line-delivery and stands out compared to his more seasoned and entertaining co-stars. Yet we do get a wealth of at times very violent, bloody action that is utterly unrestrained but skilfully executed, showing director David Leitch is an assured replacement for the original’s Tim Miller.
Some rather cheap-looking CGI doesn’t look all that much better than the first movie (especially Colossus) and not all the gags hit home runs. However, this matters little when what’s presented is just so infectious. I haven’t had as much at the cinema in a long time as I had watching this funny, exciting and crazy ride … which may play to the juvenile kid in all of us, but sometimes that’s exactly what’s needed. Just go see it already.
Do I suffer from comic-book movie fatigue? To a degree yes. I still enjoy some super-hero smack down action but have felt underwhelmed by recent fare both through over-familiarity with the concept and the desire for something different and a little deeper. So we come to this epic instalment where it seems Marvel is throwing everything at the viewer for the ultimate battle against what appears to be the ultimate foe – Thanos. Hinted at and foreshadowed in previous movies, the intergalactic megalomaniac, played by Josh Brolin is finally out to claim the fabled Infinity Stones, of which if he claims all six will give him ultimate power over life and death in the universe.
So the stakes are immensely high and it’s up to a disbanded Avengers (Iron Man, Captain America, The Hulk, Scarlet Witch, Black Widow etc) and any friends they can pull into their ranks (including Spider Man) to stop this powerhouse of a villain. In a movie like this it would be easy to go lazy and just fill the run time with fight after fight, which we get in spectacular fashion … but what takes this to another level is the depth to the characterisation I wasn’t expecting and even though it’s crowded with ego’s butting heads, somehow many of the characters get time to have their moment and stand out individually. Despite such a serious situation it also throws in moments of decent humour, especially with the inclusion of the Guardians of the Galaxy, with the scenes between Chris Hemsworth’s Thor and Chris Pratt’s Star Lord proving particularly funny.
So we come to the central figure here, the long awaited and somewhat hyped appearance of Thanos, and Josh Brolin brings a surprising amount of pathos and grit to the character that makes him the closest Marvel has got to the level of Heath Ledger’s Joker. He really is that good, and in a movie with many surprises and bold plot developments, he elevates the movie into the realm of classic status. The fact the movie takes risks with a very familiar formula, especially in it’s closing moments just has to be applauded also. This is the best Avengers movie yet and could possibly be the best Marvel movie. So simply put, you have to see this one.
After the critically panned yet commercial smash that was Batman V Superman (a movie I stand by as not being as bad as they say), we get this excuse to bring together several notable (and less notable) figures from DC comic’s illustrious history; namely Batman (Ben Affleck), Wonder Woman (Gal Gadot), The Flash, Aqua Man and Cyborg, when a centuries old, banished demon returns to claim three powerful cubes that if united will give him the power to conquer worlds. Yeah, the villain, Steppenwolf is basically Apocalypse from X-Men er…Apocalypse, but minus Oscar Isaac’s charisma, although by no means is he an unappealing adversary. Then we get the problem that Superman is dead, but there may be hope of resurrecting him if Batman’s plan works out.
Some people like to focus on a person’s imperfections. The same can be said when it comes to movie criticism, and I’ll admit I have been guilty of that in the past. However I am also a strong believer that some imperfections can be forgiven if they don’t ruin the overall experience. One such example is the rather luke-warm reception given to this latest entry in DC’s attempt to rival Marvel’s cinematic universe, which for the most part the company has fallen in the shadow of constantly. Yet having sat through it’s refreshingly lean-2hrs I came away wondering what people had issues with. The story whilst not anything ground-breaking is perfectly suitable and engaging to bring together these characters, and a witty script handles many egos together on screen particularly well, giving each individual a moment to shine. I especially enjoyed the slightly out-of-his-depth Flash and I found the otherwise unfamiliar Cyborg intriguing with his semi-Frankenstein’s monster backstory. Affleck again proves himself a worthy Batman / Bruce Wayne and thankfully Henry Cavill’s Superman gets some great moments also, with his resurrection handled rather well. Add to this a wonderfully likable (and damn sexy) turn from Gadot’s Wonder Woman and I found myself mostly buzzing from this.
The troubled development with director Zack Snyder having to pass the reigns to Joss Whedon is barely noticeable unless scrutinizing the tone of every scene. Amy Adams’ Lois Lane is a little side-lined but that’s to be expected with so many characters to focus on, and there’s some questionable CGI / green screen moments. Oh and that bit with Superman sporting CGI moustache-removal (in one brief scene) is a tad jarring. Also I’d have liked a bit more focus on the villain and just how he seems to psychically know the whereabouts of each ‘hidden’ cube. Thankfully such shortcomings are made up for by plenty of great action, superheroes kicking butt and bags of personality.
So ignore the nay-sayers, ‘cause this one’s definitely worth a watch.
I had heard a lot of good things about this and confess to really enjoying the Thor character and the lore surrounding him, even if I like many was underwhelmed by the last solo Thor outing, Dark World. In this third instalment, sandwiched somewhere between Avengers: Age of Ultron and the forthcoming Avengers: Infinity War, Thor (Chris Hemsworth) is captured by a demonic being who is said to bring about Ragnarok, the end of days for Thor’s home world of Asgard. However he sets about preventing this only to return home and find step-brother Loki up to his old tricks again, this time impersonating their father Odin (Anthony Hopkins). However a turn of events brings another family member out of exile in the shape of Hella (Cate Blanchett) who vows to claim her rightful place on the thrown of Asgard even if it means killing everyone who stands in her way.
It would be easy for me to yawn at this plot, it being yet another Marvel disgraced family member coming out of the woodwork and vowing revenge against those that shunned him (or her). It was done in the previous Thor movies and also (spoiler!) Black Panther, that it’s now getting very tired. Thankfully then that isn’t the entire focus of this movie. Oh no, firstly the dialogue is particularly sharp, with very funny banter from various characters, especially a wonderful, awkward buddy set up between Thor and Hulk (Mark Ruffalo). Add to this great support from Jeff Goldblum as the other-worldly ‘grand master’, several quirky side characters (the hilarious rock dude) and of course a still brilliant Tom Hilddleston as Loki – and this was just great entertainment throughout. The movie treads a careful balancing act between all out comedic farce and straight up action adventure, but somehow manages it, and even if Cate Blanchett’s villain is a walking cliché, the actress usual screen presence and charisma stands out and has such a cool design, familiarity can be forgiven in this instance.
It’s often better when these kinds of movies don’t take themselves too seriously, whilst still managing to deliver great action, memorable characters and gob-smacking spectacle. This is one such example. Highly recommended.
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