This relatively unknown, low budget indie thriller caught my eye due to it’s concept. A teenage kid who believes he could become a serial killer due to an obsession with murderers and his own sociopathic behaviour, stumbles on an actual serial killer case in his home town. That’s a (pun intended) killer concept right there.
Borrowing a tad from the overall plot of Dexter (takes a serial killer to track a serial killer) and with a ghoulish tongue-in-cheek sense of humour, I was easily along for the ride. The idea of exploring serial killers and lending that knowledge to tracking one down is interesting, but my gripe with this is that it’s a movie that doesn’t entirely have the balls to follow through on it’s concept. That being said performances are decent, especially genre legend Christopher Lloyd and young unknown Max Records (who clearly has to open a vinyl store). I also thought the killer’s motives were strangely sympathetic and at times it did get pretty grim and macabre (the lead character also works in a mortuary, so is surrounded by death). Now I’m going a little into spoiler territory in the next paragraph so if you want to go into this one totally fresh STOP READING NOW.
(mild spoilers). My issue is that the killer is not human, but some sort of creature and like movies before it (Jeepers Creepers, IT) that began promisingly with an eerie villain but later descend into ‘its a monster or an alien’ when they’re finally unmasked is both lazy and rather contrived. Why not make the serial killer a human being? Or is that a little too close to reality?
Some out of place choices of rock music ruin the mood occasionally, and overall it came off like an extended X-Files episode (not a bad thing). However I still managed to enjoy this despite it’s shortcomings and a reliance on horror movie convention.
Despite my liking of director Kevin Smith as a pop-culture icon and as a director, my expectations of this low budget indie comedy were considerably dialled back following Smith’s own admission of the movie’s less than stellar reception from critics. However I was still willing to give it a chance and what I’d seen and heard still appealed.
Two convenience store clerks (a Kevin Smith regular theme) both named Colleen (Lily-Rose Depp and Harley Quinn Smith) hate their jobs, wish they were singers in a band (and sort of are with their drummer Adam Brody) and long for something else in life, other than practicing Yoga and staring at their phones. Then one night the store comes under attack from a race of miniature Nazis and the girls find themselves the only two people who can save the world from a Nazi uprising … in Canada at least.
This isn’t a movie you go and see for the plot, as it’s bizarre and stupid and really just an excuse for Smith to throw in a lot of Canadian satire of Mounties, hockey, beavers and people saying ‘sorry aboot that’ all the time. It’s mildly-amusing but also a bit of an oddity not helped by mostly poor, cartoonish acting. Smith’s daughter is watchable but lacking and the same can be said of Johnny Depp’s daughter, and well neither of them can sing but I’m guessing that was intentional. Also Johnny Depp himself has an extended, near-unrecognisable appearance that’s typically caricature for the actor these days and certainly one of his least memorable. Much of the entertainment here comes from the Canadian in-jokes so if you’re not familiar with any of that a great deal of this will go over your head. The combination of Canadian and Nazi imagery certainly proved curiously intriguing and well, the Bratzi’s are so ridiculous they’re actually fun … and the climax involving a big monster is a lot of fun too. Yet it remains a movie that feels stitched together from ideas that should have either been fleshed out or left alone entirely, because really – who comes up with this material and were they smoking something at the time? However, this wasn’t as awful as I was lead to believe but certainly wasn’t that great either. Smith can and has done a lot better. One for the curious or die-hard Smith fans only.
One horror I had heard good things about and wasn’t a supernatural fright fest (shudder) or a remake. This has a wealthy family gathering together in their secluded mansion(!) for some occasion; three brothers, a sister and various girlfriends and boyfriends. Now as shown in the opening scene, some masked killers like to break into houses and slaughter the inhabitants, leaving the eerie message ‘you’re next’ written in blood for the next intended victim to see. Not a bad set up and fairly familiar territory if you’ve seen movies like The Strangers.
A cast of unknowns (except for an ageing Barbara ‘Re-Animator’ Crampton and horror director Ti West) are the fodder for the intruders, who are seen wearing weird animal masks and slaying people in increasingly gory but not all that inventive ways (bar a fun wire trick). The acting is amateurish, and most of the characters fairly unlikable even if a gutsy heroic female quickly proves the most interesting (with good ‘Nancy out of A Nightmare On Elm Street’ DIY survival skills).
Director Adam Wingard (V/H/S) delivers some effective shocks and has put together a competent if unsurprising horror with lashings of gore, a touch of nudity and lots and lots of screaming. A little more personality thrown around would have been a bonus and sometimes characters acted with alarming stupidity (lets go and have a lie down whilst house is being attacked by psychopaths??) … but if you’re after a slasher that doesn’t hold back and with a couple of fun twists … this still does the job.