Growing up I must have seen this movie on TV several times, and always marvelled not only at the atmosphere and setting, but those incredible creature effects by makeup artist Rob Bottin. Over the years CGI has taken over considerably, the recent ‘prequel’ being a noteworthy example of CGI not able to replace decent practical effects, and so despite this being over thirty years old, how does it hold up compared to today’s offerings?
Kurt Russell leads a cast of characters which bare at least thematically a resemblance to the crew of Alien’s Nostromo. These guys, working at a remote research facility in the Antarctic are not marines, but simple blue-collar workers, not unlike what you’d find of an oil rig … who are about to get an unexpected and unwelcome visitor. Director John Carpenter took inspiration from 50s b-movie The Thing From Outer Space, but brings his own personality and considerable directing chops to deliver probably one of the stand out horror movies of the 80’s. Colourful characters bring a realism to the movie that works well and the cast all do a fine job with Russell proving a great lead. The setting is also claustrophobic and well filmed; combining a mix of traditional cinematography with hand-held camera work. Once the ‘thing’ starts imitating various characters, tension ramps up and it became pretty disturbing and scary, especially with how the characters convey their paranoia and fear for those they once called friends. However the star of the show is the creature itself and it’s transformations and gory appearances are stuff of cinematic legend by now – and all these years later still impress. The scenes with tentacles, spiders legs and all sorts of other things still sent shivers my way. Yet Carpenter sensibly chose to make this as much a character piece as a creature feature and for that reason it excels.Arrow Video once again deliver a stunning package with the movie’s latest treatment on Blu-ray, improving immeasurably over the previous Universal release which suffered from lip-sync problems. Here we get a 4K restoration boasting a clean, detailed image free of dust or damage and in fine shape, even if it’s not the most vibrant movie you’ll see. All those gory details certainly get showcased however. Add to this a choice of original 2.0 Stereo, 4.1 and also DTS HD 5.1 Master Audio, and along with Ennio Morricone’s ominous score and clear dialogue – this is impressive stuff. Now as usual Arrow don’t shirk on the special features and here we get two audio commentaries; firstly an archive Kurt Russell & John Carpenter one which feels like two old time buddies watching a movie together, complete with laugh-out-loud reactions to certain scenes. The other is a commentary by a trio of podcasters that’s well worth a listen for endless titbits and geeky knowledge. We also get several featurettes, some archive, some new that are well worth dipping into if you’re a fan (and let’s admit it, if you’re reading this you already are). The Blu-ray limited edition I picked up also comes with a fold out poster, art cards and a detailed booklet as well as fancy slip case packaging. Which makes this edition essential.
The first movie was my favourite of 2014, so the prospect of a sequel was very exciting. This time around we find the unorthodox gang of heroes causing strife with a race of beings after Rocket the Raccoon (voiced by Bradley Cooper) gets a little light-fingered with some batteries. However following a space battle that could cause the guardian’s lives to end abruptly, a mysterious stranger saves the day. Turns out Star Lord (Chris Pratt) has a Dad who just so happens to be a pretty powerful guy himself, played with charismatic flair by the ever dependable Kurt Russell.
This fills in a few gaps left over from the last movie, especially the question surrounding Chris Pratt’s father and it was great being back in the company of these very likable characters again. The dialogue is especially sharp throughout, something that was a highlight of the last movie and the jokes & references come thick and fast to make this a ton of fun. Pratt’s character constantly makes quips about eighties pop-culture such as TV shows like Cheers and characters such as Skelator and Pac-Man, and makes him a very relatable and refreshing presence in this sort of movie. I was also glad to see that, despite the trailers, Baby Groot isn’t over-used but damn is he cute and very funny every second he’s on screen.
The soundtrack, another highlight last time around isn’t quite as memorable (apart from a great use of Mister Blue Sky by ELO) and a left-over side plot involving sisters Nebula (Karen Gillen) and Morgana (Zoe Saldana) felt unnecessary. I also did not get much out of the gold-painted race that turn up at the beginning and chase after our heroes. That being said Michael Rooker’s Yondu was again a joy and I’ve always liked the actor and we get some great moments with him here. The same can be said for scene-stealing Dave Bautista as Drax. Action generally is top-notch but the plot didn’t grab me as much or feel as layered this time, with the whole Kurt Russell’s planet sequence stopping the movie dead at one stage.
As it stands though this was a solid sequel and I can’t wait to see what comes next. The Guardians of the Galaxy will return!
I love a good disaster flick. Brings back to me memories of movies such as Towering Inferno, The Poseidon Adventure and probably also Titanic. So this based on true events story was an easy prospect. Mark Wahlberg, one of those actors who I’ve always enjoyed in pretty much anything stars alongside veterans Kurt Russell and John Malcovich in the story of a colossal disaster that hit the an oil rig off the gulf of Mexico in 2010.
Wahlberg plays Mike Williams, an electrical engineer who returns to work at Deepwater Horizon, leaving his dutiful wife (Kate Hudson) and daughter back home for what he believes will be a routine time on-board an oil rig. However after coming up against the bureaucratic dealings of a group of BP representatives (headed by Malcovich) Mike along with his supervisor Jimmy (Russell) begin to realise several safety measures may have been overlooked.
The movie takes a bit of time to get going and I’ll admit some of the technical jargon went over my head. Also Malcovich, usually a reliable presence in any movie, seemed particular subdued and sported a rather dodgy accent. With that said, once things do go south, its full on thrills and spills for the remaining running time. This is pretty intense stuff, directed with authenticity and boasts several heart-in-mouth moments that to be honest made the experience really jump from the screen and unnerve me. Effects work, both practical and I’m guessing CGI were very impressive too. Wahlberg, a very likable actor but with not that much depth, was also a surprise, proving convincing throughout; not too heroic but very human. Russell was a little more stereotyped but despite looking older than his heyday, still had screen presence. Also add to this what appeared to be first time actors or regular people filling out some of the extras for added realism and this had echoes of Tom Hanks vehicle Captain Phillips for an utterly believable representation of a shocking event.
(updated: 06/08/2016) I approached this with expectations seriously dialled back after hearing a few mixed and negative reactions to Quentin Tarantino’s eighth directorial effort. Following up arguably one of his best movies, Django Unchained was no easy prospect but as expected with a director that single-handily seemed to shake up a tired industry in the 90s with his brand of pop-culture referencing, sharply written scripts, this doesn’t even try. Instead what we get is a slow burning but thoroughly gripping character-piece that harks back to Tarantino’s bold, iconic début Reservoir Dogs more than anything else he’s made.
Kurt Russell is a bounty hunter transporting a woman accused of murder (Jennifer Jason Leigh) via stage coach to Red Rock, when he comes across fellow Bounty Hunter and former Major Samuel L. Jackson who also needs to get to Red Rock to claim his own bounty. Yet along the way a blizzard hits and the men are forced to hold up in a local tavern, where they come across several other colourful characters. Like Tarantino at his best, the key to enjoying this is the snappy dialogue, the fleshed out characterisation and the tension that gradually builds. Some have said this movie is slow, that nothing happens … and considering it’s on for over 160 minutes, I understand the restlessness, but awaiting a gunfight or some violence or a chase etc. is to miss the point – it’s not about action, the dialogue is the action and it’s about learning about all these characters, figuring out their motives and watching it all play out, not unlike a game of chess. With this in mind, Tarantino is on solid form – his writing skills, if a tad self-indulgent throw in humour, red herrings and surprises and still has that edge that made his name. On a pure dialogue-basis I’d even go as far to say it’s some of his best writing in years.
Samuel L. Jackson is the star here and does a stellar job and is ice-cool and decidedly him, no bad thing if like me you’re a fan. It was also great to see Kurt Russell commanding and tough-talking, and a flamboyant Tim Roth was also a lot of fun. There isn’t really a bad turn here, and even lesser characters like The Mexican stand out. A turn of events in the final act was a tad hard to swallow however and the ending was a little over the top and perhaps overly brutal. Yet that’s to be expected I guess, and along with Ennio Morricone’s classy score and simply gorgeous cinematography, obviously echoing the great westerns of yesteryear like Once Upon A Time In The West or The Good The Bad and the Ugly … this love letter to the genre, and to cinema itself just worked for me on many levels.
I remember this being one of my favourite movies when growing up. I watched it on VHS and subsequently on TV and picked it up on DVD, so naturally I was going to get the Blu-ray when it came out. Telling the story of wise-cracking truck driver Jack Burton (Kurt Russell) who during a stop off at San Francisco China Town re-acquaints himself with old friend Wang (Dennis Dun). Wang informs Jack that he’s meeting his new girlfriend at the airport. However on going to collect her the duo witness a kidnapping and soon, along with the help of plucky reporter Gracie Law (Kim Cattrall – Mannequin, Sex & The City) head into the Chinese underworld on a rescue mission.
This is an immediately fun, fast paced, albeit very 80’s experience. Kurt Russell is on fine form; a little more bumbling than some of his other roles but it works a charm as the fish out of water in a whole heap of trouble. Dunn, the actor who really should have become a bigger name than he did pretty much steals it though and Catrall is particularly beautiful, spunky and proves great support. Directed by John Carpenter (Halloween, The Thing) this genre entry overflows with ideas, is a love letter to Hong Kong action movies with heavy influence from Shaw Brothers Kung Fu and more mystical fair like Tsui Hark’s Zu: Warriors Of The Magic Mountain, and it’s clear everyone involved must have had a ball making it. Add to this Carpenter’s excellent guitar-synth score and well, this is a movie that just bleeds fun.
It’s all very cheesy, the dialogue and some of the jokes are as corny as it gets and some of the action in my opinion could have been shot better – and well, the pace is exhausting, where I was wishing the breaks were applied occasionally. Yet with a great villain (genre favourite James Hong – Blade Runner, Wayne’s World 2) and some still great looking effects work … I got a kick out of watching this again.
The Blu-ray from Arrow Video is once again an above average treatment for a classic movie. Detail on a whole is high even if the slightly smudgy look of the era is retained. Faces and sets all display a depth with decent shadow detail and good clarity. The re-mastered DTS HD Master Audio soundtrack may not make much use of the surrounds but the bass-heavy score is effectively delivered and dialogue is crisp throughout. Extras-wise we get a pretty exhaustive selection with several interviews from cast and crew as well as a vintage featurette, music video, galleries, an extended ending and a feature-length commentary. Add to this Arrow’s inclusion of a detailed booklet written by John Kenneth Muir, and this rounds off an impressive treatment for a still very enjoyable movie.
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