Baby Driver


Viewed – 29 June 2017  Cinema

I went into this fairly blind.  I knew it was directed by Edgar Wright, who’s style had impressed me with movies like Scott Pilgrim Vs. The World and Shaun of the Dead, and well… who doesn’t enjoy a good car chase movie?

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Relative new-comer Ansel Elgort plays a young guy who works as a getaway driver for Kevin Spacey’s heist planner, and has to work with a variety of violent crims along the way.  The thing is, he happens to have a bad case of tinnitus following an accident and resorts to playing his iPod to drown out the ringing (good way to make it worse, mate).  This unusual spin on a tired formula has a likeable lead performance, a gentle slow burning love story involving a (very) cute waitress and several heart-in-mouth action sequences involving some damn fancy driving.  So this delivers as a fast, fun and frantic ride but what does it bring to the table we haven’t seen before?  The inclusion of music ranging from Motown to jazz is an interesting idea and has some of the action and gun fights even playing along to the tunes – albeit only marginally successfully.  Thing is the music itself isn’t that memorable and when it really should have stood out, the other sounds, like gunfire and tires screeching, drowned out what is actually being played (including a near inaudible ‘Brighton Rock’ by Queen).

Thankfully the script is sharp and often funny, and the central love story is engaging with Ansel good as the lead (although his frequent dancing and bopping gets a little silly).  Also turns from John Hamm, a scene-stealing Jamie Foxx and of course Spacey are all on-par.  Oh and Edgar Wright sure can film action, with lots of clever, ultra-stylish imagery making every sequence explode.  So all in all this was a fun …ride, but what originality it tries to inject ultimately left this feeling overly familiar instead.  One to check out though.

Verdict:  3 /5

What I’m watching


I thought I’d write a small post about the TV shows I’m currently watching and my brief thoughts on each.  Over the last few weeks some have had new seasons start and it’s been fun getting back into familiar characters and storylines.  One such programme is Orange Is The New Black which has become one of my favourite shows even though I struggled through season one initially.  However the show has gone from strength to strength and this fourth season is already looking very promising.

OrangeIsTheNewBlack

I am also quite addicted to House of Cards which is currently at four seasons but I’ve been rather late to the party and am working my way through season two.  I’m loving watching Kevin Spacey, Robin Wright etc. manipulate, corrupt and conspire their way through U.S. congress.  I’ve almost finished the latest season of Game of Thrones, a show I began watching simply because so many people I knew were talking about it and so I caved in and took the plunge and am so happy I did.  The earlier seasons were a bit reliant on sex and violence and well, shock factor and that hasn’t changed much but with a greater knowledge of all the characters I’ve really found myself absorbed by it all and it probably is the best big budget drama on TV at the moment.

GameOfThrones

One I’m struggling with this season is Daredevil – following a riveting, surprising and addictive first season, this second helping has felt a lot more drawn out and tiresome, wasting a pivotal character’s inclusion by descending into yawnsome courtroom drama … but I still like the main characters and will stick with it to see how this season concludes.

WentworthPrisonTwo shows I’ve also started watching again are Wentworth Prison and Luther, the former being the Australian women’s prison drama that’s loosely based on cult Ozzy soap Prisoner Cell Block H and is really well done and stylish and at times quite violent.  It’s been very good since its inception and this season doesn’t look like faltering on that initial promise.  The latter is a British crime drama series with Idris Elba as a cop who specialises in solving serial murder cases whilst at the same time battling his own psychological demons.  It’s a bit samey from episode to episode but the shock factor of some of the storylines and Elba’s performance has drawn me back to this one after a long break.

Well those are the shows I’m currently into and enjoying so far, between movie watching, music listening and occasional gaming.

When casting goes wrong


We’ve all been there, the anticipation, the excitement for a new adaptation of our favourite book or a continuation of a much loved franchise, only to have our hopes dashed when they announce who is playing who.  See below a few such roles I think were badly miscast.  Do you agree?

Kate Bosworth as Lois Lane in Superman Returns

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There may be many things wrong with this misjudged sequel to the much loved Superman franchise, even if Kevin Spacey is kind of great as Lex Luthor … I’m sure few can forgive the overly moody, personality-free performance of Kate Bosworth as one of comic-book worlds most loved characters.  Thankfully rectified in Man Of Steel’s Amy Adams.

Pernilla August as Shmi Skywalker in Star Wars Episode 1: The Phantom Menace

shmi skywalker

This is another movie that has many problems, but none more so than the meant to be earnest and emotional but actually wooden and amateurish performance of Anakin’s slave mother.  Surely this could have added much needed weight to young Anakin’s story instead of just making this viewer cringe.

Val Kilmer as Batman / Bruce Wayne in Batman Forever

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Personally my least favourite Batman movie, Jim Carey aside and yes I actually prefer Batman & Robin!  But Kilmer here had no presence, no charisma and just didn’t suite either the dark knight or the playboy millionaire persona.  Shudder.

Julian McMahon as Dr Doom / Victor Von Doom in The Fantastic Four

Dr Doom

Yes he’s from Nip/Tuck and kind of pulls it off as a charming nutjob – but the Dr Doom of the comic-books was a hulking, muscle-bound overlord that no matter how much he tries, McMahon just can’t pull off.  A poor-mans bad guy in what turned out to be a poor-man’s X-Men movie (that wasn’t an X-Men movie).

Timothy Dalton as James Bond in The Living Daylights

james bond

The looks, perhaps, but the wit and charm of either Connery or Moore?  Not a chance.  The follow-up movie Licence To Kill was at least a good story but Dalton was on borrowed time from the start and just didn’t deliver anything resembling the spy many of us grew up loving.

Daniel Craig as Mikael Blomkvist in The Girl With The Dragon Tattoo

dragon tattoo

Hot off the set of Bond, where he was surprisingly good, he steps into the shoes of actor Michael Nyqvist and lacked much of the believable emotion of Nyqvist’s performance in what turned out to be one of the most disappointing remakes in a long time – even in the hands of David Fincher.

Sylvester Stallone in Judge Dredd

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As the recent Dredd proved this character demands a no-name star beneath that iconic helmet to truly become judge, jury and executioner.  At the time Stallone was big business and he transformed what should have been a faithful comic-book adaption into another Stallone action-fest.  Not a good one at that.

Horrible Bosses


Viewed – 27 January 2012  Blu-ray

When first hearing about this movie, the classic Dolly Parton movie / song Nine To Five came to mind, as it similarly follows the story of three disgruntled employees who plot to kill their bosses.  Jason Sudeikis of Hangover fame, finds his lovable boss Donald Sutherland replaced by son Colin Farrell, who just happens to be a coke snorting womanizing ass****.  Jason Bateman is ruled over by scum bag Kevin Spacey who treats him like crap, and newly engaged Charlie Day is being sexually harassed by Dentist Jennifer Aniston.

This very funny movie is full of great lines, most of them toilet humour juvenile granted, but with a quality cast that all deliver and increasingly absurd situations (look out for the ‘wet works’ moment), this was a movie that really entertained.  Sudeikis again proves to be one of the more assured comedy talents around, and Bateman also made for a likeable and funny ‘straight man’ amongst the chaos.  A special mention must go to Jennifer Anniston playing against her rom-com stereotype and being ridiculously sexy throughout, and Spacey also makes for a very good villain, even if the part is not exactly a stretch for him.  The script may be a little too reliant on crude gags and colourful language, and some times it gets a bit too silly (with a totally over-the-top Farrell) … but along with a memorable cameo from Jamie Foxx, this ticked many of my boxes.

Fans of movies like The Hangover, Hall Pass etc should be all over this, and for anyone who likes a well written comedy with a quality cast … recommending this one is a no-brainer.

Verdict:  4 /5

Se7en


Viewed – 01 October 2010  Blu-ray

This dark and dreary thriller from David (Fight Club) Fincher has Morgan Freeman as the world-weary detective on the verge of retirement having to take under his wing a young newcomer (Brad Pitt), and stumbles upon a series of shocking murders seemingly linked to the seven deadly sins.  This cracking premise is intelligently put together and cemented Fincher’s reputation as a director to watch after an admirable debut with Alien 3 left audiences thirsty for more.  With the great pairing of Freeman & Pitt, who both offer dramatically different viewpoints on the crimes, and with an atmosphere of dread that thankfully never overwhelms, this truly delivers as a film up there with the infamous The Silence of the Lambs.   Add to this one of the most astonishing endings I think you’re ever likely to see, and with the scene stealing Kevin Spacey, who at the time wasn’t the name he is now – this is without doubt one of the best movies of the 90s, and has gone on to become a classic. 

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