2020 has been a very strange year, due to a global pandemic resulting in the pushing back of big names movies, closing cinemas or forcing some movies to get released on streaming platforms for a premium price. So watching movies hasn’t been as simple or as accessible as we’ve been used to. During the year I’ve found myself watching older catalogue titles on Blu-ray or focusing more on TV, gaming or doing challenges like my A-Z challenge during the summer.
However that doesn’t mean I missed out on some quality movies, and the count down that follows, showcases for me the cream of the crop. Please note these are movies i enjoyed the most during the year … but some may have been released earlier than 2020.
Birds of Prey
Ford V Ferrari (aka Le Mans ‘66)
Fighting With My Family
Jo Jo Rabbit
Honourable mentions: Greyhound, Incident in a Ghostland
Well there you have it. Here’s to hoping 2021 goes a little more smoothly. Like 2020, I think we’re in for some treats as far as movies are concerned and of course I’ll try and watch and review as many as I can. Happy New Year folks!
I tend to approach a movie directed by Christopher Nolan with a degree of expectation. Over the years he has earned his place as one of the most skilled directors around, with acclaimed works such as Inception, Interstellar and of course The Dark Knight trilogy. This latest has him attempt the spy / espionage sub-genre and you do get the impression he’d make a helluva Bond movie – but this gives the genre Nolan’s own unique spin. So how does it fair?
Before get to that let’s go into the plot. A CUA operative (John David Washington) gets embroiled in a complex plot to over throw a Russian arms dealer (Kenneth Branagh) who seems to have stumbled upon a top secret weapon that could mean the end of the world. This weapon has something to do with time inversion, where objects or people can be inverted so they work in reverse of perceived time, therefore manipulating the world as it see’s fit because it’s already happened. The movie has us grapple with this high-brow concept whilst delivering exhilarating, unique action set pieces (the freeway heist) I felt only a director of Christopher Nolan’s calibre could pull off. The plot is confusing at first as our protagonist tries to stop a mad man whilst grappling with the fabric of time itself. Yet it’s a time travel movie done in a way I don’t think we’ve seen before, … that’s head-scratching but also awe-inspiring, with all the necessary ‘aha’ moments when certain details fall into place. This is rather ingenious writing that I’ll admit to not really being clever enough to unravel on first viewing.
Beyond the complex ideas at play, there is also the matter of stunning IMAX photography, which is more plentiful here than in the director’s previous work aided by a reliance on large-scale stunt work, practical effects and grandeur. The movie globe trots from eye catching locale to eye catching locale and it all looks lush. Performances ranging from Washington’s cool as ice Protagonist to Brannagh’s scenery chewing villain are decent, even if plot exposition can get lost in line delivery that’s often mumbled (and occasionally drowned out by the movie’s score) The fact this movie is hard to follow is really it’s only failing. Otherwise it delivers action, scale and imagination that’s on a different level. Perhaps not Nolan’s best, but certainly up there with some of his other movies if given the attention it deserves.
An African-American cop in the 70’s infiltrates the Klu Klux Klan in a bid to expose them and prove himself at the same time.
This movie had a really strange vibe. Lead actor John David Washington stood out like a comedy actor in a straight movie who still thinks he’s in a comedy. The subject of racism and the KKK is clearly being satirised but sits uneasy with such a serious, sickening subject. This is not helped by the movie eventually throwing in shocking real-life footage to hammer home its point. Director Spike Lee has always been one of the strongest voices for black culture and black cinema but here his intentions feel misguided. The story based on a book isn’t as compelling either and I came away wondering just what had the main character achieved? Star Wars’ Adam Driver is decent as a fellow detective and performances overall are fine. Lee has delivered a stylish, authentic looking movie yet also fills it with some odd music cues with an overall 70’s blaxploitation feel.
As a different take on the subject of racism and as a movie that certainly has some fun and intriguing moments it’s worth a watch … I just think it would have been more impactful played either entirely comedic or entirely straight.
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