Annihilation


Viewed – 18 March 2018  Netflix

As much as I’m a fan of Natalie Portman, I confess to not really seeking out her stuff since the acclaimed Black Swan … strange when I consider that one of the best movies of the last ten years.  So I jumped at the chance to check out this latest Netflix Original movie.  Portman plays a biological scientist who following the mysterious disappearance of her military officer husband (Oscar Isaac) gets recruited by a government organisation headed by Dr Ventress (Jennifer Jason Leigh).  You see, a strange alien encounter has occurred affecting a now closed off area where a strange vapour has cut communications and anyone who has ventured inside, has not come back.

Annihilation

This gritty and scarily-convincing sci-fi drama is helmed by Alex Garland, the man who made Ex Machina, another great thought-provoking piece of sci-fi.  This guy clearly understands his subject and has delivered another very effective experience.  The entire movie has a tone to it that’s rather dream-like and sometimes messes with one’s head; trying to figure out what’s real and what’s not.  Add to this flashbacks exploring Portman’s and Isaac’s relationship, with several revelations along the way and this proves a meatier story than it first appears.  The alien ‘presence’ and how it effects the female scientists who go looking for answers is also handled imaginatively and gives an interesting spin on the whole alien-encounter subject, with truly unnerving possibilities.

It takes a while to get going, and is marred by some questionable CGI, and the logic behind the expedition left me a tad puzzled.  However, with strong performances across the board, especially an excellent Portman – this is well worth checking out … especially if you’re after something that will leaving you really thinking afterwards.

Verdict:  4 /5

The Hateful Eight


Viewed – 07 May 2016  Blu-ray

(updated: 06/08/2016) I approached this with expectations seriously dialled back after hearing a few mixed and negative reactions to Quentin Tarantino’s eighth directorial effort.  Following up arguably one of his best movies, Django Unchained was no easy prospect but as expected with a director that single-handily seemed to shake up a tired industry in the 90s with his brand of pop-culture referencing, sharply written scripts, this doesn’t even try.  Instead what we get is a slow burning but thoroughly gripping character-piece that harks back to Tarantino’s bold, iconic début Reservoir Dogs more than anything else he’s made.

hateful_8_sam_jackson

Kurt Russell is a bounty hunter transporting a woman accused of murder (Jennifer Jason Leigh) via stage coach to Red Rock, when he comes across fellow Bounty Hunter and former Major Samuel L. Jackson who also needs to get to Red Rock to claim his own bounty.  Yet along the way a blizzard hits and the men are forced to hold up in a local tavern, where they come across several other colourful characters.  Like Tarantino at his best, the key to enjoying this is the snappy dialogue, the fleshed out characterisation and the tension that gradually builds.  Some have said this movie is slow, that nothing happens … and considering it’s on for over 160 minutes, I understand the restlessness, but awaiting a gunfight or some violence or a chase etc. is to miss the point – it’s not about action, the dialogue is the action and it’s about learning about all these characters, figuring out their motives and watching it all play out, not unlike a game of chess.  With this in mind, Tarantino is on solid form – his writing skills, if a tad self-indulgent throw in humour, red herrings and surprises and still has that edge that made his name.  On a pure dialogue-basis I’d even go as far to say it’s some of his best writing in years.

Hateful EightSamuel L. Jackson is the star here and does a stellar job and is ice-cool and decidedly him, no bad thing if like me you’re a fan.  It was also great to see Kurt Russell commanding and tough-talking, and a flamboyant Tim Roth was also a lot of fun.  There isn’t really a bad turn here, and even lesser characters like The Mexican stand out.  A turn of events in the final act was a tad hard to swallow however and the ending was a little over the top and perhaps overly brutal.  Yet that’s to be expected I guess, and along with Ennio Morricone’s classy score and simply gorgeous cinematography, obviously echoing the great westerns of yesteryear like Once Upon A Time In The West or The Good The Bad and the Ugly … this love letter to the genre, and to cinema itself just worked for me on many levels.

Verdict:  4 /5