I must admit I like Jason Bateman. Other than his excellent turn in the Ozark tv series, he’s always enjoyable in most things he appears in. This comedy has him as one half of a couple who once a week get together with their friends for ‘game night’. However one such night, Bateman’s arrogant elder brother turns up to propose a new game that will involve a kidnapping and nobody will know what is real and what isn’t.
Co-starring the equally reliable Rachel McAdams, initially I wasn’t sure what to make of this. The characters are all drawn a little larger-than-life and could’ve got obnoxious until that is, the story kicks in and quickly the movie got really interesting. This is helped by a solid script with many funny lines and unexpected twists and turns. McAdams & Bateman are a good pairing and I was always invested in what was going on. Support comes from Kyle Chandler as the elder brother and the increasingly enjoyable Jesse Plemons (Breaking Bad) as the a creepy neighbour.
It gets a bit silly towards the end and I did get a bit lost amongst the plot twists at one stage, but overall this was still highly entertaining. One to check out.
Jason Bateman for as long as he’s been around, has never really been the sort of actor that guarantees bums on seats. He’s been known for TV sitcoms like Arrested Development and a wealth of comedy movies such as Horrible Bosses. Yet I’ve always liked him and always look forward to seeing him in stuff. This latest thriller has him as a successful business man who has recently moved into a nice up-market neighbourhood with his beautiful wife (Rebecca Hall). The perfect little life, until that is an old school friend bumps into him one day and gradually starts muscling his way into their lives. Gordo (Joel Edgerton) seems nice, normal if a little awkward and pushy, but mostly harmless – or is he?
Classic psychological thriller territory for sure, think The Hand That Rocks The Cradle, Single White Female etc. and you’ll get the idea. However this has a stand out performance from Bateman, who shows a depth and complexity to his character I wasn’t expecting. Also Edgerton as Gordo (who also directs) is perfectly strange and mysterious and possibly psychotic – but balances the uncertainty well. The movie mostly focuses however on Hall’s character who is vulnerable and troubled, with a past hinting at something that went wrong (possibly a miscarriage) between the couple and how the new home is a new start. I enjoyed this as it played with genre conventions, threw in a few excellent jump-scares and kept me guessing.
It’s fairly safe in it’s concept and certainly could have elaborated more on things with the odd flash back, as I came away still asking questions about these characters. There was also potential for the story to go to much darker depths. But these are small gripes and overall The Gift was a gripping and well written thriller that surprised and entertained in equal measure.
Hot off the success of her star-making turn in Bridesmaids, comedienne Melissa McCarthy plays Diane, a woman who steals people’s identities. One such unsuspecting victim is Sandy (Jason Bateman) who’s life quickly spirals out of control when debts wrack up in his name. In an attempt to reclaim his identity he chooses to track Diane down in a hope of bringing the woman to justice – but doesn’t bank on the heap of trouble that comes with her.
This was a fun movie. I had heard about it and the rather ‘meh’ reviews that followed so didn’t exactly jump at the idea of seeing it, but hell – sometimes I like an easy going comedy if I’ve had a stressful week, and this fit the bill nicely. What I wasn’t expecting was just how funny and likable Melissa McCarthy is – who for me wasn’t the sole reason Bridesmaids was so damn good. She handles slapstick, a motor-mouth persona and more than matches a very enjoyable Jason Bateman as the everyman nice guy (sort of his thing these days) on a roller-coaster road trip from Florida to Denver chased by a duo of hit men and a bounty hunter (a great appearance from an almost Terminator-like Robert Patrick).
The jokes aren’t exactly stunners and it relies a bit too much on McCarthy’s prat-falls and I’ll admit her wild antics sometimes fell short (was that the un-funniest sex scene ever?). The hit men (or should that be hit man and hit woman) were also glaringly under-developed and even a cameo from Breaking Bad’s Jonathan Banks shed no light on just why they were after Diane. That being said, McCarthy & Bateman made for a very enjoyable pairing and I for one had a good time in their company. Worth seeing.
When first hearing about this movie, the classic Dolly Parton movie / song Nine To Five came to mind, as it similarly follows the story of three disgruntled employees who plot to kill their bosses. Jason Sudeikis of Hangover fame, finds his lovable boss Donald Sutherland replaced by son Colin Farrell, who just happens to be a coke snorting womanizing ass****. Jason Bateman is ruled over by scum bag Kevin Spacey who treats him like crap, and newly engaged Charlie Day is being sexually harassed by Dentist Jennifer Aniston.
This very funny movie is full of great lines, most of them toilet humour juvenile granted, but with a quality cast that all deliver and increasingly absurd situations (look out for the ‘wet works’ moment), this was a movie that really entertained. Sudeikis again proves to be one of the more assured comedy talents around, and Bateman also made for a likeable and funny ‘straight man’ amongst the chaos. A special mention must go to Jennifer Anniston playing against her rom-com stereotype and being ridiculously sexy throughout, and Spacey also makes for a very good villain, even if the part is not exactly a stretch for him. The script may be a little too reliant on crude gags and colourful language, and some times it gets a bit too silly (with a totally over-the-top Farrell) … but along with a memorable cameo from Jamie Foxx, this ticked many of my boxes.
Fans of movies like The Hangover, Hall Pass etc should be all over this, and for anyone who likes a well written comedy with a quality cast … recommending this one is a no-brainer.
It’s easy to like Brit comedy actors Nick Frost & Simon Pegg, two obvious best buds whose television and movie parings have made for comedy gold, helped by their obvious talent and endless knowledge of pop culture. Shaun Of The Dead, their big-screen debut was the perfect marriage of romantic comedy and zombie horror and remains one of the best comedies to ever come out of the UK. Pegg has subsequently gone onto a Hollywood career, starring in the likes of the Star Trek reboot. But as is expected, he’s right at home alongside Frost, and again we have a sure-fire hit on our hands.
Mensen maken de samenleving en nemen daarin een positie in. Deze website geeft toegang tot een diversiteit aan artikelen die gaan over 'samenleven', belicht vanuit verschillende perspectieven. De artikelen hebben gemeen dat er gezocht wordt naar wat 'mensen bindt, in plaats van wat hen scheidt'.