Charlize Theron is certainly now one of those bankable stars and somewhat a chameleon who can deliver the goods in a wide variety of roles. Following her action-star making turn in Mad Max Fury Road previously, carrying her own action vehicle seemed an obvious progression (as long as we forget Aeon Flux). So we get an 80’s set espionage thriller that see’s Theron as Lorraine, a highly trained spy who’s given the task of tracking down a stolen micro-film containing the real identities of tons of secret agents. Along the way she teams up with James McAvoy’s under-cover agent, with the backdrop of the fall of the Berlin wall as set dressing.
This felt like it was trying too hard to be cool, minus the director’s actual ability to marry cool looks and cool action with cool music (leave that to either Tarantino or Nicolas Winding Refn). However, with Theron’s obvious presence, an interesting setting with all that cold-war intrigue and political unrest … what we get is an energetic and at times gutsy thriller, somewhat in search of it’s own identity. You see, we’ve seen this plot many times, the story is basically Mission Impossible #1 and well, Theron’s Lorraine isn’t that far removed from Angelina Jolie’s ‘Salt’. McAvoy also didn’t add much, looking like Tyler Durdon and grimacing and doing his quickly grating McAvoy-thing throughout. The story wasn’t that easy to follow either, told mostly in flashback with a wealth of double crosses, twists and misdirection. After a while it gave me a bit of a headache.
Which is a shame as beneath it’s flaws and familiarity, there’s potential for a great movie here. We do get one incredible, superbly-choreographed sequence involving Theron, an army of bad guys and a stairwell, but when the story confuses and characters hide so may secrets and agendas, I just had difficulty caring. It’s worth a look for Theron and some decent action, but otherwise there’s better thrillers out there.
It’s probably safe to say that acclaimed director M Night Shyamalan has been off his game for a few years, with such poorly received movies as The Last Airbender and The Happening. However recently there seems to have been a slight return to form, what with the well received The Visit and now this much talked about thriller. James McAvoy plays a disturbed man who suffers from dissociative personality disorder and claims to have 23 different personalities all vying for attention. Told with a combination of visits to his psychiatrist and the kidnapping of three young women by his more sociopathic personalities, this sets the stage for a clever little thriller, held together by a demanding and often eye-opening performance.
The initial impression I got from the trailer (and I tend to avoid trailers for the most part) wasn’t all that positive despite plenty of good word-of-mouth. McAvoy you see delivers a myriad of different performances here, some menacing, others it has to be said rather absurd and silly (do we really need him to do a rather dodgy impression of a nine year old boy, complete with a lisp?) and less said about the campy female personality the better. Which is a shame as Shyamalan’s direction is tight and atmospheric, full of eerie camera movement not unlike something from a Hitchcock movie and great use of claustrophobic locations. The three turns from the kidnapped girls are also good, especially from The Witch’s Anya Taylor-Joy (an actress who continues to impress). However a final twist involving a 24th personality throws the movie into schlocky horror, doing away with it’s otherwise semi-realistic tone … and well, we get a final scene that adds a connection to an earlier Shyamalan movie that just felt forced.
However with what has to be said is a colourful and impressive turn from McAvoy (his transitions from certain personalities are damn freaky) and bags of tension I still found myself entertained. Just sad the idea promised much more than the movie could eventually deliver.
An ancient Egyptian mutant, said to be the very first mutant finds himself resurrected in the eighties after thousands of years and is hell-bent on rising up against humanity. However when Dr Xavier stumbles upon his plot, a somewhat disbanded collection of X-Men must unite to save the world.
I wasn’t expecting much from this and wasn’t the biggest fan of the previous movie, Days of Future Past which everyone seemed to love (?). However presented with a rather formidable villain from the off and with plenty of colourful and recognizable characters I soon found myself enjoying an X-Men movie again. Director Brian Singer seems to have swapped that rather convoluted time travel plot-device this time around in place of a more coherent good versus evil battle with a threat of global genocide thrown in for good measure. It works much better having a simpler narrative in such a complicated universe with so many characters and their various back stories. Yet the movie cleverly weaves in nods and often funny references to past movies and the comics without beating the viewer over the head. It made for an experience that was more comfortable and easier to simply enjoy.
The story took time to build tension, focus on key characters, explore individual motives and convincingly bring them together when required. Standout performances came from Jennifer Lawrence who this time is more character driven and less kick-ass as Mystique and James McAvoy as the always fascinating Xavier. I also enjoyed Oscar Isaac as Apocalypse, perhaps his first bad guy role and he nails it – sinister, powerful and visually bad-ass. It was also fun to see an origin story of Cyclops and to an extent Jean Gray (Game of Thrones’ Sophie Turner – still not much of an actor, sadly). However Michael Fassbender’s Magneto whilst good has a character ark that purely services the plot and doesn’t entirely ring true, and well the whole end of the world stuff is particularly clichéd. Yet with often stunning action, some excellent CGI and plenty of energy this 2hr 20min+ movie still zipped along. For me it’s the best in the franchise since X2 … and probably the most satisfying blockbuster of the year.
Probably next to that Apes movie, the next most acclaimed summer blockbuster of the year. A welcome return of the mutants headed by Dr Xavier (Patrick Stewart) on a time-bending mission to prevent shape-shifting femme fatale Mystique (Jennifer Lawrence) from killing a scientist who brings about a war against mutants. Wolverine (Hugh Jackman) is called in to send his conscience back to the seventies, with the help of Kitty Pryde (an under-used Ellen Page). There he must recruit the younger Charles Xavier as well as an imprisoned Magneto (Michael Fassbender) to aid him in his mission.
This was a bit of a strange ride….whilst I dig time travel storylines, this was sometimes hard to get into, although the seventies setting with the backdrop of the Vietnam war was welcome and done really well. James McAvoy is again very good as Xavier’s more troubled, younger-self and Hugh Jackman’s grizzled, dead-pan Wolverine is always a joy to watch. The stronger emphasis on Mystique was good too, and well she’s smoking hot strutting her blue-skinned stuff in some stand out acrobatic fight sequences. However with the long history of Magneto generally being an evil megalomaniac, busting him out of a prison quickly proves a bad idea and sitting here I’m still wondering what the point of his involvement was, considering they had Wolverine, Beast and a memorable Quicksilver (Evan Peters from American Horror Story).
Effects were of course top-drawer with a superb ‘let’s rip a football stadium out of the ground’ scene … but much of the plot relied heavily on having a good knowledge of the previous X-Men movies with many small details like nods to Rogue and Jean Gray probably going right over the heads of newcomers. So it felt like I’d come into the show half-way through with the whole Sentinals situation just going on, wiping out Mutants like a continuing part of a TV series. That being said the principle actors all did a decent job (especially Lawrence) with somewhat muddled material .. so no, for me at least … this wasn’t as good as I had heard.
James McAvoy has so far impressed me with enjoyable turns in outrageous action flick Wanted and despite reservations, Xmen: First Class. So a Brit crime thriller with him as a damaged but relentless cop and everyone’s favourite Brit bad guy, Mark Strong (Kick-Ass) as a master thief / bank robber … this can’t go wrong, can it?
McAvoy plays a tough detective on the mean streets of London whose relentless pursuit of a skilled, ruthless criminal is cut short when said criminal leaves him injured after a chase – but doesn’t kill him. Switch to 3 years later and the criminal is called out of semi-retirement when his son is injured in mysterious circumstances, sparking the interest of metropolitan’s finest and soon it turns out both cop and criminal may have a mutual enemy.
Although extremely stylish and peppered with some impressive shoot-outs, this is let down by a very familiar setup – think Heat, Fast & Furious or even John Woo’s Hard-Boiled and you get the picture. The two main characters are also pretty much stereotypes, lacking in depth beyond being grizzled and handy with a gun – and was that a homoerotic vibe I sensed?
There’s good support however from Walking Dead’s David Morrisey and also Andrea Riseborough, and director Eran Creevy shows no lack of skill by delivering cool action, beautifully framed shots and making London look like a cyberpunk anime fan’s wet dream. Yet the clichéd ideas mar what is otherwise a fun, occasionally surprising thriller, greatly in need of imagination. At least when Hot Fuzz attempted this, it was a satire.
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