Avatar: The Way of Water


Viewed – 19 December 2022 Cinema

Director James Cameron has a grand vision for his Avatar franchise. Despite the first movie being one of the highest grossing movies ever… numerous delays and over a ten year wait, it began to feel like we may never actually see what he’d been working. That wait is finally over. Set a number of years after the first movie, Jake Sullly (Sam Worthington) and N’tiri (Zoe Saldana) live a peaceful existence on the planet of Pandora raising their family, consisting of two sons, the daughter of Sigourney Weaver’s character as well as a feral human boy. That is until a new threat from the humans arrives, and Jake & his family are forced to either fight or flee.

Like the first movie, the story is simple yet effective. This time around there is an emphasis on family, race, and nature and it quickly became clear to me the movie is basically one big advert for conservation of the planet etc. not that far removed from David Attenborough documentary at times. However this is still a movie, and a James Cameron one at that – so the visuals, action and technology on display are in a word – stunning.

The CGI is more often than not, jaw-dropping. It’s a step up even from the last movie. Considering that came out in 2009, it still looks better than most movies. Cameron has this time used a high frame-rate technique that gives the movie a near 3D aesthetic, yet takes some getting used to (it’s also available in 3D). I’m not entirely sure it was necessary, but some of the grander moments do look amazing because of it. At 3hrs and 15 minutes yes, the movie is long but that’s because Cameron takes time to develop the characters and story for the first two hours, before delivering some bombastic action in an exhilarating, emotional and impressive final act. A movie that demands to be experienced on the biggest screen possible. A must see.

Verdict: Essential

Terminator: Dark Fate


Viewed – 30 October 2019. Cinema

I genuinely don’t think there’s ever been a truly bad Terminator movie. I’m also happy to say that whilst this doesn’t break the mould, it doesn’t ruin that tradition either. A bad-ass female resistance soldier travels back in time from a ‘war against the machines’ future to protect a young Mexican woman who is the target of a new Terminator that may just be the deadliest yet. Lucky for them there is help from Sarah Conner (Linda Hamilton).

James Cameron, producer and series creator has said this is the true follow up to T2 and ignores the other sequels. It certainly feels closer to his vision than any other and the inclusion of Hamilton’s Sarah Conner cannot be underestimated. However as it turns out she’s mostly here to link movies, and a jarring plot twist early on basically makes her involvement pointless. Natalia Reyes as Dani, the Terminator’s target is a little bland also. The saving grace then, ironically is Mackenzie Davis as Grace, the cybernetically-enhanced resistance soldier who proves this movie’s most compelling aspect.

Action is decent, the CGI impressive (if at times over done) and the pace relentless (occasionally to the movie’s detriment) but this concept has always been exciting and it’s no different here. Arnie turns up after a while and proves a real scene-stealer. Yet unlike the masterpiece that was T2 there’s little wow-factor here, and the sense of a franchise finally being milked dry. But for seasoned fans like myself, this still entertained.

Verdict: 3 /5

Alita: Battle Angel


Viewed – 07 January 2019  Cinema

Director James Cameron (Titanic, Terminator 2) had been hoping to helm this adaptation of the popular Japanese manga.  However, his attention these days is focused on the Avatar sequels, and so with a large degree of supervision he passed his passion project onto Robert Rodriguez, a risky move in my opinion as the once celebrated genre film maker hasn’t had a major hit in a while, with Sin City probably being his last movie to make any sort of rumbles. 

Alita

Set in the distant future, this has Christoph Waltz’s cybernetic limb doctor stumble upon the remains of a robotic girl, and goes about bringing her back to life, only to discover she has incredible fighting abilities.  ‘Alita’ you see, has clouded memories of a past that is linked to the hovering city of Zalem, ruled over by omnipresent ruler ‘Nova’.  What was she before?  What do her memories hold secret, and why are thugs seemingly hellbent on capturing her?

Visually stunning and with state of the art technology, this is a fun adventure with a breakout performance by Rosa Salazar as Alita (underneath Avatar-style CGI).  Along with a great Guipetto-like turn from Waltz who always lends presence to each movie he appears in and a story that cracks along at a good pace, I found myself having a great time with this.  Occasionally the CGI over-load reveals some shortcomings with one such scene looking like the actors are not part of the scenery (the rooftop scene), but in many other aspects it’s jaw-dropping (Alita herself bug-eyes and all, and those mutant bad guys).  The movie also falters at being clearly the beginning of a much larger story, with too many questions left unanswered.  Also the love story sub-plot is a tad cheesy, and less said about Jennifer Connelly’s performance the better. 

Yet with solid world-building and some bad-ass action (the bar fight, the motor-ball sequence), not only has Rodriguez found his groove … but Cameron can also be proud to finally realise such a vision.  Roll on part 2!

Verdict:  3.5 /5

Terminator 3: Rise of the Machines


Viewed – 28 July 2015  Blu-ray

Following in the wake of the seminal classic Terminator 2: Judgement Day was not going to be an easy task.  Director Jonathan Mostow however, whilst not being James Cameron, has managed to deliver a decent if flawed entry in one of my favourite movie franchises.

terminator 3

John Conner (Nick Stahl) is a loner drifter who ten years following the events of T2 has seen Judgement day come and go without a Nuclear War and thus chooses to live off the radar.  That is until a female Terminator known as a T-X arrives in town, hell bent on tracking down a series of targets, including veterinary doctor Catherine (Claire Danes).  As before however, another cyborg follows and this time ol’ Arnie is out to protect John Connor and Catherine and goes up against the most advanced Terminator yet.

This continues but fails to innovate on the Terminator lore, with several copycat sequences borrowed straight from T1/T2 but given corny jokes or silly updates that prevent this movie gaining it’s own identity.  Kristanna Loken is effective and subtly-sexy as the female Terminator (that arrival…) and proves a worthy villain, while Danes adds some good female feistiness in the absence of Linda Hamilton.  Stahl however can’t fill the boots of Edward Furlong and lacks all of his charisma and personality; delivering a character who, however pivotal to the plot, is difficult to like or even sympathise with.  Schwarzenegger thankfully looks like he’s having a ball, even if his line-delivery and the sheer-bad-assery of previous (and even the latest) movies is lacking here.  As a competent director though, Mostow does manage to fill the movie with some terrific action (a huge, multi-vehicle chase thatJohn Connor obliterates many shops and buildings comes to mind…) decent effects and a good pace.  It’s just a shame then that with all such ingredients intact, we still get a movie that brings no real surprises and is stuck with a rather limp ending.  That said, on it’s own merits, this was still a fun, action-packed experience with a few stand-out moments.  Even as the weakest of the franchise, T3 is by no means a disaster.

The Blu-ray may lack a bit of punch in the image quality, but makes up for this in a hefty Dolby True HD soundtrack that really comes to life during the action sequences.  However it’s in the extras where this release impresses most, with several featurettes spanning all aspects of the making.  Most notably we also get a cast & crew commentary and a special cine-chat talking heads feature that plays along as you watch.    Not too shabby for a still enjoyable also-ran.

Verdict:

(the movie)  3 /5

(the Blu-ray)  3.5 /5

Ten of the best


Top Ten lists are sort of something I enjoy doing, especially at the end of each year.  But Top Ten Favourite Movies of all time?  Harder.  I used to have a list a while back of which some of the movies below used to appear on.  Yet I gave up putting them in a particular order as they are so different some of them, comparing is impossible.  So find below Ten movies I think have had the greatest effect on me, either growing up, inspiring me (writing, movie tastes) or just hitting me on an emotional level.

fight-club

Fight Club

Made me a big fan of the movies of David Fincher and has arguably Edward Norton’s finest turn.  Style, effects work in a movie that didn’t need it, a great soundtrack, that twist and endlessly quotable.

Gran Torino

Emotional, heart-wrenching, funny, touching with one of Eastwood’s best performances.  The cast of newcomers surrounding him are also first-rate.

gran torino

21 Grams

Complex and twist-filled with three stunning performances (especially Naomi Watts) and a script that is quite literally genius.  Tough going but well worth the journey.

21grams

Pulp Fiction

Possibly still my all time favourite movie.  The dialogue is amazing, funny, very cool and  believable.  The sound track is stuff of legend and performances across the board are superb.

pulpfiction

Leon

Natalie Portman’s debut.  Ice-cool, Gary Oldman’s looniest but greatest villain, Jean Reno as a lovable assassin and Luc Besson on stunning form.

leon

Annie Hall

All of Woody Allen’s best ideas, cleverest dialogue and touching observations rolled into one perfect movie.  Diane Keaton is excellent and Allen has never been funnier.

Annie-Hall

Terminator 2: Judgement Day

James Cameron fully realising Terminator … stunning effects work, amazing action sequences, Arnie at his best, Linda Hamilton as the most bad-ass female role model since Ellen Ripley.  The ultimate sci-fi blockbuster.

terminator 2

Blue Velvet

Weird but one of David Lynch’s most coherent works, with a great cast (Hopper is just plain nuts) and haunting music and a dream-like atmosphere.  Sexy and disturbing just how Lynch should be.

blue-velvet

Goodfellas

The finest gangster movie ever made, fast, packed with ideas, dialogue, people getting wacked, great dialogue and great performances throughout.  Martin Scorsese at his very best.

goodfellas

The Shining

Stunningly filmed, creepy as hell, scary, with an amazing Jack Nicholson and a true directing auteur in the shape of the late Stanley Kubrick.  The best horror movie ever made?  Quite possibly.

The-Shining