Velvet Buzzsaw


Viewed – 26 February 2019  Netflix

I think it can be agreed now that Netflix has become a force to be retconned with and now attracts Hollywood A-list talent to front it’s growing catalogue of original content.  So we come to this rather strange horror thriller starring Jake Gyllenhaal, Rene Russo and Toni Collette.  Gyllenhaal plays an art critic who works with various art galleries to put on exhibits.  However he is craving the latest big thing and after a mysterious elderly man dies, an undiscovered collection of weird paintings falls into his lap.  However something is very wrong with these paintings, and the gallery owners, employees and critics are about to discover exactly what.

UNTITLED DAN GILROY FILM

This was a strange one.  Firstly Gyllenhaal is probably my favourite actor, and here he’s playing a rather camp, self-absorbed bi-sexual character who at times comes off like two separate people (when he’s in critic mode, he’s effeminate and flamboyant, otherwise he’s quite serious and masculine). However like many of Gyllenhaal’s characters – he makes it work.  Russo is the rather bitchy gallery owner and not exactly a stretch from the last movie I saw her in, Nightcrawler, of which this is the same director.  Collette is nothing special and an appearance from John Malcovich is forgettable also.  Zawe Ashton as an ambitious gallery employee however, is just awful with robot-like line delivery making me think she was doped up on medication.  However the core idea of cursed artwork and the mystery of the deceased painter is intriguing, just a shame it goes nowhere in favour of a series of (admittedly imaginative) deaths. 

It may feel a bit lightweight and suffers from a TV movie-vibe but with quirky performances and a strong central idea I did have fun with this … but it’s far from essential viewing.  That title has little reference to the movie either. 

Verdict:  3 /5

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Prisoners


Viewed – 29 September 2018  Netflix

I’d heard good things about this 2013 thriller but had not got around to watching until last night.  Starring two actors I always enjoy, Hugh Jackman and especially Jake Gyllenhaal … this looked like essential viewing from the very moment I’d heard about it.  Telling the story of two suburban families who’s young daughters go missing one day, this follows the ensuing investigation that doesn’t bring many leads, causing Jackman’s father to take the law into his own hands.  He decides to abduct the number one suspect and beat out some answers, whilst at the same time the detective in charge of the case, Gyllenhaal attempts to unravel and mystery.

Prisoners

Directed by the acclaimed Denis Villeneuve (Sicario, Blade Runner 2049) this is a taught and hard-hitting with above average performances not only from the leads but also Maria Bello.  Unlike similar missing persons movies this raises questions of what’s right and wrong, although never did I not understand the desperation and pain experienced by the worried parents.  With echoes of movies like (the underrated) Death Sentence and Zodiac, the gradually complex investigation is delivered with no end of tension, twists and turns.  It kept this viewer guessing throughout and even if the final reveal is a little too neat, I was still left satisfied.

It’s a lengthy movie but never slow or stretched out and kept me gripped.  A few questions are left unanswered at the end, with a mystery considering a character’s obsession with mazes left up in the air.  But this was still solid entertainment with atmospheric direction and a stunning turn from Jackman making him one of the best working today.  And to think I came to this for Gyllenhaal who whilst very good is left overshadowed.

Verdict: 4 /5

Top Ten 2017


It’s that time of year again and once again I’ve compiled what I feel are the ten best movies I managed to see this year.  Note: some may be older than 2017.

10.

Your Name

your-name

‘A beautifully animated, heart-warming, emotional and funny body-swap drama’

9.

Valerian and the City of a Thousand Planets

Valerian_

‘Pure escapist entertainment at it’s finest.  Luc Besson is back’

8.

Wonder Woman

Wonder-Woman

‘DC gets it right and one of the most purely enjoyable comic-book movies in years’

7.

War for the Planet of the Apes

War-For-Planet-Of-Apes

‘Full of heart and emotion and spectacle.  The most satisfying rebooted franchise ever’

6.

Annabelle Creation

AnnabelleCreation

‘Atmosphere, well-judged scares and solid performances make for a surprising sequel’

5.

Nocturnal Animals

Nocturnal Animals

‘Cleverly structured and powerful relationship drama with excellent performances’

4.

Gerald’s Game

Geralds_Game

‘A Stephen King adaptation that does a great deal with a very simple premise’

3.

Train to Busan

train-to-busan

‘Korean genre cinema at it’s finest.  Action, thrills and a surprising amount of heart’

2.

Hacksaw Ridge

Hacksaw-Ridge

‘A powerful true story with expert direction and great performances’

1.

Logan

Logan_

‘An incredibly effective take on a familiar character turned into a road movie with powerful performances and genuine grit …  and Hugh Jackman deserves an Oscar’

 

Honourable mentions:  A Street Cat Named Bob, Hell or Highwater, Guardians of the Galaxy Vol.2

Life


Viewed – 15 August 2017  online rental

Science-fiction has become one of my favourite genres, with such gems as The Martian and Interstellar impressing me.  There seems to have been a bit of a resurgence in such movies, albeit stepping away from the flights of fantasy we’ve seen and instead focusing on a more semi-realistic tone.  The same can be said for this latest space-set thriller starring amongst others, Jake Gyllenhaal and Ryan Reynolds.

Life

A team of astronauts orbiting the earth reprieve a probe that has been on it’s way back from Mars, and discover a life form within it’s gathered soil samples.  Nurturing said life form in an incubator, the astronauts try to figure out how it responds and whether it’s harmless or deadly.  I’m guessing you probably know the answer to that one, huh?

I got a serious Alien vibe from this but stripped down to actual realistic space travel and science rather than H R Giger inspired horror aesthetics.   The creature, nicknamed Calvin is initially cute but eventually shudder creepy-crawly, and as the scientists attempt to contain it, this set into action some seriously well done thrills.  It’s not a subject that breathes new life into a tired genre but it’s done well, has some genuinely heart-in-mouth moments and is topped off by decent effects work (but for the occasional obvious CGI monster) and great set design that transported me right there … and I didn’t want to be there.  Gyllenhaal, considering his usual brilliance is a little side-lined and the star of this turns out to be Rebecca Ferguson who is very good.  Ryan Reynolds seems like he’s just playing Ryan Reynolds, but the rest of the cast do a decent job.  It’s also a movie, despite it’s familiarity that still managed to keep me gripped and wondering how it might end, and in this day and age that has to be commended.

Verdict:  4 /5

Nocturnal Animals


Viewed – 13 May 2017  online rental

How could I pass up a movie starring two of my favourites?  I tend to enjoy almost anything with Amy Adams or Jake Gyllenhaal and consider them two of the best around right now.  This latest effort has Adams as a high society, somewhat pretentious art gallery owner who when we meet her has just held her latest exhibition (something to do with overly obese women dancing around naked).  One day she receives a manuscript off her ex (Gyllenhaal) who she hadn’t heard off in a while.  Adams is currently in a rather loveless relationship with Armie Hammer (The Man From U.N.C.L.E.) but quickly finds her own past with Gyllenhaal echoed in the pages of the violent thriller he’s sent her.

Nocturnal Animals

Director Tom Ford’s highly atmospheric drama has a great noir-ish mood with an eerie style not unlike something by David Lynch or Alfred Hitchcock.  This is aided well by a haunting orchestral score from Abel Korzeniowski.  However the structure … the fact the movie jumps back and forth from Adams’ present circumstances, her past with Gyllenhaal and the story within the manuscript, which plays out like a revenge thriller … is all it’s own and makes this not your average movie.  It’s an intelligent study of a relationship, about regret, revenge and bitterness but done in such a way that I found particularly gripping.

Michael Shannon (Man of Steel, Boardwalk Empire), increasingly an actor I’m impressed with lends the movie a degree of intensity as a character in the manuscript, and Gyllenhaal is again convincing even if we mainly see him in the manuscript setting (I’d have liked a bit more explored of his motives in the real-life segments but that aspect is mostly left to your imagination).  Amy Adams is again very good and particularly nuanced making a generally unlikable character sympathetic as the movie draws to a close.  The point that is reached felt a little ‘…and?’ but that’s small thing for what is otherwise a clever and engrossing experience.

Not for everyone, but I came away rather impressed.

Verdict: 4 /5