Viewed – 02 June 2016  online-rental

They say be careful what you wish for.  I grew up in the eighties, a golden era for horror, but also a time when censorship was rife.  I recall watching slashers like Halloween or Friday the 13th and wishing those kills had been more graphic.  Yeah, I was that kid; a bit of a gore-hound.  These days it’s different.  Censorship hasn’t got the strangle-hold on the genre it once had, and that can be a good or bad thing depending on your taste.  For me it’s an all you can eat buffet!


Terrifier is my first introduction to freaky homicidal clown ‘Art’, initially showcased as part of the short ‘All Hallow’s Eve’.  Here he stalks a bunch of individuals on Halloween night, picking them off in increasingly brutal ways.  Immediately I found this is an effective horror icon and one of the most messed up looking creations I’d seen in a long time.  His sheer presence makes the movie, let alone the way he playfully despatches his victims.  The characters, as wafer-thin as they are, managed to get me routing for them and wondering who might survive.  Unlike similar movies they’re not all that annoying either (apart from one drunk girl).

Director Damien Leone was clearly working with a low budget, with all the cash obviously put into some decent practical effects that thanks to the help of some slick editing make each kill really pack a punch.  The acting varies from passable to very amateurish, and the movie seems to wallow in it’s clichés a bit too much.  Yet we do get some great camera work and an effective, grainy 80’s aesthetic, meaning I still came away impressed.  Certainly not for everyone, but if you’re serious about horror, this is one to see.

Verdict:  3.5 /5

The Blob

Viewed – 06 February 2018  Blu-ray

You have to love the 80s.  It was a golden era for horror, and a time when horror could be fun as well as horrifying. Today a lot of horror movies go straight for the jugular and can be way too nasty   They’re almost a test of endurance.  That can’t be said for this rather under-appreciated 1988 remake of a 50’s b-movie of the same name.


When a meteor crashes near a small town, biker rebel Kevin Dillon (The Rescue) finds himself thrown into a battle for survival alongside high school cheerleader Shawnee Smith (Saw).  Even as authority figures and adults dismiss the disappearances along with sightings of a weird goo … of course it’s up to the kids to find a way to stop what’s happening.  Yeah, there’s nothing all that clever here, but it retains that b-movie tongue-in-cheek tone that perfectly suits such a silly concept, with cast all doing a great job of going along for the ride.  Director Chuck Russell (A Nightmare on Elm Street 3: Dream Warriors) piles on some effective gore with still great practical effects and a couple of genuine shocks (the kid in the sewer).  Also I’d forgotten how likable Shawnee Smith is, and well Kevin Dillon’s always been a great bad-boy (where’s he gone?).

It reminded me at times of John Carpenter’s seminal The Thing remake but fares poorly in comparison due to clichéd characters and only passable acting, and that silly tone stops it from being scary even for a second.  Yet as it stands this is still a great deal of fun and is certainly worth your time.

The Blu-ray is rather a pleasant surprise … image quality may seem a bit soft but colours are vibrant and overall the picture is clean, and free of any print damage.  The sound gets the lossless 5.1 DTS HD Master Audio treatment, but seems to lack a bit of ‘punch’ overall.  Extras feature a trailer and a director interview, but that’s it.  Considering the movie at time of writing still lacks a UK Blu-ray release this Region B Australian release is a godsend.


(the movie)  3.5 /5

(the Blu-ray)  3 /5


Viewed – 27 August 2016  Online rental

Every now and then I feel up for a nasty little horror movie and have a pretty strong threshold of what I can endure with movies like Hostel and Saw standing out as good examples of the more extreme side of horror.  However it’s often the case that horror from foreign countries can push that envelope further as witnessed in the disturbing classic Martyrs.  So sitting down to this Turkish entry I was both excited and a little nervous.


A group of cops, hanging out at a late night restaurant, are called to an emergency at an old, abandoned police station in the middle of nowhere.  So sets up a night of terror, hallucinations and a descent into hell as the cops try to make sense of an increasingly bizarre and freaky situation.  Director Can Evrenol has gone on record as saying he was influenced by the movies of such Italian horror auteurs as Lucio Fulci and Dario Argento, and if like me you’re at all familiar with either director, it’s in full force here; Argento’s decidedly weird colour palettes of blues & reds (and great use of music) … Fulci’s dream-logic narrative and revelling in gore etc.  This is less a movie about story, traditional structure and more about atmosphere, style and freaking out (or repulsing) the viewer.  In such respect it works wonders and jumps in time, dreams and reality whilst at first jarring, soon created a personality all it’s own, and I began to just go with it, awaiting the next nutty development.

This is pretty messed up stuff; satanism, lashings of blood, graphic throat slits, and at the centre of it all the horribly disturbing looking ‘Father’.  I won’t go into any more of what happens but rest assured this one is not for the easily offended or squemish (and it gets pretty sick) but definitely a movie for gore-hounds and those that like their horror to punch them in the face until they can’t take no more.  Yet it could have been scarier, and as there is little reason or logic to anything, I was left not really caring about any of the characters.  With that said, I still applaud the director for nailing a very effective style and delivering an ‘experience’ not easily forgotten.

Verdict:  3.5 /5


Viewed – 29 April 2016  Blu-ray

Yes I watched this and yes I’m on a bit of a horror binge of late.  This decidedly silly concept movie has been getting a bit of buzz on the ‘horror scene’.  Three girls decide to get away from it all and head off to a secluded cabin near a lake.  However following the accidental spillage of some toxic chemicals into said lake, a group of resident beavers start to take on ravenous, zombie characteristics.


It’s a seriously daft idea for a movie but done tongue planted firmly in cheek and jam-packed with an infectious sense of humour and a love for genre horror.  We get horny teens, boobs, blood and carnage and a few clichés like the bitch, the nerd and the girl getting over her boyfriend cheating.  Effects are passable, with the animatronic / stop-motion beavers themselves proving effective, but with a low budget the lack of invention to the kills is jarring and some mutant zombie / human / beaver hybrid action only just makes up for this.  The script does however have some good one-liners and a few decent pay-offs and it’s all done with plenty of enthusiasm.  Acting is serviceable at best, and I’d have liked a bit more character to the girls and their horny boyfriends … but in the end you’re just waiting to see who gets killed next and in what way.

Yet this still manages to be a lot of fun.  It knows what it is and doesn’t try to be anything else.  A bit more money thrown at the effects would have given this more of a status to stand alongside say, Evil Dead 2 or Piranha 3D.  Yet for what it is, this still deserves to be seen – just bring plenty of beer, popcorn and friends and you’ll have a blast.

Verdict:  3 /5

Bride of Re-Animator

Viewed – 16 April 2016  Blu-ray

Unrated version

MSDBROF EC057Yes I got myself both movies this weekened and thought I’d give them a critical look as they’ve both had the lavish restoration treatment.  However I recall only ever seeing this sequel once and couldn’t remember much about it.  Herbert West (Jeffrey Combs) and his assistant, now Doctor Dan Caine (Bruce Abbott) return from a medical assignment in some war torn part of the world and find themselves piecing together body parts to create a woman, ala Bride of Frankenstein.  If ever parallels between the two concepts were just, then they are ever more so here.  With a new love interest on the scene, Dan feels reluctant to continue helping West who grows increasingly unhinged … yet finds himself pulled back when West comes up with the idea of using Dan’s former girlfriend Meg’s heart in the new body.

Like the movie that proceeded it, its decidedly low budget and a bit silly, but unlike that movie ramps up the freak-o-metre with some bizarre creations (a finger spider, a dog with a human arm), but the dark sense of humour is mostly missing.  Here it seems we have several plot threads going on at the same time with not enough to them to really get one’s teeth into.  We have the unfathomable return of ‘talking-head’ Dr Hill, a vengeful Police Detective investigating the aftermath of the last movie, and at the same time the gradual creation of the Bride.  It feels unfocused and not helped by a plodding pace and amateurish acting from anyone not in the previous movie.  Combs gives it his all and still makes for a memorable mad scientist, whilst Abbott is a bit buffed up and comes across all smouldering, which doesn’t exactly suit the character.  Gore hounds will be both rejoicing and disappointed by the all too brief effects (especially the wonderfully freaky Bride) but there’s still fun to be had here.  It’s just overall the movie fails to build on or capture the perverse energy that made Re-Animator such a classic in the first place.

Bride Limited Edition

The Blu-ray from Arrow Video is impressive, with the limited edition I picked up really wowing – housing two cuts of the movie, a DVD version and a graphic novel along with a detailed booklet.  On an image front we get a clean and mostly detailed picture that really shows off the movie’s often garish colour palette.  Sound-wise it’s serviceable with just a stereo channel on offer, but it does the job.  The score which was a highlight in the last movie seemed dialled back however and not as enjoyable this time.

Extras consist of three audio commentaries, one from director Brian Yuzna, another with cast and crew, and a final one with stars Jeffrey Combs and Bruce Abbott.  Add to this detailed featurettes and behind the scenes footage detailing the making of and the special effects, and … considering the movie itself is fairly forgettable, this is amazing treatment if a little unwarranted.  I think collectors will get more out of the extras here than the movie, so excuse me whilst I dive into them to make up for my disappointment.


(the movie)  2.5 /5

(the Blu-ray)  5 /5