A young boy living in World War II Germany idolises Adolf Hitler to the point of having an imaginary friend who bares more than a passing resemblance to the Fuhrer. With dreams of joining the German Army and hopes of becoming a Nazi, one day he finds all he loves thrown into question upon discovering a Jewish girl hiding in the walls of his house.
Directed by Taika Waititi (Thor Rsgnorok) who also takes on the role of Hitler, this irreverent and unusual approach to the WWII conflict boldly blends satire and surrealism with a profound commentary on the innocence of youth during war time. Coming off as a bit of comedy at first seems rather bad taste but as the story unfolds it became clear that the viewpoint is solely that of a ten year old boy, who’s young mind has been overloaded with propaganda. However the murkier aspects of the Nazi regime lurk in the background, and despite many an absurd moment, still manages to have an impact. This is down to solid performances across the board, especially Roman Griffin Davis as Jo Jo and Thomason McKenzie as Elsa, although support from Scarlett Johansson and Sam Rockwell are also memorable.
Waititi manages the inconceivable by delivering a light tone to the war without ‘making light’ of the war, leading to many effectively poignant moments such as when Elsa remarks about her parents ‘my parents went to a place they can’t come back from.’. A sharply written, brilliantly performed and unique approach to a difficult subject.
In the final days of World War II a grizzled Tank squad (headed by Brad Pitt) journey through Germany on a routine mission to hit the Nazis where it hurts … until disaster strikes.
Considering the plethora of WWII movies that have been made, I still managed to find this an interesting take on the age old band-of-brothers concept with the inclusion of the tank battles and the trapped behind enemy lines plotting. It wears it’s clichés with pride, with the usual characters like the rookie, the grizzled war vet and the psycho, but mostly failed to inject them with a personality that even Pitt couldn’t deliver in a fairly one-note turn. Even the casting of Shia LaBeouf seemed fairly pointless.
However, I liked how the movie became about more than just Pitt doing his thing and the layered performance of a wet-behind-the-ears Norman (Logan Lerman) saved this from being another also-ran. The movie has some good action and gets fairly gory as the bodies pile up, with the final act being as intense as it gets. With classics like Saving Private Ryan to think about when watching this, it lacks the depth or the performances and struggles with pacing (that scene in the house … yawn), but overall, it was still pretty decent.
Mensen maken de samenleving en nemen daarin een positie in. Deze website geeft toegang tot een diversiteit aan artikelen die gaan over 'samenleven', belicht vanuit verschillende perspectieven. De artikelen hebben gemeen dat er gezocht wordt naar wat 'mensen bindt, in plaats van wat hen scheidt'.