Following the death of his father, Prince T’Challa aka Black Panther returns home to claim his birth right and become king of Wakanda. However when news surfaces of a terrorist who has stolen some of his homeland’s resources, T’Challa (Chadwick Boseman) springs into action to stop his home’s sacred power being used for evil.
This has had a great deal of attention and is now one of the highest rated Marvel movies on RottenTomatoes.com, surprising when the character has never been what you’d call a household name like Thor, Spiderman etc. For whatever reason this movie has gained such attention, what we actually have is a fairly basic super hero movie with the twist of an African setting and largely black cast. Panther is an interesting, layered character and fairly refreshing compared to the usual machismo we get with other characters; but with a rise and fall and rise again story ark, I failed to see how this was any different than what we’ve been getting for several years now. Add to this an underwhelming Michael B Jordan as the villain who’s character is basically a carbon copy of another Marvel villain, and like in Creed has no screen presence and is instead feels miscast beyond his impressive pecks. Yet we do get a fantastic car chase sequence, decent CGI and some tense fight scenes, along with good support from Martin Freeman and especially Letitia Wright as T’Challa’s sister – who gets all the best lines and funniest gags.
As it stands this was very pretty, often fun but very drawn out considering it’s simple plot, and felt more like an ‘also ran’ in the juggernaut that is the Marvel Cinematic Universe than anything else. I still had a good time, but like a lot of heavily-hyped things these days … I also came away wondering what the fuss was about.
George Lucas’ shock sale of his beloved Star Wars to Disney seemed like a concern at one stage. Yet considering the work he’d done delivering three prequels that seemed to focus more on CGI than gripping narratives with fully fleshed out characters … perhaps it was time for another company to try their hand? The result? Well we got The Force Awakens and the rest as they say, is history. Or is it? The proposed continuation of the saga was also going to have a series of spin-off movies focusing on plots away from but connected to the main saga. So despite that last movie’s un-argued success in bringing back a once treasured franchise … it could still all go tits up.
Jyn is the daughter of a scientist who at the beginning of this movie gets taken away to work on the Empire’s latest weapon. Yes Daddy is helping build the death star. Cue fifteen years after and Jyn is all grown up and seeking out the rebellion and the man who rescued her after her father was taken. However along the way she befriends a reluctant assassin (Diego Luna) and his sarcastic droid and also a defected imperial pilot (Riz Ahmed). Turns out there’s a mission to steel the plans to the death star in hope of finding a weak point, and so sets forth a sort of inter-galactic dirty dozen and boy, was I along for the ride.
A different beast to The Force Awakens but every bit as polished and entertaining, this boasts several stunning battle sequences that possibly eclipse that movie and strong performances, especially from newcomer Felicity Jones and her band of brothers, including a blind monk played by martial arts supremo Donnie Yen. The movie plays itself rather serious for the most part but still finds time for gentle in-jokes and plenty of ‘was that…?’ and ‘hey that’s…!’ visual nods to Star Wars of yester-year. Effects work is some of the best I’ve seen this year, even down to a shockingly real (sorry…spoilers) recreation of Peter Cushing’s Grand Moff Tarkin from the very first movie (apart from those eyes…). Add to this perfect set design, costumes and some gorgeous cinematography and well, this had my jaw hitting my lap on a regular basis. That much loved mysticism of Star Wars, especially the force, Jedi’s etc. seemed pushed aside however in favor of a more gritty ‘mission’ structure. It also has to be said, some of the support characters were under-developed.
This could have been just a simple cash-in. Yet director Gareth Edwards has made an inspired ‘alternative take’ on a familiar franchise and delivers a loving celebration at the same time. So if you hadn’t figured it out already – I loved this.
This nifty little thriller has a very simple but highly effective premise. During a Presidential visit to a Spanish city, witnessed by members of the public, a news team reporting on the event, secret service agents and a Spanish police officer, amongst others, an assassination attempt takes place. What follows is a classic case of who dunnit and how, as events are repeated several times from the perspective of different individuals, leading up to a big reveal in the closing moments. Heading the cast is Dennis Quaid, definitely one of the under used classic actors that never really escaped the eighties, but is suitably supported by TVs LOST leading man Matthew Fox as well as the always dependable Forest Whitaker as a tourest who gets caught up in the chaos.
Exciting and thought provoking given the shadow of global terrorism we live in, and the gimmick of repeating events never gets old thanks to a fresh and unique spin on things every time. Which all leads brilliantly to a stunning car chase that got me thoroughly perched on the edge of my seat. Sigourney Weaver crops up as a TV anchor woman but is painfully under-used for such a heavy weight talent, although this is more about the story and the situation than some starry name on the credits. I will add though that I was left a little puzzled over why the assassination attempt takes place and what the culprits were ultimatly trying to achieve … but perhaps we could say that about real terrorism?
So if you’re after a fast and thrilling movie that will keep you guessing, this is definitely worth a look.
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